
- 208 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
For a long time, analysis of the work of Samuel Beckett has been dominated by existentialist and post-structuralist interpretations. This new volume instead raises the question of how to understand Beckett via the dialectics underpinning his work. The different chapters explore how Beckett exposes and challenges essential dialectical concepts such as objectivity, subjectivity, exteriority, interiority, immanence, transcendence, and most crucially: negativity. With contributions from prominent scholars such as Alain Badiou, Mladen Dolar, and Rebecca Comay, Beckett and Dialectics not only sheds new light on how Beckett investigates the shapes, types, and forms of negation ā as in the all-pervasive figures of 'nothing', 'no', 'null', and 'not' ā but also examines how several phenomena that occur throughout Beckett's work are structured in their use of negativity. These include the relationships between voice and silence, space and void, movement and stasis, the finite and the infinite and repetition and transformation. This original analysis lends an important new perspective to Beckett studies, and even more fundamentally, to dialectics itself.
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Information
Table of contents
- Cover
- Halftitle Page
- Title Page
- ContentsĀ
- Acknowledgments
- I Introduction
- II Samuel Beckettās Method
- III Two Shades of Gray
- IV Senile Dialectic
- V Beckettās Unnamable Realism
- VI Watt Forms Life: Beckett and the Theory of the Novel
- VII No Louder: Beckett and the Dynamics of Monotony
- Notes on Contributors
- Index
- Imprint