En 1385, le duc de Bourgogne Philippe le Hardi fonde la chartreuse de Champmol, près de Dijon. Les œuvres somptueuses réalisées pour ce monastère reflètent-elles la spiritualité des chartreux? Cet ouvrage propose un regard transversal sur l'art produit pour les moines chartreux au cours du Moyen Âge. Il analyse la manière dont ceux-ci envisageaient la création artistique, d'après le témoignage de leurs textes normatifs ou mystiques. Peut-on dire qu'il y a eu un « art chartreux »? La présent livre explore les mécanismes de la commande artistique en se plaçant du point de vue d'un ordre placé sous le sceau de l'austérité, mais destinataire de nombreuses œuvres d'art.
- 394 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
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Table of contents
- Couverture
- Table des matières
- Avant-propos
- Préface
- Introduction
- Première partie : Art et image dans la législation et dans les écrits de spiritualité des chartreux
- Deuxième partie : Les œuvres d’art de trois chartreuses royales et princières
- Troisième partie : Y a-t-il un art chartreux ?
- Conclusion de la troisième partie
- Conclusion générale
- Annexes
- Abréviations
- Sources et bibliographie
- Index et lexique
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