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Rebellious Elvis: An (un) American Dream
On April 22, 1954, millions of Americans gazed at their television sets as they watched the ArmyâMcCarthy congressional hearings unfold. It turned out to be the sad climax of the Red Scare that had kept the United States holding its breath since the early 1950s. Driven by the deceiving and brutish demagogue Senator Joseph McCarthy, the previous few years had seen an all-out witch-hunt against the perpetrators of an allegedly widespread communist subversion of US society. In the 1950s, communism was perceived not only as an external, but also as an internal, threat, and McCarthyâs binary rhetoric was only one of many attempts to create a conformist, homogenous American identity against the wider Cold War background.1
The fact that millions of Americans were watching the McCarthy trials unfold on their own television setsâprobably comfortably tucked away on a couch in some newly built, standardized suburban unitâwas not coincidental: it was key to the prevalent Cold War mind-set at the time. As part of a wider civic ideology of consumerism and mass consumption, the act of purchasing goods and spending money not only served individual advancement; it was also seen as an almost patriotic act in demonstrating the alleged superiority of the American system of free enterprise and capitalism over the state-controlled Soviet economy.2 The domesticity and conformity associated with such lifestyles constituted another puzzle-piece in the construction of postwar American identities: the nuclear family, and its ingrained social containment, was seen as a crucial safeguard against a potential moral deprivation or communist subversion of American society.3
The popular image of the 1950s as a decade of conservatism and conformity, however, is only part of the story, as bigger societal transformations took place behind the façade of such constructed American identities. The alleged domesticity of the nuclear family, for example, stood increasingly at odds with the growing sexual liberalism of the decade, which found its most famous expression in the Kinsey report on âSexual Behavior in the Human Femaleâ in 1953 and the founding of Playboy magazine that same year.4 The alleged Cold War consensus also turned a blind eye to the major social inequalities still deeply ingrained in postwar American society, often reaffirming patriarchal hierarchies and the racial segregation of many African Americans. Here too, things were changing: in 1954, the Supreme Courtâs Brown v. Board of Education ruling put an end to racial segregation in schools and colleges, and the Montgomery bus boycott marked a watershed in the burgeoning civil rights movement and the slow erosion of Jim Crow legislation in the South. The 1950s United States was not the monolithic entity as which it was often depicted; it was a deeply divided society with major tensions multiplying underneath the surface of Cold War conformity.
The rise of Elvis Presley illustrates the deeply ingrained conflicts and complex transformations of the mid-1950s United States like few others. As the most important icon of a burgeoning youth culture that challenged traditional norms and conventions, Elvisâs public image became intrinsically intertwined with much bigger debates over class, race, and sexuality in the mid-1950s United States, as well as over the role of censorship and the power of the marketplace at a new age of mass media. The public controversies surrounding Elvisâs rise thus offer a unique window into a rapidly changing postwar society, and show how bigger questions of American Cold War identities became negotiated through Elvisâs public image.
The Southern Origins of Elvis
Elvis Presleyâs Southern background is crucial to understand not only the person, but also the wider forces that shaped his life, music, and reception.5 It is a story that is inextricably intertwined with the American Southâs complex transformations during the second half of the twentieth century; a history that few places exemplify better than Tupelo, a small city with approximately 6,500 citizens in the North of Mississippi.6 One of the last key battlefields in the Civil War, it had based its reconstruction efforts largely on the cotton industry, and retained its cotton city character and the almost feudal community structures that came with it well into the 1930s. It also remained an almost completely segregated city: a major rail line separated the Western side of the cityâs white landowners and businessmen from the cityâs 40 percent African American population, who lived in the so-called âShake Ragâ neighborhood on the Eastern side of the rail tracks. Even further East, however, there was a small community of poor marginalized whites, who worked in unskilled manual labor jobs and often lived in abject poverty. This is where Elvis Aaron Presley was born on January 8, 1935.7 His father Vernon could not even pay the doctor for the babyâs delivery and had to receive money from welfare; Elvisâs stillborn twin brother Jesse Garon was unceremoniously buried in a shoe box.
Growing up in the poorest part of Tupelo âon the wrong side of the tracks,â Elvisâs earliest years were characterized by poverty and hardship.8 Elvisâs father Vernon had worked on-and-off as a milk delivery driver and in various other manual jobs; his mother Gladys took shifts at the ironing section of the Tupelo Garment Company six days a week, which required her to operate a heavy steam iron and stand up for twelve hours straight well into her pregnancy. They lived in a so-called âshotgunâ house, a provisionally constructed two-room hut with old newspapers functioning as wallpaper and no electricity or running water.9 The young Elvis found escape from such hardship in the colorful and extravagant dream worlds of comic books, a popular commodity among youngsters at the time. At the age of eight, he signed up for membership at Tupeloâs Lee County Library and spent much of his free time borrowing and trading comics with friends. He was particularly drawn to Captain Marvelâs Adventures, the story of a rough-sleeping homeless newsboy in New York City who becomes transformed into a superhero: some commentators have noted the uncanny resemblance of some of Elvisâs 1970s jumpsuits with Captain Marvelâs red body suit and white cape outfit.10
Elvisâs earliest years in Tupelo were also shaped by the rich cultural heritage of Southern music that surrounded him, as well as by a certain transcendence of racial boundaries in every-day life. At the First Assembly of God Pentecostal church, which Elvis attended regularly with his parents, he was exposed to gospel-style communal singing, a music that became his earliest and perhaps biggest musical love.11 He also developed a taste for the country music of the white working-class community, following the local country performer Mississippi Slim around the neighborhoods at every opportunity. In 1945, Elvis even won the fifth prize at the local Mississippi-Alabama Fair and Dairy show for his performance of Mississippi Slimâs country standard âOld Shep.â12 Two years later, Elvis was thrown into an altogether different world when the Presley family moved to a âcoloredâ neighborhood that only had a few houses designated for whites. Here, Elvis observed how black musicians jammed on the streets, jukeboxes blasted rhythm ânâ blues music, and black churches offered eclectic gospel performances filled with singing and dancing.13 Elvis displayed no hesitation getting in touch with his new environment, and eagerly sucked up all such influences. He had also started to take his newly bought guitar everywhere he went. As Mississippi Slimâs brother later recalled, Elvis always walked to school with the guitar over his shoulder, making some of the girls leave home early to avoid passing the âgoofyâ kid.14
In November 1948, the Presley familyâs move to Memphis, Tennessee, exposed Elvis to yet another different environment. If Tupelo stood for the Old South, Memphisâsituated on the Western border of Tennessee along the Mississippi river, with a population of around 400,000 citizensâin many ways signified the New South, a place where rural institutions and archaic social hierarchies clashed with rapid urbanization and industrialization.15 As the only major city within a 200-mile radius, Memphis was regarded as the unofficial capital of the Mid-South, and the bustling economic hub of the Mississippi Delta. Yet it had retained many of its old-fashioned, almost feudal, structures, and Southern elites still dominated the cityâs political and social life almost completely. Still a highly segregated city, Memphis was also a major hub of postwar black culture, partly as a result of the massive migration of African Americans from rural areas to cities during and after the Second World War.16 The black communityâs social life centered on Beale Street, an area of roughly four blocks with shops, nightclubs, and barbeque stands.17 It also featured a vibrant musical community, attracting rural performers from around the Mississippi Delta as well as established stars like Duke Ellington or Count Basie. A particularly popular new trend at the time was rhythm ânâ blues, an upbeat fusio...