This book presents an important re-theorisation of gender and anti-Semitism in medieval biblical drama. It charts conflicts staged between dramatic personae in plays that represent theological transitions, including the Incarnation, Flood, Nativity and Bethlehem slaughter. Interrogating the Christian preoccupation with what it asserted was a superseded Jewish past, it asks how models of supersession and typology are subverted when placed in dramatic dialogue with characters who experience time differently. The book employs theories of gender, performance, anti-Semitism, queer theory and periodisation to complicate readings of early theatre's biblical matriarchs and patriarchs. Dealing with frequently taught plays as well as less familiar material, the book is essential reading for specialist, undergraduate and postgraduate researchers working on medieval performance, gender and queer studies, Jewish-Christian studies and time.

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Yes, you can access Play time by Daisy Black, David Matthews, Anke Bernau, James Paz, David Matthews,Anke Bernau,James Paz in PDF and/or ePUB format, as well as other popular books in Literature & Drama. We have over one million books available in our catalogue for you to explore.

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Publisher

Manchester University Press

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Print ISBN

eBook ISBN

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Subtopic

Index

Cover
Title Page
Copyright Page
Dedication
Contents
Figures
Acknowledgements
Abbreviations
Introduction: what God was doing before He created the world
The old man and the pregnant virgin: linear time and Jewish conversion in the N-Town plays
Grave new world: fantasies of supersession and explosive questions in the York and Chester Flood plays
Time out of joint: queering the Nativity in the Towneley Second Shepherds’ Play
Passion meets Passover: temporal origami in the Towneley Herod the Great
Conclusion: the spectator’s God’s-eye view
Epilogue
Bibliography
Index

About this book

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