From A Woman Under the Surface:
MOON AND EARTH
Alicia Ostriker
Of one substance, of one
Matter, they have cruelly
Broken apart. They never will touch
Each other again. The shining
Lovelier and younger
Turns away, a pitiful girl.
She is completely naked
And it hurts. The larger
Motherly one, breathlessly luminous
Emerald, and blue, and white
Traveling mists, suffers
Birth and death, birth
and death, and the shock
Of internal heat killed by external cold.
They are dancing through that blackness.
They press as if
To come closer.

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Information
Publisher
Princeton University PressYear
2021Print ISBN
9780691013909
9780691065120
eBook ISBN
9780691225425
II
To Kill the Dove
You can go at it either way, said the gentleman
In the study chair. Correctness, propriety, perfection
Should follow from sufficient life,
As we see if we glance
For an instant at the natural world, the cosmic
Or microcosmic, staggeringly (as Whitman warns)
Perfect in least detail, the aphid in dew,
The timid microbe swallowing,
The sheer gleam of the tetrahedral virus.
Unfortunate. Now, taking the converse angle,
If we begin with perfection,
The life following, it will be dry,
Perhaps, but true to life. It will be like a dry,
Glittering spring afternoon. Everything
Is in the most cheerful colors,
Like an actor, with cold lake-blue eyes,
And a smile of infinite charm, to the iceberg teeth,
Of whom we know that he is stupid,
That the attractive appearance signifies nothing,
For example, yet there it is, we fall in love.
And here is the sadness
I want to communicate, whispered the sour gentleman.
Remember, please, this is the twentieth century,
The comfortless.
We all, prone on the grass on a warm morning,
May think of some sprinkling of saints,
Billowed as pigeons, as if a
Hand let go the dust, and the wild wind was passing
Across, and then this was over, this adventure.
And I am getting to it.
To live in a time when the most developed minds
Open and close their papery suitcases.
I am getting to it, he said.
To acknowledge:
Coarse and gross our attachments, our pleasures, our sufferings,
Delusive our recollections, that landscape of breasts,
That history of song behind the ears, that calling, that floating.
To cease the quest for these,
Again, to rest, to close the eyes, to kill the dove.
Downstairs
When he walked downstairs
Into the ground
The final thing he noticed
Was some girls jumping rope down the street
And then the blue-white
Light steadily faded.
It smelled strange there at first
Among the roots, the hairs
The dirt-crumbs, worms, danknessā
Strayed bits of concreteā
At first he thought it like an Edgar Allan Poe story,
And it should have been gloomy and terrifying,
But no, there in the soil and wet
Everything and everyone showed friendship
Where he placed his hand,
Where he rested his forehead.
Ceremony of the Box
Of his own free will he worked on this for many years.
At last he was to present the finished product, which
We may conceive as a plain rather heavy box
Such as he could hold in front of himself with two hands.
As he left, passing under the cedar lintel into the breezy air,
A fist struck him on the right side of the face, another at
The back of his neck, another in the gut. It seems that
Knives and clubs might have been involved as well.
We see him stagger forward and lean over the broad porch
Railing, so that the vomit which pours torrentially from
His mouth, and contains wrenches, needles, playthings
Such as plastic blocks, gloves, artichokes and small
Mice, suspended, and as it were frozen in the stream,
Appears to fall directly upon the grass of the garden below.
The Call
In the world of rain
Where no words are
I am a prisoner of my breath.
D.F.
Rain does not freshen
Their lives this summer.
The house stays hot.
Wasps fatten on the ripening pears.
He goes in and out
With his briefcase
Awaiting the call
From another world to show him
A way to live without harm.
She and the children
Wallow in it
But his lungs hardly wish to work.
At night they quarrel
Although it is too humid to quarrel.
If nothing happens
He will grow to assume
The air of broken stalks
And their smokeless fume.
The Demonstration
They would lie down on the tracks as a demonstration
Against war and for love, and were to meet at dawn.
Under the old gray station dome stood many policemen
And a small but growing crowd of curious onlookers.
In the mild morning streets, activity began like a noble tune.
āAs I would not be a slave, so I would not be a master,ā they sang.
āThe State is like a tree,ā sang the sergeant, whose face resembled a bathtub.
āEnergy is eternal delight,ā they choraled. āLiberty, equality, fraternity.ā
āShould old acquaintance be forgot,ā responded, in mellow baritone, the sergeant.
āSwords into plowshares!ā they cried, holding hands, like parts of a long equation.
When everything was ready, the Engineer emerged.
āSir, I will not go on. Tyranny, like hell, is difficult
To resist. I agree with these people.ā The leaders instructed them once
More in relaxed breathing and how to be arrested, and they placed
These instructions in the heart of buttercups each wore by the left ear.
At ten they heard the commuters within, restless to go to work.
Then they lay down and the train went over them.
One by one their bodies crumpled with a sigh, as if a child
Broke between thumb and forefinger, making a slight pop,
The dried thoraxes of crickets or mantises found in the grass.
The Terrorist Trial and the Games
At the trial, half the people on the stand were maimed,
Had not the use of their arms or legs, or couldnāt
Speak properly. This was as a result of police torture.
They told of being in this forest, being beaten and
Receiving electric shock.
When they began to tell these things, the government
Slaps on the āSuppression of Communismā act, which means
That no more such information can be made public.
At Sharpeville in 1960 the people were demonstrating
For bread. There was a food shortage. Families
Were marching, peacefully, but troops were sent in and fired
On the crowd without warning, killing sixty or s...
Table of contents
- Cover Page
- Title Page
- Copyright Page
- Dedication
- Contents
- Acknowledgments
- I
- II
- III
- IV
- A Note on āMessage from the Sleeper at Hellās Mouthā
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