
eBook - PDF
The Language of Fashion Design
26 Principles Every Fashion Designer Should Know
- 240 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
About this book
Learning a new discipline is similar to learning a new language; in order to master the foundation of fashion design, you must first master the basic building blocks of its language – the definitions, function, and usage. The Language of Fashion Design provides students and fashion designers with the basic elements of fashion design, divided into twenty-six easy-to-comprehend chapters. This visual reference includes an introductory, historical view of the elements, as well as an overview of how these elements can and have been used across multiple design disciplines.
Whether you're new to the field or have been a fashion designer for years, you'll want to flip through the pages of this book throughout your career and use it as the go-to reference for inspiration, ideas, and reminders of how a strong knowledge of the basics allows for meaningful, memorable, and beautiful fashion that extends beyond trends.
This comprehensive learning tool is the one book you'll want as a staple in your library.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access The Language of Fashion Design by Laura Volpintesta in PDF and/or ePUB format, as well as other popular books in Design & Fashion Design. We have over one million books available in our catalogue for you to explore.
Information
13
12
Color,
despite
a
dry
dictionary
description,
is
very
difficult
to
separate
from
emotion.
We
can
discuss
its
theory
and
properties,
but
in
the
end
what
it
conveys
to
us
is
emotional
not
technical.
From
the
bleakest
wash
of
gray
sky
to
a
flag
emblazoned
color
1
Stained
glass
adornments
pull
the
colors
of
the
spectrum
out
of
their
source:
pure,
white
light.
Sculptural
pieces
with
metal
embellish-
ments
are
the
Georgia-born
designer’s
trademark.
DAVID
KOMA,
London,
UK
with
contrasting
brights,
from
colors
found
in
nature
to
the
latest
synthetic
capabilities
of
color
production,
its
fashionable
value
is
found
primarily
in
our
emotional
response
to
it.
Designer
Isabel
Toledo
sums
it
up
well
when
she
says
she
is
not
visual
and
that
her
use
of
color
is
entirely
emotional.
The
appearance
of
a
color
is
always,
in
fact,
affected
by
the
colors
it
is
viewed
with.
We
experience
colors
relatively.
For
example,
colors
directly
opposite
one
another
on
the
wheel
are
called
complementary
colors.
They
naturally
intensify
each
other.
Red
appears
more
red
near
green,
orange
appears
more
(continued
on
page
16)
Table of contents
- Cover
- Title Page
- Contents
- Introduction
- 1 Color
- 2 Shape
- 3 Silhouette
- 4 Line
- 5 Bias
- 6 Block
- 7 Construction
- 8 Drape
- 9 Volume
- 10 Function
- 11 Deconstruction
- 12 Negative Shape
- 13 Symmetry
- 14 Asymmetry
- 15 Transparency
- 16 Layer
- 17 Texture
- 18 Print
- 19 Contrast
- 20 Direction
- 21 Embellishment
- 22 Pattern
- 23 Surface
- 24 Movement
- 25 Motif
- 26 Collection
- Glossary
- Contributors
- About the Author
- Acknowledgments
- Index