
- 240 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
Cultural heritage professionals have high levels of training in metadata. However, the institutions in which they practice often depend on support staff, volunteers, and students in order to function. With limited time and funding for training in metadata creation for digital collections, there are often many questions about metadata without a reliable, direct source for answers. The Metadata Manual provides such a resource, answering basic metadata questions that may appear, and exploring metadata from a beginner's perspective. This title covers metadata basics, XML basics, Dublin Core, VRA Core, and CDWA schemes and provides exercise in the creation of metadata. Finally, the book gives an overview of metadata, including mapping and sharing.
- Outlines the most popular metadata schema written by practicing metadata librarians
- Focuses on what you "need to know
- Does not require coding experience to use and understand
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access The Metadata Manual by Rebecca Lubas,Amy Jackson,Ingrid Schneider in PDF and/or ePUB format, as well as other popular books in Languages & Linguistics & Library & Information Science. We have over one million books available in our catalogue for you to explore.
Information
1
Introduction to metadata
Abstract:
This chapter outlines the function, history, and types of metadata used in libraries and other cultural heritage institutions. The history of library metadata, its development in relation to the evolution of information technology, and its importance to later metadata schemas is put in context. The chapter also looks at the importance of metadata to digital resources, as well as how metadata improves the discovery of resources. Types of metadata such as descriptive metadata and rights metadata are distinguished. This chapter also presents an example of Dublin Core metadata expressed in XML. Also included is a discussion of consistency and quality control. Common metadata languages are discussed, and resources for more information are listed for the most commonly used metadata languages in cultural heritage institutions.
Key words
Cataloging
metadata
discovery
descriptive metadata
administrative metadata
rights metadata
Introduction
Congratulations! If you are reading this book, you have probably decided that metadata is important to you, but you have to go about figuring how to do it. Perhaps you are starting a collection of digital images from scratch. Perhaps you have inherited a collection to curate, but the person who set up the system for metadata creation failed to leave you any documentation. You don’t have the time or the funds to go to a workshop lasting a week, let alone to take a semester-long course. You need to create quality metadata NOW. My colleagues and I decided to create this metadata workbook because your plight is very common. Much of the material in this book evolved from our “Metadata Day” workshop, which we presented around New Mexico and West Texas, to cultural heritage professionals just like you. Their participation and feedback helped inform the format of this workbook.
The metadata manual: how to use
Our goal is to give the reader a flexible how-to guide, and to provide enough background and practice to understand the context and utility of several popular metadata languages. You can read the whole book in order, or pick out the chapters on metadata languages that you need to know.
If you choose to focus on specific languages, we suggest reading this chapter, to give you background and history, as well as the XML chapter before going further. Although you may not need to create metadata directly in XML, since it is the foundation of data exchange on the web, having a working knowledge of it may help you better understand and interact with data.
To begin
In this first chapter we will begin with the basics, to give you some grounding in the function of metadata before we look more closely at the specifics of the metadata languages you are most likely to need in a cultural heritage institution.
This chapter should help you:





What is metadata?
An often-quoted definition of metadata is “data about data.” This is a literal definition, but perhaps not the most illuminating. In 2004, the National Information Standards Organization (NISO) defined metadata as “structured information that describes, explains, locates, or otherwise makes it easier to retrieve, use, or manage an information resource” (NISO, 2004, p. 1).
The Federal Geographic Data Committee (FGDC), in its “Business Case for Metadata,” has a helpful description of metadata. Although it focuses on geographic information, the statement applies to all metadata:
Metadata helps people who use [geospatial] data find the data they need and determine how best to use it. Metadata supports producers in locating and using their own data resources and data consumers in locating and using data resources produced by others. (FGDC, 2012)
Try to think of metadata as a piece of information describing a resource. It’s like the nutritional information on a package of food ‒ metadata is the information about what’s inside the package. You can also think of the information that you enter into a social networking site such as Facebook or LinkedIn as metadata about yourself. Metadata can describe a wide variety of information, such as:




Metadata can be used to find, gather, and maintain resources over long periods of time. Think about all the information that a user will need to know whether the resource meets their needs and whether and how they can use it. Metadata can tell you what the information is about, how to use it, whether you need permission to use it, and where to get that information. Metadata makes web searching more meaningful. It helps you promote your resources, reach the right audience, and make connections between related resources.
Another question about metadata: Why do it? After all, there are powerful search engines readily available and many resources are full-text searchable. However, many resources are not text. Image files would be undiscoverable on the web without textual metadata describing the image. Even in a text resource, some important information may not be easily available. The author may not be clearly stated, or the sponsoring institution, or the copyright owner. All are areas of sufficient concern for libraries and cultural heritage institutions to justify metadata production.
Unfortunately, metadata is often perceived as being a fussy, labor-intensive, unnecessary step in data management. Lynda Wayne of the FGDC identifies the perceived major obstacles to metadata creation (Wayne, 2005, p. 1):



These perceptions require that we make metadata creation as efficient as possible, promote the benefits of metadata, and publicize results. Time and care at the stage of creating workflows will pay off when you can report how impact on workload is reduced. Promotion of metadata shouldn’t end with the creation of metadata, but we need to keep telling our administrations and resource providers how metadata is increasing visibility of collections. Keeping statistics on the usage of the collection, especially if you have pre- and post-m...
Table of contents
- Cover image
- Title page
- Table of Contents
- Copyright
- List of figures and tables
- List of abbreviations
- Acknowledgements
- Foreword
- Preface
- About the authors
- Chapter 1: Introduction to metadata
- Chapter 2: XML basics
- Chapter 3: Using Dublin Core: With information from the Dublin Core Metadata Initiative
- Chapter 4: Using Encoded Archival Description (EAD): With information from Encoded Archival Description Tag Library, Version 2002, by the Society of American Archivists
- Chapter 5: Using Categories for the Description of Works of Art (CDWA) and CDWA Lite: With information from the Getty Institute
- Chapter 6: Using VRA Core 4.0
- Chapter 7: The big picture
- Appendix: XML examples
- References
- Index