ESSAY
WALKING WURUNDJERI COUNTRY
Declan Fry
1. I am walking Wurundjeri country. Country that does not belong to me. Although the cats are nice enough.
2. The suburb is Brunswick. But it could be Fitzroy.
3. I am not familiar with the area, but am becoming so.
4. You realise youâre getting better acquainted once the small geographies begin to register.
The appearance of the houses: almost comically safe and warm. The approach of the intersections: wide, but not countrywide. The way the intersections combine to produce infinite street vistas your eye can never reach the end of. The number of trees that are introduced and the number that are native.
5. (Play this last game and you will find you have more luck barracking for the former team.)
6. You think to yourself: some parts of Brunswick are just so studiously comfortable, ay? Ivy cladding every aspect of every home.
7. An introduced species, ivy. Like cats and plane trees.
8. How many of the settlers back on Wongatha country were always complaining about the cats while accepting the plane trees?
9. I have begun reading Ellen van Neervenâs latest poetry collection, Throat.
10. Halfway through they ask me a question.
âAre you willing to enter an agreement that is incomplete and subject to change?â1
11. In other words: will I enter a Treaty with Ellen? An agreement of shared power between them and their readers?
I donât share country with Ellen.
And I am reading their work and writing this essay on country that is not mine.
So I sign up.
12. Ellen has a conversational approach. Like walking in on someone talking in the next room.
in South-East Asia, my appearance
allows queers to feel comfortable
to speak to me openly
about what is not open in their country2
But appearances, as the cliché eagerly reminds us, can be deceiving.
13. Take âAnimal Crossingâ.
14. In âAnimal Crossingâ, land does not belong to anyone. (And there is irony here, given how much of my partnerâs mental landscape the game is swiftly colonising.) Race and class do not exist either.
15. Only this is naive, because of course they do. âAnimal Crossingâ is a contemporary product of a contemporary capitalist societyâso of course they do.
16. One thing that is openly acknowledged in the game is linear time. A clock lies at the bottom of the screen, constantly counting down the minutes.
17. 8:54. 8:55. 8:56.
18. My Twitter feed informs me that the Hong Kong activist Joshua Wong has been building monuments to Hong Kongâs independence on the game.
19. Days later, screenshots surface on social media of Chinese government supporters erecting monuments to the status quo: one country, two systems.
20. Gramsci was right. Culture is a political battlefront.
21. In âInvisible Spearsâ, Ellen writes:
you donât want us protecting
our land like the Maori
that means it was our land to protect
we donât need
a haka of whitefullas
just let us resist3
22. Iâve always loved that one.
23. Even if I often wish that the final, overly permissive line, were different. Who needs a whitefullaâs blessing to resist?
We have a right.
24. But I think maybe Ellen has grown, too. Because in Throat they now say:
sovereignty was never ceded.
why do we need to reference the invasion, we
are continuing our ancestorsâ talk. I can
close my eyes and you are goneâthatâs
the power of Country.4
25. There are so many perfect poems we catch ourselves rewriting in our heads. Hoping the outcome will be different this time. Wanting, fingers crossed, for things to be otherwise.
Wishing Frost would head off down that other bloody road.
26. In âQuestions of Loveâ, Ellen writes:
we speak about gender before colonisation
we speak about love before colonisation5
Only how do we catch up with this before? How does the future meet up with the present? Is it the ships approaching the shore? Or the people on the shore?
27. According to Ellen, âcreated communities are a ...