Part I
1
The Remains of Theory
A Manifesto
Diane Davis
DOI: 10.7330/9781607328933.c001 Etymologically, theory is associated with the act of viewing, looking at, or beholding; literally and figuratively, it has to do with vision and the light, with the eyeâboth the organ that sees and the so-called mindâs eye that ideates or contemplates. Often opposed to practice and to truth, it tends to connote passivity (thinking is not yet acting) and uncertainty, as in, âitâs just a theory.â Or more affirmatively, as Sharon Crowley proposes, theory is performative, âa doing, or an act that recalls a constructed set of other performancesâ; theories, she writes, are ârhetorical inventions: depictions or assessments produced by and within specific times and locations as means of opening other ways of believing or actingâ (2006, 28). As rhetorical invention, theory involves illumination, bringing something to light, arresting a subterranean truth so that it can be seen and operationalized as a coherent practice or method or systematic belief.
What I want to propose here, howeverâfor Sharon and in the name of taking her theory-as-invention provocation to the limitâis that the force of theory, its motive and motor, is a nocturnal operation: theory operates in the dark, actively (even hyperactively) tracking that which withdraws from presence and so from vision. There is an autoimmunizing force at the heart of theory that works to protect itself from what would, precisely, put an end to it: the certitudes of sight, both sensible and intelligible. Theory in general, Iâd like to suggest, is indeed thoroughly rhetorical and inextricably tied up with in(ter)vention: itâs the name for a self-deconstructive function intrinsic to any specific performance of theory-as-practice that clears a path for, and pledges itself to, a future that cannot be anticipated.
A theory, any system or performance of conceptual generality used to ground or explain something, establishes and puts itself to work through immunizing strategies, drawing and narcissistically protecting boundaries around itself for pedagogical, political, ethicalâmaybe religiousâpurposes. A theory must be delimited to be teachable, applicable, even preachable. But built in to any discernable theory is a quasi-suicidal drive that darts straight to the edge of the self-protective boundary . . . and jumps. Taking a hit out on itself, theory destroys its âownâ borders, charging through âthe very thing within it that is supposed to protect it,â as Derrida describes it (2005, 123). The task of theory is not to defend what it brings to light but to respond to a call, an address that comes through in the dark from the as-yet-unthinkable; theoryâs task is to catch traction on the remains of the thinkable.
Any distinguishable theory is inhabited from the start by this autoimmunizing function, a force of weakness, driven to protect itself against its own protection, picking off its own border patrol to expose instead a threshold: a limit that joins what it also separates. Like any and every appreciable phenomenon, a theory defines itself, presents and protects itself, only inasmuch as its so-called constitutive outsideâits originary contaminants, the border-crossing ânot-itsâ at the heart of its heartâwithdraw from what theyâve rendered possible. And this means, first, that every attempt to pin down or stick to a specific theoryâsay, a theory of ethos or kairos or âtheoryââevery attempt to explicate it by isolating it from a putative outside, ends up an attack on that theory itself, on a part of itself that got designated âother.â Thatâs the paradox of absolute loyalty. And/but second, it means that every effort to say, practice, or perform what this theory is invites all its not-its to loom up within it, to announce themselves again, to put a call out. In each iteration of this or that theory, the remains of some other here and now, some other not-simply-present presence, some other hope promises itself. And to theorize is to respond to that address, to promise oneself to that promise, to attend to the mark of what withdraws, and so to protect the finite opening to an incalculable chance.
Theoryâs task is to engageâwithout assured methods, ideological loopholes, or handrails of disavowalâthe remains that haunt the performance of any specific theory, even as they displace that theoryâs horizons of expectation. Playing at the limits, theory puts those limits back in play, compromising the very identity, the self, âthe sui- or self-referentiality,â Derrida notes, of the suicide itself. A theoryâs autoimmune function does not simply destroy itself âin suicidal fashion,â in other words, but dissolves the identity that suicide presupposes, robbing âsuicide itself of its meaning and supposed integrityâ (2005, 45). Theory saves itself by offing itself: it compromises its âself,â turns on itself, corrupts itself, in order to protect itselfânot against praxis or politicsâbut against the certitudes of sight, which invite the regulation (and so the stifling) of thought by a telos.
The enemy of theory is what Michelle Ballif recently described as the âpanicked rhetorical processâ of burying the remains (2013, 143), burying them for the sake of some mystified end-goal, already lit up and waiting. Theory and in(ter)vention share this enemy, and they combat it together, Tai Chi style. Which is to say: not through direct opposition but by shifting position so that the âhostile force dissipates on its own,â Avital Ronell observes; âthis is another syntax of action, which also suspends the presumed difference between activity and passivityâ (2010, 33). To theorize is to actively respond to a nocturnal address, to promise or pledge oneself to that which âobliterates the originariness of site,â Ronell writes elsewhere, and of sight, to that which haunts the here and now without being simply present, visible, or clear (2000, 270). To embrace a real without remains, as if what is real could be condensed into sensible propertiesâviewed from afar or under a microscopeâis to refuse to theorize. Theory, as this style of rhetorical in(ter)vention, is not âantirealist,â a label certain contemporary proponents of ânew realismsâ are fond of tossing around, but a passionate and self-sacrificing love affair with the real: call it a realism of the remains. No remains, no theory; no theory, no future.
References
Ballif, Michelle. 2013. âHistoriography as Hauntology: Paranormal Investigations into the History of Rhetoric.â In Theorizing Histories of Rhetoric, ed. Michelle Ballif, 139â53. Carbondale: Southern Illinois University Press.
