John Keats
eBook - ePub

John Keats

  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

About this book

The life of Keats provides a unique opportunity for the study of literary greatness and of what permits or encourages its development. Its interest is deeply human and moral, in the most capacious sense of the words. In this authoritative biography—the first full-length life of Keats in almost forty years—the man and the poet are portrayed with rare insight and sympathy. In spite of a scarcity of factual data for his early years, the materials for Keats's life are nevertheless unusually full. Since most of his early poetry has survived, his artistic development can be observed more closely than is possible with most writers; and there are times during the period of his greatest creativity when his personal as well as his artistic life can be followed week by week.

The development of Keats's poetic craftsmanship proceeds simultaneously with the steady growth of qualities of mind and character. Walter Jackson Bate has been concerned to show the organic relationship between the poet's art and his larger, more broadly humane development. Keats's great personal appeal—his spontaneity, vigor, playfulness, and affection—are movingly recreated; at the same time, his valiant attempt to solve the problem faced by all modern poets when they attempt to achieve originality and amplitude in the presence of their great artistic heritage is perceptively presented.

In discussing this matter, Mr. Bate says, "The pressure of this anxiety and the variety of reactions to it constitute one of the great unexplored factors in the history of the arts since 1750. And in no major poet, near the beginning of the modern era, is this problem met more directly than it is in Keats. The way in which Keats was somehow able, after the age of twenty-two, to confront this dilemma, and to transcend it, has fascinated every major poet who has used the English language since Keats's death and also every major critic since the Victorian era."

Mr. Bate has availed himself of all new biographical materials, published and unpublished, and has used them selectively and without ostentation, concentrating on the things that were meaningful to Keats. Similarly, his discussions of the poetry are not buried beneath the controversies of previous critics. He approaches the poems freshly and directly, showing their relation to Keats's experience and emotions, to premises and values already explored in the biographical narrative. The result is a book of many dimensions, not a restricted critical or biographical study but a fully integrated whole.

Frequently asked questions

Yes, you can cancel anytime from the Subscription tab in your account settings on the Perlego website. Your subscription will stay active until the end of your current billing period. Learn how to cancel your subscription.
At the moment all of our mobile-responsive ePub books are available to download via the app. Most of our PDFs are also available to download and we're working on making the final remaining ones downloadable now. Learn more here.
Perlego offers two plans: Essential and Complete
  • Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
  • Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Both plans are available with monthly, semester, or annual billing cycles.
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1 million books across 1000+ topics, we’ve got you covered! Learn more here.
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more here.
Yes! You can use the Perlego app on both iOS or Android devices to read anytime, anywhere — even offline. Perfect for commutes or when you’re on the go.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access John Keats by Walter Jackson Bate in PDF and/or ePUB format, as well as other popular books in Literature & Literary Biographies. We have over one million books available in our catalogue for you to explore.

Index

images
Abbey, Richard: becomes trustee and guardian, 23–25; countinghouse in the Poultry, 24, 30; culpability in appropriating Keats children’s money, 71 of; and distribution of Tom’s estate, 452f, 576–579, 631f; George employed by, 108f; George returns from America to see, 628–633; impatience for K to begin work as surgeon, 110, 117f; on K’s apprenticeship, 42, 704; and K’s attempts to secure money for George, 577–579, 629, for Haydon, 452f; for himself, 340, 343; on K’s first book, 118; keeps Fanny and K apart, 364f; 384f; last letter to K, 654f; on Margaret Jennings’ threatened suit, 533f; 571, 576–579; memoir of Keats and Jennings families, 4, 6f, 12, 114; notions of propriety, 69; origin, 4; parsimoniousness, 109; quotes Byron on literary fame, 579; removes Fanny from school, 419, 435; suggests K become a hatter, 462f, 579, a tea broker, 623; suspiciousness, 29f; other references, 14, 31, 67, 84, 152, 196, 275, 301, 430, 454, 525, 536, 606, 647. See also Keats, John, finances
Abbey, Mrs. Richard, 24, 29, 275, 647; K parodies talk at her table, 533
Actors and acting: K’s interest in, 236, 245, 248f, 273; disillusion with, 566f
Adam’s dream, imagination compared to, 238f
Adlington, William, 489
Aeneid, see Virgil
Aeschylus, 409
Ailsa Rock, 356; see also Keats, poems of, “To Ailsa Rock”
Aleman, Mateo, 255
Alexander the Great, 307
Alfieri, Vittorio, 677
Alfred the Great, 53, 75
Alfred, West of England Journal, 371
Ambleside, K and Brown at, 349, 358
“Amena” letters, 64f, 470
America: George plans to go to, 301, 316–321, 304f; and emigrates to, 343–345 (see also Keats, George); possibly referred to in “Lines to Fanny,” 617f
Angeletti, Anna (K’s landlady in Rome): and family, 673f; food served by, 679f; guesses K’s illness, 685; rents piano, 677
Annals of the Fine Arts, 511, 533
Apollo: in Fall of Hyperion, 600, 602; in “God of the Meridian,” 288f; in Hyperion, 391–394, 403–405; K’s early ode to, 40f; later ode (“Hymn”) to, 138–140; other references, 71, 128, 137, 144, 148, 151, 171, 215, 242, 265...

Table of contents

  1. Cover
  2. Title
  3. Copyright
  4. Dedication
  5. Preface
  6. Contents
  7. Illustration
  8. I. The First Years (1795–1810)
  9. II. Abbey’s Wards (1810–1815)
  10. III. Guy’s Hospital (1815–1816)
  11. IV. An Adventure in Hope (Summer 1816)
  12. V. The Commitment to Poetry: Chapman’s Homer, Hunt, and Haydon (Autumn 1816)
  13. VI. Completing the First Volume (November and December, 1816)
  14. VII. The Laurel Crown and the Vision of Greatness (December 1816 to March 1817)
  15. VIII. A Trial of Invention: Endymion
  16. IX. An Act of Will (June to December, 1817)
  17. X. Negative Capability
  18. XI. Another Beginning (December and January, 1817–18)
  19. XII. Devonshire and Isabella (February to April, 1818)
  20. XIII. The Burden of the Mystery: the Emergence of a Modern Poet (Spring 1818)
  21. XIV. The Departure of George Keats and the Scottish Tour (Summer 1818)
  22. XV. Reviews, the Writing of Hyperion, the Death of Tom Keats (Autumn 1818)
  23. XVI. Hyperion and a New Level of Writing
  24. XVII. Fanny Brawne; The Eve of St. Agnes (Winter 1818—19)
  25. XVIII. A Period of Uncertainty (February to April, 1819)
  26. XIX. The Odes of April and May, 1819
  27. XX. The Final Beginning: Lamia (May to July, 1819)
  28. XXI. The Close of the Fertile Year: “To Autumn” and The Fall of Hyperion (July to September, 1819)
  29. XXII. Illness (Autumn and Winter, 1819)
  30. XXIII. Adrift (January to August, 1820)
  31. XXIV. The Voyage to Italy (August to November, 1820)
  32. XXV. Rome and the Last Months (November 1820 to February 1821)
  33. Appendices
  34. Index