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About this book
At a time when Asian American theater is enjoying a measure of growth and success, Josephine Lee tells us about the complex social and political issues depicted by Asian American playwrights. By looking at performances and dramatic texts, Lee argues that playwrights produce a different conception of "Asian America" in accordance with their unique set of sensibilities.
For instance, some Asian American playwrights critique the separation of issues of race and ethnicity from those of economics and class, or they see ethnic identity as a voluntary choice of lifestyle rather than an impetus for concerted political action. Others deal with the problem of cultural stereotypes and how to reappropriate their power. Lee is attuned to the complexities and contradictions of such performances, and her trenchant thinking about the criticisms lobbed at Asian American playwrights -- for their choices in form, perpetuation of stereotype, or apparent sexism or homophobia -- leads her to question how the presentation of Asian American identity in the theater parallels problems and possibilities of identity offstage as well.
Discussed are better-known plays such as Frank Chin's The Chickencoop Chinaman, David Henry Hwang's M. Butterfly, and Velina Hasu Houston's Tea, and new works like Jeannie Barroga's Walls and Wakako Yamauchi's 12-1-a.
For instance, some Asian American playwrights critique the separation of issues of race and ethnicity from those of economics and class, or they see ethnic identity as a voluntary choice of lifestyle rather than an impetus for concerted political action. Others deal with the problem of cultural stereotypes and how to reappropriate their power. Lee is attuned to the complexities and contradictions of such performances, and her trenchant thinking about the criticisms lobbed at Asian American playwrights -- for their choices in form, perpetuation of stereotype, or apparent sexism or homophobia -- leads her to question how the presentation of Asian American identity in the theater parallels problems and possibilities of identity offstage as well.
Discussed are better-known plays such as Frank Chin's The Chickencoop Chinaman, David Henry Hwang's M. Butterfly, and Velina Hasu Houston's Tea, and new works like Jeannie Barroga's Walls and Wakako Yamauchi's 12-1-a.
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Yes, you can access Performing Asian America by Josephine Lee in PDF and/or ePUB format, as well as other popular books in Social Sciences & Asian American Studies. We have over one million books available in our catalogue for you to explore.
Information
Publisher
Temple University PressYear
2010Print ISBN
9781566396370, 9781566395021eBook ISBN
9781439906705Table of contents
- Contents
- Acknowledgments
- 1. Critical Strategies for Reading Asian American Drama
- 2. The Asian American Spectator and the Politics of Realism
- 3. The Chinaman's Unmanly Grief
- 4. The Seduction of the Stereotype
- 5. Acts of Exclusion: Asian American History Plays
- 6. Asian American Doubles and the Soul under Capitalism
- 7. Staging "Passing" on the Borders of the Body
- Epilogue
- Notes
- Works Cited
- Index
- Photographs