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Introduction
Anne Steele, the English Hymn, and Ripponās Selection of Hymns
Anne Steele (1717ā1778) was an early pioneer of the English hymn. Celebrated as āthe female āPoet of the Sanctuaryā,ā Steele was among many other early English Particular Baptists as well as other Dissenters and Nonconformists in her hymn-ĀĀwriting efforts. From the end of the seventeenth century through the first three quarters of the eighteenth century, a group of English Particular Baptists joined Anne Steele in a broader movement that later came to be known as the āGolden Age of Hymnody.ā This period, which coincided with the rise of evangelicalism, is certainly known more for its two leading hymn-writers, Isaac Watts (1674ā1748) and Charles Wesley (1707ā1788), both still well-represented in modern hymnals. However, there is a group of English Baptists, whose evangelical and theologically compelling hymnsāonce received warmlyāhave been practically forgotten. At the head of this group, otherwise made up entirely of pastors, is Steele, a pastorās daughter, who has been called the āall-time champion Baptist hymn-writer of either sex.ā J. R. Broome points out that, writing among a generation of hymn-writing giants such as Watts, Wesley, William Cowper (1731ā1800), and John Newton (1725ĀĀĀā1807), Steele is āin fact the only woman of that period whose hymns have stood the test of time.ā Other notable Particular Baptist hymn-writers of the era include Joseph Stennett I (1663ā1713), Benjamin Wallin (1711ā1782), Benjamin Beddome (1717ā1795), Samuel Stennett (1727ā1795), Benjamin Francis (1734ā1799), John Fawcett (1739ā1817), and John Ryland Jr. (1753ā1825).
Writing her hymns originally not only for personal devotional purposes but also to supplement the collection of Wattsās hymns sung in her fatherās congregation, Steele finally allowed them to be published in 1760, though under a pseudonym, Theodosia. W. R. Stevenson calls the thirty years that followed the first publication of Steeleās hymns in 1760 āthe palmy days of Baptist Hymnody.ā Hymnologist Louis F. Benson adds that the publication of Steeleās volumes launched Baptist hymnody into its own golden age. Paving the way for Steele and the other English Particular Baptist hymn-writers had been Benjamin Keach (1640ā1704), who argued for the propriety of singing hymns in worship and who introduced the practice to his Baptist church in 1673. Keach in fact published two hymn books of his own compositions.
Benson suggests that āthe year 1750 begins a new period in Baptist hymn writingā in āthe school of Watts.ā That is the year Benjamin Wallinās Evangelical Hymns and Songs was published, which Richard Arnold believes to be the first congregational hymnal to use the word āevangelicalā in its title. The Particular Baptists thus wedded themselves to this word, which meant at the time, āāAgreeable to the gospel; consonant to the Christian law revealed in the holy gospel,ā and ācontained in the gospel.āā Wallinās publication therefore placed the Particular Baptists self-consciously in the evangelical stream.
Now, in a recent morphology that has received wide acceptance, David Bebbington has grouped the attitudes and convictions of early British evangelicals under four qualities or characteristics. First, there is what he calls conversionism, the belief that lives need to be changed. Second, there is biblicism, a commitment to and belief that all spiritual truth is to be found in the Bible. The third characteristic is activism, the commitment of all believers to lives of service for God, especially through evangelism (spreading the good news) and mission (taking the gospel to other societies). Finally, there is crucicentrism, the conviction that Christās death on the cross was the sacrifice providing atonement for sin (i.e., providing reconciliation between a holy God and sinful humans). As the high point of the English hymn coincided with the rise of evangelicalism, it will be seen that Steeleās hymns also reveal Bebbingtonās quadrilateral.
In his study, The Anatomy of Hymnody, Austin C. Lovelace defines a hymn as āa poetic statement of a personal religious encounter or insight, universal in its truth, and suitable for corporate expression when sung in stanzas to a hymn tune.ā The singing of hymns served a number of functions in the evangelical circles within which Steele and the other Particular Baptist hymn-writers of her day composed their hymns. Louis F. Benson, leading early twentieth-century hymnologist, for example, lays out a typology of such functions based on the content of the hymns: the hymn of praise, the hymn of prayer, the doctrinal hymn, the didactic hymn, the sermon...