The Poem of Hashish

Charles Baudelaire

• Publisher: Passerino
• Year: 2016
• eBook ISBN: 9788893450584
• Topic: Literature
• Subtopic: Classics
• Index: Literature

The Poem of Hashish (1821) was first published in 1850.
“By graduations, external objects assume unique appearances in the endless combining and transfiguring of forms. Ideas are distorted; perceptions are confused. Sounds are clothed in colors and colors in music.” Charles Pierre Baudelaire (April 9, 1821 – August 31, 1867) was a French poet who also produced notable work as an essayist, art critic, and pioneering translator of Edgar Allan Poe. Translation by Aleister Crowley

CHAPTER I: THE LONGING FOR INFINITY

Those who know how to observe themselves, and who preserve the memory of their impressions, those who, like Hoffmann, have known how to construct their spiritual barometer, have sometimes had to note in the observatory of their mind find seasons, happy days, delicious minutes. There are days when man awakes with a young and vigorous genius. Though his eyelids be scarcely released from the slumber which sealed them, the exterior world shows itself to him with a powerful relief, a clearness of contour, and a richness of colour which are admirable. The moral world opens out its vast perspective, full of new clarities.

A man gratified by this happiness, unfortunately rare and transient, feels himself at once more an artist and more a just man; to say all in a word, a nobler being. But the most singular thing in this exceptional condition of the spirit and of the senses -- which I may without exaggeration call heavenly, if I compare it with the heavy shadows of common and daily existence -- is that it has not been created by any visible or easily definable cause. Is it the result of good hygiene and of a wise regimen? Such is the first explanation which suggests itself; but we are obliged to recognise that often this marvel, this prodigy, so to say, produces itself as if it were the effect of a superior and invisible power, of a power exterior to man, after a period of the abuse of his physical faculties. Shall we say that it is the reward of assiduous prayer and spiritual ardour? It is certain that a constant elevation of the desire, a tension of the spiritual forces in a heavenly direction, would be the most proper regimen for creating this moral health, so brilliant and so glorious. But what absurd law causes it to manifest itself (as it sometimes does) after shameful orgies of the imagination; after a sophistical abuse of reason, which is, to its straightforward and rational use, that which the tricks of dislocation which some acrobats have taught themselves to perform are to sane gymnastics? For this reason I prefer to consider this abnormal condition of the spirit as a true grace; as a magic mirror wherein man is invited to see himself at his best; that is to say, as that which he should be, and might be; a kind of angelic excitement; a rehabilitation of the most flattering type. A certain Spiritualist School, largely represented in England and America, even considers supernatural phenomena, such as the apparition of phantoms, ghosts, &c, as manifestations of the Divine Will, ever anxious to awaken in the spirit of man the memory of invisible truths.

Besides this charming and singular state, where all the forces are balanced; where the imagination, though enormously powerful, does not drag after it into perilous adventures the moral sense; when an exquisite sensibility is no longer tortured by sick nerves, those councillors-in-ordinary of crime or despair; this marvellous state, I say, has no prodromal symptoms. It is as unexpected as a ghost. It is a species of obsession, but of intermittent obsession; from which we should be able to draw, if we were but wise, the certainty of a nobler existence, and the hope of attaining to it by the daily exercise of our will. This sharpness of thought, this enthusiasm of the senses and of the spirit, must in every age have appeared to man as the chiefest of blessings; and for this reason, considering nothing but the immediate pleasure he has, without worrying himself as to whether he were violating the laws of his constitution, he has sought, in physical science, in pharmacy, in the grossest liquors, in the subtlest perfumes, in every climate and in every age, the means of fleeing, were it but for some hours only, his habitaculum of mire, and, as the author of "Lazare" says, "to carry Paradise at the first assault." Alas! the vices of man, full of horror as one must suppose them, contain the proof, even though it were nothing but their infinite expansion, of his hunger for the Infinite; only, it is a taste which often loses its way. One might take a proverbial metaphor, "All roads lead to Rome," and apply it to the moral world: all roads lead to reward or punishment; two forms of eternity. The mind of man is glutted with passion: he has, if I may use another familiar phrase, passion to burn. But this unhappy soul, whose natural depravity is equal to its sudden aptitude, paradoxical enough, for charity and the most arduous virtues, is full of paradoxes which allow him to turn to other purposes the overflow of this overmastering passion. He never imagines that he is selling himself wholesale: he forgets, in his infatuation, that he is matched against a player more cunning and more strong than he; and that the Spirit of Evil, though one give him but a hair, will not delay to carry off the whole head. This visible lord of visible nature -- I speak of man -- has, then, wished to create Paradise by chemistry, by fermented drinks; like a maniac who should replace solid furniture and real gardens by decorations painted on canvas and mounted on frames. It is in this degradation of the sense of the Infinite that lies, according to me, the reason of all guilty excesses; from the solitary and concentrated drunkenness of the man of letters, who, obliged to seek in opium an anodyne for a physical suffering, and having thus discovered a well of morbid pleasure, has made of it, little by little, his sole diet, and as it were the sum of his spiritual life; down to the most disgusting sot of the suburbs, who, his head full of flame and of glory, rolls ridiculously in the muck of the roads.

