Irish Fairy and Folk Tales

William Butler Yeats

• Publisher: Wharton Press
• Year: 2013
• Print ISBN: 9781408697764
• eBook ISBN: 9781447486886
• Topic: Social Sciences
• Subtopic: Irish History
• Index: Social Sciences

An ethereal collection of long-lost fairy tales and folk stories from Ireland, collated and edited by one of the most sensational Irish poets, W. B. Yeats.

This anthology of Irish myths and folklore was first published in 1892 after being carefully collated by W. B. Yeats. The prolific poet had a deep interest in the folkloric history of his country and dedicated part of his career to editing traditional fairy tales and translating them from the original Irish. Irish Fairy and Folk Tales is an illusive collection of beautiful and ghostly stories concerning fairies, changelings, witches, giants, the devil, and the supernatural.

The tales featured in this volume are divided between the following sections:

- The Trooping Fairies

- Changelings

- The Merrow

- The Solitary Fairies

- Ghosts

- Witches, Fairy Doctors

- T'yeer-Na-N-Oge

- Saints, Priests

- The Devil

- Giants

- Kings, Queens, Princesses, Earls, Robbers

IRISH FAIRY AND FOLK TALES

THE TROOPING FAIRIES

THE Irish word for fairy is sheehogue [sidheóg], a diminutive of “shee” in banshee. Fairies are deenee shee [daoine sidhe] (fairy people).

Who are they? “Fallen angels who were not good enough to he saved, nor bad enough to be lost,” say the peasantry. “The gods of the earth,” says the Book of Armagh. “The gods of pagan Ireland,” say the Irish antiquarians, “the Tuatha De Danān, who, when no longer worshipped and fed with offerings, dwindled away in the popular imagination, and now are only a few spans high.”

And they will tell you, in proof, that the names of fairy chiefs are the names of old Danān heroes, and the places where they especially gather together, Danān burying-places, and that the Tuatha De Danān used also to be called the slooa-shee [sheagh sidhe] (the fairy host), or Marcra shee (the fairy cavalcade).

On the other hand, there is much evidence to prove them fallen angels. Witness the nature of the creatures, their caprice, their way of being good to the good and evil to the evil, having every charm but conscience—consistency. Beings so quickly offended that you must not speak much about them at all, and never call them anything but the “gentry,” or else daoine maithe, which in English means good people, yet so easily pleased, they will do their best to keep misfortune away from you, if you leave a little milk for them on the window-sill over night. On the whole, the popular belief tells us most about them, telling us how they fell, and yet were not lost, because their evil was wholly without malice.

Are they “the gods of the earth?” Perhaps! Many poets, and all mystic and occult writers, in all ages and countries, have declared that behind the visible are chains on chains of conscious beings, who are not of heaven but of the earth, who have no inherent form but change according to their whim, or the mind that sees them. You cannot lift your hand without influencing and being influenced by hoards. The visible world is merely their skin. In dreams we go among them, and play with them, and combat with them. They are, perhaps human souls in the crucible—these creatures of whim.

Do not think the fairies are always little. Everything is capricious about them, even their size. They seem to take what size or shape pleases them. Their chief occupations are feasting, fighting, and making love, and playing the most beautiful music. They have only one industrious person among them, the lepra-caun—the shoemaker. Perhaps they wear their shoes out with dancing. Near the village of Ballisodare is a little woman who lived among them seven years. When she came home she had no toes—she had danced them off.

They have three great festivals in the year—May Eve, Midsummer Eve, November Eve. On May Eve, every seventh year, they fight all round, but mostly on the “Plain-a-Bawn” (wherever that is), for the harvest, for the best ears of grain belong to them. An old man told me he saw them fight once; they tore the thatch off a house in the midst of it all. Had anyone else been near they would merely have seen a great wind whirling everything into the air as it passed. When the wind makes the straws and leaves whirl as it passes, that is the fairies, and the peasantry take off their hats and say, “God bless them.”

On Midsummer Eve, when the bonfires are lighted on every hill in honor of St. John, the fairies are at their gayest, and sometimes steal away beautiful mortals to be their brides.

On November Eve they are at their gloomiest, for, according to the old Gaelic reckoning, this is the first night of winter. This night they dance with the ghosts, and the pooka is abroad, and witches make their spells, and girls set a table with food in the name of the devil, that the fetch of their future lover may come through the window and eat of the food. After November Eve the blackberries are no longer wholesome, for the pooka has spoiled them.

When they are angry they paralyze men and cattle with their fairy darts.

When they are gay they sing. Many a poor girl has heard them, and pined away and died, for love of that singing. Plenty of the old beautiful tunes of Ireland are only their music, caught up by eavesdroppers. No wise peasant would hum “The Pretty Girl Milking the Cow” near a fairy rath, for they are jealous, and do not like to hear their songs on clumsy mortal lips. Carolan, the last of the Irish bards, slept on a rath, and ever after the fairy tunes ran in his head, and made him the great man he was.

Do they die? Blake saw a fairy’s funeral; but in Ireland we say they are immortal.

THE FAIRIES

WILLIAM ALLINGHAM.

UP the airy mountain,
Down the rushy glen,

We daren’t go a-hunting
For fear of little men;

Wee folk, good folk,
Trooping all together;

Green jacket, red cap,
And white owl’s feather!

Down along the rocky shore
Some make their home,

They live on crispy pancakes
Of yellow tide-foam;

Some in the reeds
Of the black mountain lake,

With frogs for their watch-dogs
All night awake.

High on the hill-top
The old King sits;

He is now so old and gray
He’s nigh lost his wits.

With a bridge of white mist
Columbkill he crosses,

On his stately journeys
From Slieveleague to Rosses;

Or going up with music
On cold starry nights,

To sup with the Queen
Of the gay Northern Lights.

They stole little Bridget
For seven years long;

When she came down again
Her friends were all gone.

They took her lightly back,
Between the night and morrow,

They thought that she was fast asleep,
But she was dead with sorrow.

They have kept her ever since
Deep within the lake,

On a bed of flag-leaves,
Watching till she wake.

By the craggy hill-side,
Through the mosses bare,

They have planted thorn-trees
For pleasure here and there.

Is any man so daring
As dig them up in spite,

He shall find their sharpest thorns
In his bed at night.

Up the airy mountain,
Down the rushy glen,

We daren’t go a-hunting
For fear of little men;

Wee folk, good folk,
Trooping all together;

Green jacket, red cap,
And white owl’s feather!

FRANK MARTIN AND THE FAIRIES

WILLIAM CARLETON

MARTIN was a thin, pale man, when I saw him, of a sickly look, and a constitution naturally feeble. His hair was a light auburn, his beard mostly unshaven, and his hands of a singular delicacy and whiteness, owing, I dare say, as much to the soft and easy nature of his employment as to his infirm health. In everything else he was as sensible, sober, and rational as any other man; but on the topic of fairies, the man’s mania was peculiarly strong and immovable. Indeed, I remember that the expression of his eyes was singularly wild and hollow, and his long, narrow temples sallow and emaciated.

Now, this man did not lead an unhappy life, nor did the malady he labored under seem to be productive of either pain or terror to him, although one might be apt to imagine otherwise. On the contrary, he and the fairies maintained the most friendly intimacy, and their dialogues—which I fear were wofully one-sided ones—must have been a source of great pleasure to him, for they were conducted with much mirth and laughter, on his part at least.

“Well, Frank, when did you see the fairies?”

“Whist! There’s two dozen of them in the shop (the weaving shop) this minute. There’s a little ould fellow sittin’ on the top of the sleys, an’ all to be rocked while I’m weavin’. The sorrow’s in them, but they’re the greatest little skamers alive, so they are. See, there’s another of them at my dressin’ noggin.* Go out o’ that, you shingawn; or, bad cess to me, if you don’t, but I’ll lave you a mark. Ha! cut, you thief you!”

“Frank, arn’t you afeard o’ them?”

“Is it me! Arra, what ’ud I be afeard o’ them for? Sure they have no power over me.”

“And why haven’t they, Frank?”

“Because I was baptized against them.”

“What do you mean by that?”

“Why, the priest that christened me was tould by my father, to put in the proper prayer against the fairies—an’ a priest can’t refuse it when he’s asked—an’ he did so. Begorra, it’s well for me that he did—(let the tallow alone, you little glutton—see, there’s a weeny thief o’ them aitin’ my tallow)—becaise, you see, it was their intention to make me king o’ the fairies.”

“Is it possible?”

“Devil a lie in it. Sure you may ax them, an’ they’ll tell you.”

“What size are they, Frank?”

“Oh, little wee fellows, with green coats, an’ the purtiest little shoes ever you seen. There’s two of them—both ould acquaintances o’ mine—runnin’ along the yarn-beam. That ould fellow with the bob-wig is called Jim Jam, an’ the other chap, with the three-cocked hat, is called Nickey Nick. Nickey plays the pipes. Nickey, give us a tune or I’ll malivogue you—come now, ‘Lough Erne Shore.’ Whist, now—listen!”

The poor fellow, though weaving as fast as he could all the time, yet bestowed every possible mark of attention to the music, and seemed to enjoy it as much as if it had been real.

But who can tell whether that which we look upon as a privation may not after all be a fountain of increased happiness, greater, perhaps, than any which we ourselves enjoy? I forget who the poet is who says:

“Mysterious are thy laws;
The visions finer than the view;
Her landscape Nature never drew
So fair as Fancy draws.”

Many a time, when a mere child, not more than six or seven years of age, have I gone as far as Frank’s weaving-shop, in order, with a heart divided between curiosity and fear, to listen to his conversation with the good people. From morning till night his tongue was going almost as incessantly as his shuttle; and it was well known that at night, whenever he awoke out of his sleep, the first thing he did was to put out his hand, and push them, as it were, off his bed.

“Go out o’ this, you thieves, you—go out o’ this now, an’ let me alone. Nickey, is this any time to be playing the pipes, and me wants to sleep? Go off, now—troth if yez do, you’ll see what I’ll give yez to-morrow. Sure I’ll be makin’ new dressin’s; and if yez behave decently, maybe I’ll lave yez the scrapin’ o’ the pot. There now. Och! poor things, they’re dacent crathurs. Sure they’re all gone, barrin’ poor Red-cap, that doesn’t like to lave me.” And then the harmless monomaniac would fall back into what we trust was an innocent slumber.

About this time there was said to have occurred a very remarkable circumstance, which gave poor Frank a vast deal of importance among the neighbors. A man named Frank Thomas, the same in whose house Mickey M’Rorey held the first dance at which I ever saw him, as detailed in a former sketch; this man, I say, had a child sick, but of what complaint I cannot now remember, nor is it of any importance. One of the gables of Thomas’s house was built against, or rather into, a Forth or Rath, called Towny, or properly Tonagh Forth. It was said to be haunted by the fai...

Table of contents

• Cover
• Title
• Copyright
• Dedication
• Contents
• Introduction
• Half title
• The Trooping Fairies—
• The Solitary Fairies—
• Ghosts—
• Witches, Fairy Doctors—
• T’Yeer-na-n-Oge—
• Saints, Priests—
• The Devil—
• Giants—
• Kings, Queens, Princesses, Earls, Robbers—
• Notes