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A New History of French Literature
About this book
Designed for the general reader, this splendid introduction to French literature from 842 A.D.âthe date of the earliest surviving document in any Romance languageâto the present decade is the most compact and imaginative single-volume guide available in English to the French literary tradition. In fact, no comparable work exists in either language. It is not the customary inventory of authors and titles but rather a collection of wide-angled views of historical and cultural phenomena. It sets before us writers, public figures, criminals, saints, and monarchs, as well as religious, cultural, and social revolutions. It gives us books, paintings, public monuments, even TV shows.
Written by 164 American and European specialists, the essays are introduced by date and arranged in chronological order, but here ends the book's resemblance to the usual history of literature. Each date is followed by a headline evoking an event that indicates the chronological point of departure. Usually the event is literaryâthe publication of an original work, a journal, a translation, the first performance of a play, the death of an authorâbut some events are literary only in terms of their repercussions and resonances. Essays devoted to a genre exist alongside essays devoted to one book, institutions are presented side by side with literary movements, and large surveys appear next to detailed discussions of specific landmarks.
No article is limited to the "life and works" of a single author. Proust, for example, appears through various lenses: fleetingly, in 1701, apropos of Antoine Galland's translation of The Thousand and One Nights; in 1898, in connection with the Dreyfus Affair; in 1905, on the occasion of the law on the separation of church and state; in 1911, in relation to Gide and their different treatments of homosexuality; and at his death in 1922.
Without attempting to cover every author, work, and cultural development since the Serments de Strasbourg in 842, this history succeeds in being both informative and critical about the more than 1,000 years it describes. The contributors offer us a chance to appreciate not only French culture but also the major critical positions in literary studies today. A New History of French Literature will be essential reading for all engaged in the study of French culture and for all who are interested in it. It is an authoritative, lively, and readable volume.
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Information

Table of contents
- Cover
- Title
- Copyright
- Contents
- Introduction
- On Writing Literary History
- 778: Entering the Date
- 842: The Birth of Medieval Studies
- 1050?: Saintsâ Lives
- 1095: The Epic
- 1123?: Manuscripts
- 1127: The Old Provençal Lyric
- 1152: The Romances of Antiquity
- 1165: Erec et Enide
- 1175: Fables and Parodies
- 1180?: Marie de France
- 1181?: The Grail
- 1202: Old French Prose Historiography
- 1209?: Arthurian Romance in Prose
- 1210: The Fabliaux
- 1214, 27 July: Literature and History
- 1215, November: The Impact of Christian Doctrine
- 1225?: Generic Hybrids
- 1267: Medieval Rhetoric
- 1277, 7 March: Jean de Meunâs Le roman de la rose
- 1300?: Medieval Vernacular Drama
- 1342?: Lyricism in the Age of Allegory
- 1401, St. Valentineâs Day: Trials of Eros
- 1456: âI the Scholar François Villonâ
- 1460?: Farces, Morality Plays, and Soties
- 1493: The Rhétoriqueurs
- 1512: Writing without Reserve
- 1517: Humanist Models
- 1526, July: Life-Saving Stories
- 1527: Margaret of Navarre
- 1528: Manners and Mannerisms at Court
- 1532: Rabelais and Textual Architecture
- 1534, Fall: Literary Banquets
- 1534, 17â18 October: Evangelism
- 1536: Emblems
- 1536, Summer: The Sonnet
- 1538, 6 March: Dialogue
- 1539: The Birth of French Lexicography
- 1541, July: Translation as Literature
- 1541, September: Calvin the Writer
- 1542: The Neoplatonic Debate
- 1544: The Architecture of Poetic Sequences
- 1549: A New Intellectual Elite
- 1550: Inspiration and Poetic Glory
- 1552: Renaissance Comedy
- 1553, March: The Origin of French Tragedy
- 1553, June: Antiquities and Antiquaries
- 1555, July: Petrarchism with a Difference
- 1555, 13 September: Books in Print
- 1562: Scientific Poetry
- 1563, 18 August: Anti-Dictator
- 1566: History and Vernacular Humanism
- 1572, 24 August: Poetry and Action
- 1573: From Mannerism to Baroque
- 1578: Antarctic France
- 1581: The Spectacle of Power
- 1595: Montaigne and His Readers
- 1609: Devout Humanism
- 1619: Pastoral Fiction
- 1627: The Age of the Technician
- 1634, 13 March: The Académie Française
- 1637: Toward French Classical Tragedy
- 1640: Problems in Logic and Rhetoric
- 1647: The Subject of Modern Discourse
- 1648, 26â28 August: The Sound of the Fury
- 1651: Cultural Life outside Paris
- 1654: The Salons and âPreciosityâ
- 1657: Figures of Social and Semiotic Dissent
- 1660: Autocritical Dramaturgy
- 1661: From Roi Soleil to Louis le Grand
- 1664: Jansenist Tragedy
- 1668: Moralists
- 1673, 17 February: The Comic at Its Limits
- 1674: On the Sublime, Infinity, Je Ne Sais Quoi
- 1677: Historiography in the Age of Absolutism
- 1678: The Emergence of the Novel
- 1680, 21 October: The Comédie-Française
- 1685: Religious Controversies
- 1687: The Ancients and the Moderns
- 1689: Pedagogy
- 1694: Linguistic Absolutism
- 1697: Marginal Writing
- 1699: Racine and the French New Criticism
- 1700: Classics in the Making
- 1704: Sunset Years
- 1707?: FĂȘtes Galantes
- 1721: Others
- 1725: The Politics of Epistolary Art
- 1727: Portrait of the Philosopher as a Tramp
- 1734: Intricacies of Literary Production
- 1735: The Gender of the Memoir-Novel
- 1750: Beauty in Context
- 1751: Ordering Knowledge
- 1754?: Origins
- 1754: From Natural Philosophy to Scientific Discourse
- 1759, January: On Cultivating Oneâs Garden
- 1759, 23 April: Clearing the Stage
- 1759, AugustâSeptember: Salons
- 1761, February: The Novel and Gender Difference
- 1761, December: What Was Enlightenment?
