Touching Photographs
eBook - PDF

Touching Photographs

  1. English
  2. PDF
  3. Available on iOS & Android
eBook - PDF

Touching Photographs

About this book

Photography does more than simply represent the world. It acts in the world, connecting people to form relationships and shaping relationships to create communities. In this beautiful book, Margaret Olin explores photography's ability to "touch" us through a series of essays that shed new light on photography's role in the world.

Olin investigates the publication of photographs in mass media and literature, the hanging of exhibitions, the posting of photocopied photographs of lost loved ones in public spaces, and the intense photographic activity of tourists at their destinations. She moves from intimate relationships between viewers and photographs to interactions around larger communities, analyzing how photography affects the way people handle cataclysmic events like 9/11. Along the way, she shows us James VanDerZee's Harlem funeral portraits, dusts off Roland Barthes's family album, takes us into Walker Evans and James Agee's photo-text Let Us Now Praise Famous Men, and logs onto online photo albums. With over one hundred illustrations, Touching Photographs is an insightful contribution to the theory of photography, visual studies, and art history.

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Yes, you can access Touching Photographs by Margaret Olin in PDF and/or ePUB format, as well as other popular books in Art & Photography. We have over one million books available in our catalogue for you to explore.

Information

1.1
Henri-Alexandre-Georges 
Regnault, 
Salome
1870. 
The 
Metropolitan 
Museum 
of 
Art, 
New 
York. 
Gift 
of 
George 
F. 
Baker, 
1916. 
© 
The 
Metropolitan 
Museum 
of 
Art 
Art 
Resource, 
NY. 
Used 
with 
permission.
the 
side 
of 
my 
face.”
12
Returned 
“subordination” 
by 
the 
gaze 
can 
also 
be 
de-
picted 
as 
decidedly 
nonfeminist 
sexual 
challenge, 
as 
in 
Picasso’s 
Demoiselles 
d’Avignon
or 
earlier, 
in 
Regnault’s 
Salome
.
13
Michael 
Fried 
has 
famously 
drawn 
attention 
to 
the 
issue 
through 
his 
interpretation 
of 
“absorption,” 
the 
refusal 
to 
acknowledge 
the 
presence 
of 
beholder, 
as 
source 
of 
independence 
and 
agency.
14
Yet 
the 
concept 
of 
the 
gaze 
had 
positive 
ramifications 
as 
well. 
By 
placing 
the 
work 
of 
art 
in 
the 
same 
psychological 
space 
with 
the 
beholder, 
the 
gaze 
1.2
Egon 
Schiele, 
Portrait 
of 
Edward 
Kosmach
1910, 
Inv. 
4702. 
Österreichische 
Galerie 
Belvedere, 
Vienna. 
Used 
with 
permission 
of 
Belvedere, 
Vienna.

Table of contents

  1. Contents
  2. Acknowledgments
  3. Introduction: Tactile Looking
  4. 1. “It Is Not Going to Be Easy to Look into Their Eyes” - Privilege of Perception in Let Us Now Praise Famous Men
  5. 2. Roland Barthes’s “Mistaken” Identification
  6. 3. “From One Dark Shore to the Other” - The Epiphany of the Image in Hugo von Hofmannsthal and W. G. Sebald
  7. 4. Putting Down Photographic Roots in Harlem - James VanDerZee
  8. 5. Looking through Their Eyes - Photographic Empowerment
  9. 6. Five Stories of 9/11
  10. Epilogue: Bad Pictures
  11. Notes
  12. Index