
The Spanish Baroque and Latin American Literary Modernity
Writing in Constellation
- 212 pages
- English
- PDF
- Available on iOS & Android
The Spanish Baroque and Latin American Literary Modernity
Writing in Constellation
About this book
Inspired by Walter Benjamin's notion of constellation, this book draws on theories of Latin American modernity to investigate the Spanish literary Baroque and its repetitions as a historical-cultural predicament in Latin American colonial and modern texts. Inca Garcilaso, Borges, Carpentier, Rulfo, DarĂo and a range of Latin American "Post-Symbolist" poets (Agustini, Pizarnik, Sosa, Lienlaf and Huinao) are juxtaposed with the Lazarillo, the Quijote, Fuenteovejuna and GĂłngora's Soledades to produce original readings on topics of violence, rape, frustrated pilgrimage, and the truncated ambitions of colonized peoples and confessional minorities. In turn, Benjamin is juxtaposed with MallarmĂ© to recast the aesthetic dynamics of modernity in political terms, in order to understand the Baroque within a more broadly historicized concept of the avant-garde. Generous in scope, this book addresses the community of Spanish and Latin American criticism as well as emerging and pressing theoretical concerns within the field of comparative literature. CRYSTAL ANNE CHEMRIS is Lecturer in Spanish at the University of Virginia and Courtesy Assistant Professor of Spanish at the University of Oregon. She is author of GĂłngora's Soledades and the Problem of Modernity (Tamesis, 2008).
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Table of contents
- Cover
- Contents
- Acknowledgments
- INTRODUCTION
- GĂłngora and the Colonial Body Politic: Moriscos, Amerindians and Poetry as Protest
- Violence and the âTremulous Private Bodyâ in Lazarillo de Tormes, Fuenteovejuna and the Soledades
- Trauma, Body and Machine in Don Quijote
- GĂłngora and DarĂo in Constellation: On the Poetics of Rape, Colonialism and Modernity
- Pilgrimage into the Trauma of History: Continuities of GĂłngora in Carpentier, Rulfo and Vallejo
- Signposts in a Genealogy of Post-Symbolism in Latin American Poetry
- AFTERWORD
- Appendix I
- APPENDIX II
- Works Cited
- Index