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eBook - ePub
Songs My Enemy Taught Me
About this book
Songs My Enemy Taught Me is a collection of back alley poetry and flick knife tales detailing women's struggle against sexual terrorism and colonisation. Songs of independence. Songs of survival. Songs of uprising. Comprised of poetry, text messages, landays, letters and news flashes these are stories plucked from women's lips across the globe and re-imagined by award-winning poet, playwright, and author Joelle Taylor. Some stories are her own. Others are yours.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Songs My Enemy Taught Me by Joelle Taylor in PDF and/or ePUB format, as well as other popular books in Literatur & Poesie. We have over one million books available in our catalogue for you to explore.
Information
OF
UPRISING
London 2017
SAMMAR POPAL
I am from Afghanistan and came to the UK in 2017. I live with my son. I was a teacher, head teacher and school principal in Afghanistan, and have written several volumes of landays in my mother tongue.
What do you want from me, enemy?
You destroyed my house, ate my country and killed my youth
I was born in a war torn country
The whole of our lives we have washed in a rain of tears
Please bring peace to my Afghanistan
Wave goodbye to the fight that has destroyed all our lives
May your red hands shatter, Taliban
The ones you used to rip in half my memories
The Taliban have forbidden love
Every lover is an enemy, every bed war
BASIRA HEEMAT
Basira, 25, left Afghanistan when she was 19. She lives in London with her two young children and volunteers with project admin at Afghan Association Paiwand. In the future she would like to build on her skills and gain employment.
I was born in holy land Mecca
My whole life I have cried like rain storms in the desert
Make peace your pathway, destroy borders
Get rid of segregation, the destroyer of homes
The white sorrow of your wedding night
The tears of the sky fell down on the mother of bride
The stones and plant life were not peaceful
Mountains were spitting fire in sorrow, volcano heart
The birds were crying in the night sky
Each night a new sorrow, each night a new bird crying
The summer has left and the storms have come
You were crying like the leaves in Autumn
Darkness drops across the open mouthed world
The sun has turned its back, faced away in bitter shame
Disappointed you were hurt and left
Abandoned and no one there to help or to guide you
There was raging fire deep in your heart
But you were melting like a candle into streams of blood
FATEMA S. HAWYDI
My name is Fatema and I have been a refugee for my whole life, therefore I do not know how it feels to have a home. He was my only home, but the war took him. It took my only home.
To be or not to be, no one cares
When death or life looks the same in the refugee camp
Do you want to be killed or to be killed?
How come I have never been given a real true choice?
Child protection laws do not apply
Where children can be used as a human shield
I’ve always wanted to be a boy
In a land where that is something you can be proud about
My mum desperately shuts her eyes
She doesn’t want to be the mother of a fourth girl child
Between love and war his love survived
But she lost it, all of it, between the bombed out cars
Please forgive me for not being there
And please forgive me for not softly holding your hand
The fag is on fire, who cares about the child?
No one reaches through rubble; no love, no hope or smile
RONA HEYDARI
I am from Afghanistan and came to the UK in 2010. I live with my family here. I came to the UK because of war. I am a pharmacist; I hope I can find a job.
God, everyone wants you to give
But I want you to take my fatigue and depression
How long should we mourn humanity?
Even God is tired of endless pain and cries for help
Hand in hand we should always fight on
Until we die we won’t stop our battle for freedom
Even my own dreams were restricted
I was forced to complete another man’s dream before mine
Landays are a traditional form of Afghan folk poetry which are chanted or sung. They are not written down but survive as an oral form, passed down the mother’s side of the family.
They are comprised of 24 syllables in total, 9 on the first line, and 13 on the second.
The Landay belongs specifically to the women of Afghanistan, and each of their poems are a quiet revolution in a land where women are forbidden to write poetry. They are one of the most extraordinary forms of spoken word, a hummed resistance. The word landay roughly translates into ‘short poisonous snake’, and that is precisely what they are: irreverent, bitter, sorrowful and above all resistant. I wanted to include newly commissioned Landays in this collection, and so led some poetry workshops with female Afghan refugees at Paiwand, an advocacy organisation working on behalf of all refugees from the region, irrespective of ethnicity.
It was an incredible experience. Moving, inspirational and at times hilarious. This is what real revolution looks...
Table of contents
- Cover
- Copyright
- Contents
- Introduction
- Foreword
- SONGS OF SILENCE
- SONGS OF SURVIVAL
- SONGS OF UPRISING
- References
- Acknowledgements
- Thanks to:
- Bio
- Other titles by Out-Spoken Press: