What is African American Literature?
Margo N. Crawford
- English
- ePUB (mobile friendly)
- Available on iOS & Android
What is African American Literature?
Margo N. Crawford
About This Book
After Kenneth W. Warren's What Was African American Literature?, Margo N. Crawford delivers What is African American Literature?
The idea of African American literature may be much more than literature written by authors who identify as "Black". What is African American Literature? focuses on feeling as form in order to show that African American literature is an archive of feelings, a tradition of the tension between uncontainable black affect and rigid historical structure. Margo N. Crawford argues that textual production of affect (such as blush, vibration, shiver, twitch, and wink) reveals that African American literature keeps reimagining a black collective nervous system.
Crawford foregrounds the "idea" of African American literature and uncovers the "black feeling world" co-created by writers and readers. Rejecting the notion that there are no formal lines separating African American literature and a broader American literary tradition, Crawford contends that the distinguishing feature of African American literature is a "moodscape" that is as stable as electricity. Presenting a fresh perspective on the affective atmosphere of African American literature, this compelling text frames central questions around the "idea" of African American literature, shows the limits of historicism in explaining the mood of African American literature and addresses textual production in the creation of the African American literary tradition.
Part of the acclaimed Wiley Blackwell Manifestos series, What is African American Literature? is a significant addition to scholarship in the field. Professors and students of American literature, African American literature, and Black Studies will find this book an invaluable source of fresh perspectives and new insights on America's black literary tradition.
Frequently asked questions
Information
1
The Textual Production of Black Affect : The Blush of Toni Morrisonâs Last Novel
The most successful fiction of most Negro writing is in its emotional content.Amiri Baraka, âThe Myth of a âNegro Literatureââ
For within living structures defined by profit, by linear power,by institutional dehumanization, our feelings were not meantto survive.Audre Lorde, âPoetry is not a Luxuryâ
The idea was always to make that time emotionallyreal to people.âOctavia Butler1
What was uppermost in my mind while I read her manuscript was that no novel about any black woman could ever be the same after this ⌠So deeply impressed was I that I hadnât time to be offended by the fact that she was twentyâfour and had no ârightâ to know so much so well⌠Even now, almost two years later, I shake my head when I think of her, and the same smile of disbelief I could not hide when I met her, I feel on my mouth still as I write these linesâŚ2
If you got hiv, say aids. If you a girl,/say youâre pregnantâânobody gonna lower/themselves to listen for the kick. People/passing fast. Splay your legs, cock a knee/funny. Itâs the littlest shames theyâre likely/to comprehend. Donât say homeless, they know/you is. What they donât know is what opens/a wallet, what stops em from counting/what they drop. If youâre young say younger./Old say older. If youâre crippled donât/flaunt it. Let em think theyâre good enough/Christians to notice. Donât say you pray,/say you sin. Itâs about who they believe/they is. You hardly even there.4
I was seldom whipped by my old master, and suffered little from any thing else than hunger and cold. I suffered much from hunger, but much more from cold. In hottest summer and coldest winter, I was kept almost nakedâno shoes, no stockings, no jacket, no trousers, nothing on but a coarse tow linen shirt, reaching only to my knees. I had no bed. I must have perished with cold, but that, the coldest nights, I used to steal a bag which was used for carrying corn to the mill. I would crawl into this bag, and there sleep on the cold, damp, clay floor, with my head in and feet out. My feet have been so cracked with the frost, that the pen with which I am writing might be laid in the gashes.5