The sketches
ÒSCAR JULVE, BAR OLLER
Medium: pen and ink
Dimensions: 23 × 90 cm
Line
A wide-angle view
Swasky
To look at this drawing is to feel as though you are teetering on the edge of a balcony, or looking through a wide-angle lens at the quiet Spanish village. The fish-eye effect means that we can see almost straight down to the street below, and right across to the distant rooftops opposite. It results in a cheerful distortion that captures the street’s character in a web of lines and angles.
The strong element of pattern also catches the eye. The roof tiles are meticulously drawn and there are the striped lines of the awning over the bar, and the closed shutters. Electrical wiring passing from one side of the road to the other leads the eye around the picture, their lines doubled up by the inclusion of their shadows painted in a lighter tone wash.
Swasky found it impossible not to eavesdrop on the conversations he could hear from below while he worked: ‘As I was drawing I discovered that someone had been to hospital, that the weather this year was great, that the bar’s owner is from Majorca, and more stories that I’ll keep to myself,’ he says.
THE CROSS ROADS (WHERE YOU FIND OUT EVERYTHING)
Medium: fountain pen, brush and ink
Dimensions: 22 × 30 cm
Modern-day hieroglyphics
Cachetejack
This drawing has been created by assembling scanned elements of a selection of still life compositions by Cachetejack and arranging them in Photoshop. The straightforward simplicity of the line that comes from a thick marker pen, compared with the subtler marks offered by, for instance, brush pens or dip pens, means that the subjects are stripped back to their most direct forms, becoming almost a form of modern day hieroglyphics.
The items – most of them familiar from everyday life, some more surreal – are immediately recognisable and yet reduced to their starkest outlines, which is accentuated further by the lack of colour or tonal variation. There is black and white, and nothing in between. ‘The drawings are like symbols – everything is reduced to its simplest form,’ the Cachetejack duo say. ‘The effect we wanted was simple and descriptive. Marker pens let you keep drawing very easily and give the perfect feeling of a line.’
While permanent pens may leave no room for correction or adjustment, there is a degree of flexibility in choosing to arrange the drawings digitally. The cigarette symbol is repeatedly copied, rotated and pasted throughout the arrangement to bring a consistent element to the composition, which was used by the illustrators as the endpapers in a fanzine.
VANITAS
Medium: marker pen
Dimensions: 13 × 13 cm
Finding expressive lines
Rolf Schroeter
What is the difference between drawing animals and people? Rolf admits that he can struggle with the anatomy of horses, but here he has approached the task just as he would have if he were drawing a human subject: through close observation.
A fountain pen with a fine, flexible nib has been used with waterproof ink on very thin and smooth 50 gsm paper. The subject has been composed on the sketchbook’s page so that the foreshortened body of the horse sits on one side of its spine, and its head and tether lie on the other.
The drawing is a great example of how direct and nuanced pen and ink can be. There is a calligraphic feel to the lines describing the horse’s back as they widen and then taper. The long descriptive arcs of its outline and the drooping quiff of the mane contrast with the lighter, flicked marks that represent hair on the legs, rump and nose. The drawing is about more than just the horse’s character, but about the expressive act of drawing: it is possible to imagine the sweep and flick of the pen as Rolf draws from the marks he has made.
WESENDAHL_GINETTE_070315
Medium: fountain pen and waterproof ink
Dimensions: 13 × 18 cm
People in motion
Nina Johansson
Drawing people in action, such as these musicians rehearsing together, can be a challenge, especially in pen and ink, as postures can come and go quickly. But by working ...