Among the drugs most efficient in creating what I call the artificial ideal, leaving on one side liquors, which rapidly excite gross frenzy and lay flat all spiritual force, and the perfumes, whose excessive use, while rendering more subtle man's imagination, wear out gradually his physical forces; the two most energetic substances, the most convenient and the most handy, are hashish and opium. The analysis of the mysterious effect and the diseased pleasures which these drugs beget, of the inevitable chastisement which results from their prolonged use, and finally the immortality necessarily employed in this pursuit of a false ideal, constitutes the subject of this study.

The subject of opium has been treated already, and in a manner at once so startling, so scientific, and so poetic that I shall not dare to add a word to it. I will therefore content myself in another study, with giving an analysis of this incomparable book, which has never been fully translated into French. The author, an illustrious man of a powerful and exquisite imagination, to-day retired and silent, has dared with tragic candour to write down the delights and the tortures which he once found in opium, and the most dramatic portion of his book is that where he speaks of the superhuman efforts of will which he found it necessary to bring into action in order to escape from the damnation which he had imprudently incurred. To-day I shall only speak of hashish, and I shall speak of it after numerous investigations and minute information; extracts from notes or confidences of intelligent men who had long been addicted to it; only, I shall combine these varied documents into a sort of monograph, choosing a particular soul, and one easy to explain and to define, as a type suitable to experiences of this nature.

CHAPTER II: WHAT IS HASHISH?

The stories of Marco Polo, which have been so unjustly laughed at, as in the case of some other old travellers, have been verified by men of science, and deserve our belief. I shall not repeat his story of how, after having intoxicated them with hashish (whence the word "assassin") the old Man of the Mountains shut up in a garden filled with delights those of his youngest disciples to whom he wished to give an idea of Paradise as an earnest of the reward, so to speak, of a passive and unreflecting obedience. The reader may consult, concerning the secret Society of Hashishins, the work of Von Hammer-Purgstall, and the note of M. Sylvestre de Sacy contained in vol. 16 of "Mémoires de l'Académie des Inscriptions et Belles-Lettres"; and, with regard to the etymology of the word "assassin," his letter to the editor of Moniteur in No. 359 of the year 1809. Herodotus tells us that the Syrians used to gather grains of hemp and throw red-hot stones upon them; so that it was like a vapour-bath, more perfumed than that of any Grecian stove; and the pleasure of it was so acute that it drew cries of joy from them.

Hashish, in effect, comes to us from the East. The exciting properties of hemp were well known in ancient Egypt, and the use of it is very widely spread under different names in India, Algeria, and Arabia Felix; but we have around us, under our eyes, curious examples of the intoxication caused by vegetable emanations. Without speaking of the children who, having played and rolled themselves in heaps of cut lucern, often experience singular attacks of vertigo, it is well known that during the hemp harvest both male and female workers undergo similar effects. One would say that from the harvest rises a miasma which troubles their brains despitefully. The head of the reaper is full of whirlwinds, sometimes laden with reveries; at certain moments the limbs grow weak and refuse their office. We have heard tell of crises of somnambulism as being frequent among the Russian peasants, whose cause, they say, must be attributed to the use of hemp-seed oil in the prepara...

Table of contents

• Cover
• The Poem of Hashish
• Table of contents
• CHAPTER I: THE LONGING FOR INFINITY
• CHAPTER II: WHAT IS HASHISH?
• ​CHAPTER III: THE PLAYGROUND OF THE SERAPHIM
• ​CHAPTER IV: THE MAN-GOD
• ​CHAPTER V: MORAL