
Contemporary Art, World Cinema, and Visual Culture
Essays by Hamid Dabashi
- 374 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
"Contemporary Art, World Cinema, and Visual Culture: Essays by Hamid Dabashi" is a collection of writings by the acclaimed cultural critic and scholar. A thorough Introduction rigorously frames chapters and identifies in Dabashi's writings a comprehensive approach, which forms the criteria for selecting the essays for the volume. The Introduction also teases out of these essays the overarching theme that holds them together, the manner they inform a particularly critical angle in them and the way they cohere. The Introduction dwells on the work of one scholar, public intellectual and theorist of modern and contemporary arts to extrapolate more universal issues of concern to art criticism in general. These scattered materials and their underlying theoretical and critical logic are a unique contribution to the field of modern and contemporary arts.
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Information
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Contents
- List of Figures
- Acknowledgments
- INTRODUCTION
- Section 1 THEORIZING THE FRAME
- Chapter One TRAUMA, MEMORY, AND HISTORY*
- Chapter Two RÉCIT DE L’EXIL OCCIDENTAL*
- Chapter Three WOMEN WITHOUT HEADACHES*
- Section 2 Visual Arts and Material Culture
- Chapter Four ARTISTS WITHOUT BORDERS: ON CONTEMPORARY IRANIAN ART*
- Chapter Five THE GUN AND THE GAZE: SHIRIN NESHAT’S PHOTOGRAPHY*
- Chapter Six BORDERCROSSINGS: SHIRIN NESHAT’S BODY OF EVIDENCE*
- Chapter Seven SHIRIN NESHAT: TRANSCENDING THE BOUNDARIES OF AN IMAGINATIVE GEOGRAPHY*
- Chapter Eight CAPTURING THE ILLUSION OF REALITY: MAPPING THE VISUAL SUBCONSCIOUS OF A PEOPLE IN THE PHOTOGRAPHY OF BAHMAN JALALI*
- Chapter Nine TAREK AL-GHOUSSEIN DOES NOT EXIST*
- Chapter Ten ARDESHIR MOHASSESS, ETCETERA*
- Chapter Eleven SHOJA AZARI: MAKING THE HOMELY UNHOMELY*
- Chapter Twelve NICKY NODJOUMI, NAHID HAGHIGHAT: LIBERATING FRAGMENTS AGAINST TOTALIZING MYTHS*
- Section 3 World Cinema and Performing Art
- Chapter Thirteen THE SUBLIME AND THE BEAUTIFUL IN THE TIME OF TERROR*
- Chapter Fourteen WARRIORS OF FAITH*
- Chapter Fifteen THE “300” STROKE*
- Chapter Sixteen AMIR NADERI’S NEW YORK*
- Chapter Seventeen A DEADLY CINEMATIC SUBCONSCIOUS*
- General Bibliography
- Index