- 1762: Writing the Political
- 1769: Reason
- 1770: Kisses, en Taille Douce
- 1771: Diderot at the Crossroads of Speech
- 1772: Utopias
- 1774, 19 April: A War at the Opera
- 1782, March: Words and âthe Thingâ
- 1782, May: Autobiographical Acts
- 1784, 27 April: Pre-Revolution (a Comedy)
- 1787: Designing Women
- 1788: Civil Rights and the Wrongs of Women
- 1789: Seventeen Eighty-nine
- 1791, 13 January: Language under Revolutionary Pressure
- 1791, Summer: Pleasure, Perversion, Danger
- 1794, 8 June: Twilight of the Gods
- 1794, 25 July: Unfinished Work
- 1799, 10 October: The Ideologists
- 1800: The Melodramatic Imagination
- 1802, 14 April: Gothic Revival
- 1808, 17 March: Discipline and Melancholy
- 1814, 4 June: Restoration Freedom and Repression
- 1816, 8 May: Womenâs Voices in Literature and Art
- 1820: The Lady in the Lake
- 1823: Romantic Historiography
- 1827, February: The Invention of the Renaissance
- 1827, December: Drama
- 1830, 27â29 July: An Oedipal Crisis
- 1833: The Scandal of Realism
- 1834: Romanticism and Social Vision
- 1835: Dialogues with the Muse
- 1836, 25 October: Egypt in Paris
- 1837: Fantastic Tales
- 1839: Body Bildung and Textual Liberation
- 1840: Discourses on Misery
- 1843, 9 June: Publishing Novels
- 1847, 23 December: Orientalism, Colonialism
- 1848: Class Struggles in France
- 1851, 2 December: Literature Deterritorialized
- 1852, 2 December: Bonapartism
- 1853: French Poe
- 1857: Two Trials
- 1859, 23 July: PoĂšte Maudite
- 1859, 7 December: Exile from Within, Exile from Without
- 1866: The Dream of Stone
- 1869: Tics
- 1871, 15 May: Commune Culture
- 1873: Exit and Save
- 1874: Haute Couture and Haute Culture
- 1876: Idealism
- 1877: Nature, Society, and the Discourse of Class
- 1880: Prostitution in the Novel
- 1884: Decadence
- 1885, February: The Music of the Future
- 1885, June: The Liberation of Verse
- 1886: The Phantomâs Voice
- 1889: Commemoration and the Revolution
- 1892: Writing and the Dance
- 1895: Literature in the Classroom
- 1898: The Dreyfus Affair
- 1905, 9 December: On Schools, Churches, and Museums
- 1911: From Exoticism to Homosexuality
- 1913: Lyrical Ideograms
- 1914â1918: Visions of Death and Dissolution
- 1920: Bourgeois Sin
- 1922, 18 November: Death and Literary Authority
- 1924: From Text to Performance
- 1925, November: Mise en Abyme
- 1925, December: âI Cannot Abide Stupidityâ
- 1928, 3 May: Amnesias
- 1929: âOdor di Feminaâ [Sic]
- 1931, March: Sadology
- 1931, June: Plenty of Nothing
- 1933, February: Negrophilia
- 1933, November: Americans in Paris
- 1933, December: âTerrorists Ask No Questionsâ
- 1934, 6 February: Birthrate and Death Wish
- 1935, 6 May: Staging the Plague
- 1937, March: The Avant-Garde Embraces Science
- 1937, 12 July: Committed Painting
- 1939: Surrealism and Négritude in Martinique
- 1940â1944: The Honor of Poets
- 1941: How Is Literature Possible?
- 1942: The Problem of Belief
- 1945, 6 February: Literature and Collaboration
- 1945, 15 October: Rebellion or Revolution?
- 1946, July: Samuel Beckett Emerges as a French Writer
- 1949: An Intellectual Woman in Postwar France
- 1953: The Nouveau Roman
- 1954, January: On Certain Tendencies of the French Cinema
- 1959, 9 January: The Ministry of Fate
- 1959, 28 October: The Theater of the Absurd
- 1960: As Is
- 1962, November: The School of Independence
- 1966: The Place of Poetry, the Poetry of Place
- 1968, February: Francophonie and Independence
- 1968, May: âActions, No! Words, Yes!â
- 1973: French Lib
- 1975: âFrench Feminismâ
- 1976, 15 November: Hubert Aquin and Quebec Literature
- 1985, 27 September: Friday Night Books
- 1989: How Can One Be French?
- Chronology
- Map of Modern France
- Acknowledgments
- Contributors
- Index