Crowley, Sharon. 2006. Toward a Civil Discourse: Rhetoric and Fundamentalism. Pittsburgh: University of Pittsburgh Press.
Derrida, Jacques. 2005. Rogues: Two Essays on Reason. Trans. Pascale-Anne Brault and Michael Naas. Stanford: Stanford University Press.
Ronell, Avital. 2000. âConfessions of an Anacoluthon: Avital Ronell on Writing, Technology, Pedagogy, Politics.â JAC: Journal of Composition Theory 20 (2): 243â81.
Ronell, Avital. 2010. Fighting Theory: Avital Ronell in Conversation with Anne Dufourmantelle, trans. Catherine Porter. Urbana: University of Illinois Press.
2
Beliefs and Passionate Commitments
An Interview with Sharon Crowley
Andrea Alden, Kendall Gerdes, Judy Holiday, and Ryan Skinnell
DOI: 10.7330/9781607328933.c002 In June 2015, the editors of this book traveled to Sharon Crowleyâs house in Arizona to interview her as a first step in the process. We sent her a series of questions in advance, which she refers to in some of her answers below and which should be fairly self-evident, but knowing that helps to account for some of the less-than-graceful transitions in the discussion. As Lalicker, McDonald, and Wycheâs chapter in this book indicates, we were not the only people for whom an interview with Sharon seemed like a logical first step. The two interviews represented in this book were not coordinated, though some of the same issues did arise. There is also a third interview (Crowley et al. 2017), which was taken from the same discussion as this manuscript and published separately. What we have tried to do here is include only what we think are useful parts of the larger discussion with as little repetition among the three as possible so that readers will find distinctive value in encountering each of the texts.
We want to offer one additional caveat before leaving the interview to speak for itself. It will become fairly clear to readers that this discussion took place before the bulk of the 2016 presidential campaign. As we reread this interview in the process of composing the book manuscript, we were struck by how many times it raised issues that seem to demand fresh answers in light of the election results. Those answers arenât here, and we decided redoing the interview in light of what we know now would not serve the larger goals of the book project.
* * *
Gerdes: Something that you teach students early in your classes is the Greek origin of theory and theory as a building block for rhetoric. In another interview (Crowley 2008), you mention reading Of Grammatology with a group you called the Poststructuralist Luncheon Club, and your first book, [A] Teacherâs Introduction to Deconstruction (1989) was published about a decade after this reading group. How do you think your work helped introduce poststructuralism to the field? Was it significant that Deconstruction was the inaugural book in the Teacherâs Introduction series? How central was Pre/Text or other journals for publishing poststructuralist scholarship and in creating an audience for it?
Crowley: Okay. Well I read through my own stuff in the last week, which is really weird after all these years. And I put together a little bit of an itinerary.
The Poststructuralist Luncheon Club began to meet in â77. My friend Bryan Shortâwhom I seem to mention everywhereâhad been back to Yale for a seminar, and he had studied with Derrida. Derrida was at Yale in â76, and that was the year that Spivak finally got Grammatology translated into English, and Bryan came back just steeped in this stuff and kept speaking deconstruction. This was a foreign language to the rest of us. Bryan insisted we read Derrida, and we found we couldnât go it alone. So five of usâJim Fitzmorris, Jay Farness, Mac Malone, Bryan, and meâwould meet at one of our homes every Friday afternoon and read something from the Grammatology. We started with it and screamed and argued our way through the book. When we got comfortable with that, we started reading other things. We read a lot of stuff out of the journal Diacritics. We read Paul de Man and J. Hillis Miller and around in other deconstructive critics.
We would sometimes spend a whole afternoon on a page or two. And that was at the same time I was discovering the SophistsâI started reading all the historians of rhetoric, the traditional ones, when I got to Northern Arizona University (NAU) because Iâd never had a chance when I was doing my PhD at Northern Colorado. I took a lot of courses in rhetoric from the speech department, but I wasnât able to take as much as I wanted and still get a degree in English. So I had this huge reading list when I got to NAU, and I immediately embarked on it and just fell in love withâif you can believe itâwith Wilbur Samuel Howell. So I gave myself an education reading that stuff, and I got named the editor of the Arizona English Bulletin, which was one of the best of the local rags at that time. And through that I met a lot of wonderful people. Between the people at NAU and Arizona State University (ASU) and the University of Arizona (UA), we formed a little intellectual sharing group, and talked on the phone, and met at local conferences.
Thatâs where I was when Bryan came back from Yale, and Derrida just blew our minds. I mean really just blew our minds. Fitzmorris was a Renaissance scholar, Farness was a classical scholar, and Malone was interested in hermeneutics. And me in rhetoric. Bryan was a Melville scholar, so even to speak a language together was hard for us. But we did it, and it was really fruitfulâall of us published books out of that group. I also published âOf Gorgias and Grammatologyâ in 1979. That was my first effort. I gave that as a lecture at the Wyoming conference. I was scared to death. It was my first big gig. I had new clothes, a new jacket, and I got up to Wyoming and realized everybody dressed very casually. I loved everybody at Wyoming. That was just a wonderful conference. So I get up on stage and give this paper on Gorgias and the Grammatology. After I was done, two older gentlemen came up to the lip of the stage and asked to take me to coffee. And as a young woman I thought, âI donât know about this.â And then somebody came up and said, âMr. Corbett, can I have something-or-other,â and I rea...