
eBook - ePub
The Pocket Universal Principles of Art
100 Key Concepts for Understanding, Analyzing, and Practicing Art
- 208 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
The Pocket Universal Principles of Art
100 Key Concepts for Understanding, Analyzing, and Practicing Art
About this book
The Pocket Universal Principles of Art is a portable but still comprehensive reference for all artists, and a companion volume to Rockport Publishers' best-selling Universal Principles of Design.
This new, pocket volume of ThePocket Universal Principles of Art provides a handy, portable, reference for art enthusiast, art students, and any artist on the go. This is the same excellent information as the original Universal Principles of Art, but now in a condensed, easy-to-navigate format.
This pocket edition presents one hundred principles and fundamental ideas and approaches to making art. The principles explore key techniques and concepts, making this a book for anyone interested in learning more about what makes art work.
This new, pocket volume of ThePocket Universal Principles of Art provides a handy, portable, reference for art enthusiast, art students, and any artist on the go. This is the same excellent information as the original Universal Principles of Art, but now in a condensed, easy-to-navigate format.
This pocket edition presents one hundred principles and fundamental ideas and approaches to making art. The principles explore key techniques and concepts, making this a book for anyone interested in learning more about what makes art work.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access The Pocket Universal Principles of Art by John A Parks in PDF and/or ePUB format, as well as other popular books in Arte & Arte generale. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Title Page
- Contents
- Preface
- Introduction
- 001 Abstraction
- 002 Allegory
- 003 Ambiguity
- 004 Appropriation
- 005 Areas of Competence
- 006 Authenticity and Outsider Art
- 007 Autobiography
- 008 Balance
- 009 Beauty
- 010 Boundaries
- 011 Brush Techniques
- 012 Chance
- 013 Classicism and Renaissance
- 014 Collage and Assemblage
- 015 Color as Light
- 016 Color as Limit
- 017 Color Theory
- 018 Composition
- 019 Conceptual Art
- 020 Consistency of Visual Language
- 021 Craft
- 022 Creativity
- 023 Cross-Cultural Fertilization
- 024 Cubism
- 025 Dada
- 026 Decoration
- 027 Distortion
- 028 Distribution
- 029 Drawing Language
- 030 The Emotive Object
- 031 Erotic Art
- 032 Expression in the Abstract
- 033 Fantasy and Visionary Art
- 034 Finish
- 035 Formal Innovation
- 036 Form Rendered
- 037 Gender
- 038 Harmony
- 039 Hierarchical Proportion
- 040 Imagination
- 041 Installation
- 042 Intentionality
- 043 Interactive Art
- 044 Juxtaposition
- 045 Kinetic Art
- 046 Land Art
- 047 Layers
- 048 Linear Basics
- 049 Mannerism
- 050 Mass
- 051 Materials as Art
- 052 Minimalism
- 053 Mixed Media and Multimedia
- 054 Motif
- 055 Movement
- 056 Narrative
- 057 Op Art
- 058 Overload
- 059 Performance Art
- 060 Perspective
- 061 Plasticity
- 062 Politics and Polemics
- 063 Prepare and Develop
- 064 Printmaking
- 065 Process as Meaning
- 066 Proportion and Ratio
- 067 Quality
- 068 Quoting
- 069 Readymades
- 070 Realism
- 071 Religiosity
- 072 Repetition
- 073 Representation
- 074 Restraint
- 075 Rhythm
- 076 Romanticism
- 077 Scale
- 078 Semiotics
- 079 Semiotics 2: Deconstruction
- 080 Sensitivity and Sensibility
- 081 Shape
- 082 Shock
- 083 Simplification
- 084 Space and Volume
- 085 Spectacle
- 086 Style and Stylishness
- 087 Successive Approximation
- 088 Sufficiency of Means
- 089 Surrealism
- 090 Symbols
- 091 Symmetry
- 092 Temporary Art
- 093 Texture
- 094 Theme
- 095 Tone as Structure
- 096 Touch Communicates
- 097 Tribal Art
- 098 Trompe l’Oeil
- 099 Underpainting
- 100 Video Art
- Credits
- Acknowledgments
- About the Author
- Copyright