Britten and the Guitar
eBook - PDF

Britten and the Guitar

Critical Perspectives for Performers

  1. 264 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Britten and the Guitar

Critical Perspectives for Performers

About this book

Benjamin Dwyer's Britten and the Guitar: Critical Perspectives for Performers is the first complete study of the guitar works of Benjamin Britten. This book offers more than an objective analytical study of these compositions. Dwyer draws upon his expertise as a classical guitarist, composer and musicologist to deliver a multi-lensed examination of this music providing broad contexts and unique insights.

Dwyer not only explores the intricate relationship between Britten, his life-long partner, the tenor Peter Pears, and the guitarist Julian Bream, for whom all the guitar works were written, but goes further in situating Renaissance composer and lutenist John Dowland as a central and inspirational figure who hovers over all of Britten's guitar works. In so doing, he offers new perspectives into Britten's compositional approach demonstrating how techniques of musical rhetoric, exemplified by Dowland, are central to his musical language.

Britten and the Guitar: Critical Perspectives for Performers is an essential guide for the professional guitarist and singer, the committed teacher, and those who simply wish to understand more about the guitar music of one Britain's foremost composers.

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Yes, you can access Britten and the Guitar by Benjamin Dwyer in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Guitar Music. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Copyright Information
  3. Contents
  4. Acknowledgements
  5. List of Plates and Figures
  6. Introduction
  7. Chapter One: Setting Contexts
  8. Chapter Two: Courtly Connections—Gloriana and the Guitar
  9. Chapter Three: Songs from the Chinese
  10. Chapter Four: Folksong Arrangements Volume VI
  11. Chapter Five: Nocturnal, after John Dowland
  12. Bibliography
  13. Appendix I
  14. Appendix II
  15. Appendix III
  16. Appendix IV
  17. Appendix V
  18. Appendix VI
  19. Appendix VII
  20. Index