
Subversive Stages
Theater in Pre- and Post-Communist Hungary, Romania and Bulgaria
- 238 pages
- English
- PDF
- Available on iOS & Android
Subversive Stages
Theater in Pre- and Post-Communist Hungary, Romania and Bulgaria
About this book
Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or "inter-theatricality" as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. Plays by Romanian, Hungarianand Bulgarian dramatists are examined, who are "retrofitting" the past by adapting the political crimes and horrifying tactics of totalitarianism to the classical theatre (with Shakespeare a favorite) to reveal the region's traumatic history. By the sustained analysis of the aesthetic devices used as political tools, Orlich makes a very strong case for the continued relevance of the theater as one of the subtlest media in the public sphere. She embeds her close readings in a thorough historical analysis and displays a profound knowledge of the political role of theater history. In the Soviet bloc the theater of the absurd, experimentation, irony, and intertextual distancing (estrangement) are not seen as mere aesthetic language games but as political strategies that use indirection to say what cannot be said directly.
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Information
Table of contents
- Cover
- Title page
- Copyright page
- Table of Contents
- Foreword
- Introduction
- Part 1 THE RUSSIAN AND FRENCH MASTERS
- Part 2 SHAKESPEARE IN CENTRAL AND EASTERN EUROPE
- Part 3 INSERTING GOD INTO POLITICS
- Conclusion
- Bibliography
- Index