Revelation for Everyone
eBook - ePub

Revelation for Everyone

  1. 227 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Revelation for Everyone

About this book

Enlarged print edition now available! In this final installment of the New Testament for Everyone series, Tom Wright explores the book of Revelation. With clear, accesible language, Wright offers us an entrance into the final book of the New Testament. While the book of Revelation has often been written off as a foretelling of doom, it is much more complex than this and has captured the imaginations of both lay and professional readers.

Tom Wright has undertaken a tremendous task: to provide guides to all the books of the New Testament, and to include in them his own translation of the entire text. Each short passage is followed by a highly readable discussion with background information, useful explanations and suggestions, and thoughts as to how the text can be relevant to our lives today. A glossary is included at the back of the book. The series is suitable for group study, personal study, or daily devotions.

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REVELATION 1.1–8

Look! He Is Coming!

The house lights went down, and the excited buzz of audience chatter quickly subsided as well. Soon it was quite dark in the theatre. Then music began, softly and mysteriously at first, but soon building up, swelling and rising. Just as it reached its climax, the curtain was drawn up in an instant, and we all gasped not only at the blaze of sudden light but at what we saw.
The stage was brilliantly set so as to give the impression that we, the audience, were ourselves in a large room, one end of which was on display. Almost at once actors began to emerge from hiding-places in the auditorium, so that their voices were coming from among us as they made their way up to the stage. And the stage itself, designed as a great room in a castle, was already half full of people, and animals too. There was an air of anticipation: clearly something important was about to happen . . .
I will leave you to guess what play it was. But the point for us now, at the start of Revelation, this most wonderful and puzzling of biblical books, is to get our heads round the idea of revelation itself. That’s the word that has come to be used as the title for the book (not ‘revelations’, plural, please note). This is partly because the original word, ‘Apocalypse’, wasn’t well known at the time of earlier translations into English. Now, of course, ‘apocalypse’, and its cousin ‘apocalyptic’, have become well known in English. Perhaps too well known: they have come to refer, not so much to the sudden unveiling of previously hidden truth, but to ‘apocalyptic’ events, violent and disturbing events such as natural disasters (earthquakes, volcanoes, tsunamis) or major and horrific human actions. In that sense, September 11, 2001 was an ‘apocalyptic’ event.
But that isn’t quite the sense that ‘revelation’ or ‘apocalypse’ has in this book. John, its author – sometimes called ‘John the Seer’ or ‘John the Divine’, sometimes (probably wrongly) identified with the John who wrote the gospel and epistles – is picking up a way of writing well known in the Jewish world of the time. This way of writing was designed to correspond to, and make available, the visions and ‘revelations’ seen by holy, prayerful people who were wrestling with the question of the divine purpose. Like the theatre audience, they and the rest of God’s people felt themselves in the dark. As they studied their ancient scriptures and said their prayers, they believed that the music was building up to something, but nobody was quite sure what. But then, like someone all by themselves in the theatre for the first performance, the ‘seer’ – the word reflects the reality, ‘one who sees’ something that other people do not – finds that the curtain is suddenly pulled up. Suddenly the ‘seer’ is witnessing a scene, is in fact invited to be part of a scene, within God’s ongoing drama.
‘Revelation’ – the idea, and this book – are based on the ancient Jewish belief that God’s sphere of being and operation (‘heaven’) and our sphere (‘earth’) are not after all separated by a great gulf. They meet and merge and meld into one another in all kinds of ways. For ancient Jews, the place where this happened supremely was the Temple in Jerusalem; this is not unimportant as the action proceeds. Most humans seem blind to this, only seeing the earthly side of the story. Some are aware that there is more to life, but are not quite sure what it’s all about. Ancient Jews struggled to see both sides of the story, though it was often too much of an effort.
The early Christians believed that Jesus of Nazareth had become, in person, the place where heaven and earth met. Looking at him, and contemplating his death and resurrection in particular, they believed they could see right into God’s own world. They could then understand things about his purpose which nobody had imagined before.
But it didn’t stop there. As the early Christian movement grew, and developed momentum, further questions emerged. What was God doing now? What were his plans for the little churches dotted around the Mediterranean world? Where was it all going?
In particular, why was God allowing followers of Jesus to suffer persecution? What line should they take when faced with the fastest growing ‘religion’ of the time, namely the worship of Caesar, the Roman emperor? Should they resist?
There may have been several groups of Christians in ancient Turkey, where John seems to have been based. They would have been mostly poor, meeting in one another’s homes. By contrast, people were building grand and expensive temples for Caesar and his family in various cities, eager to show Rome how loyal they were. What would Jesus himself say about this? Did it mean that, after all, the Christians were wasting their time, following a crucified Jew rather than the one who was rather obviously the ‘lord of the world’?
Revelation is written to say ‘no’ to that question – and to say much more besides. At its centre is a fresh ‘revelation of Jesus the Messiah’ (verse 1). John, with his head and his heart full of Israel’s scriptures, discovered on one particular occasion, as he was praying, that the curtain was pulled back. He found himself face to face with Jesus himself.
We will come to that in the next passage. But in this passage, the introduction-to-the-introduction of his book, we already learn five important things about what sort of book this is and how we ought to read it. (It goes without saying that we ought to read it with careful prayer and thought, being ready for God to lift the curtain so that we, too, can glimpse more than we had imagined.)
First, this book is a four-stage revelation. It is about something God has revealed to Jesus himself (verse 1), and which Jesus is then passing on, via an angel, to ‘his servants’, through one particular servant, John. God – Jesus – angel – John – churches. These lines get blurred as the book goes on, but the framework remains basic.
Second, the book takes the form of an extended letter. There are particular letters in chapters 2 and 3 to the seven churches in western Turkey, but the book as a whole is a letter from John to all the churches, telling them what he has seen.
Third, the book is a prophecy (verse 3). Like many prophets in ancient Israel, John draws freely on earlier biblical traditions. These were in themselves revelations of God and his purposes. Again and again, they come up fresh, in new forms.
Fourth, the book functions as witness (verse 2). Here we meet a familiar problem. The words for ‘witness’ and ‘testimony’ are basically the same, but it’s hard to settle on one of these English words to the exclusion of the other, and I have used both. We should, though, remember two things whenever we see either word.
(a)
They regularly carry a sense that God is ultimately conducting a great heavenly lawcourt. In that lawcourt, the ‘witness’ borne by Jesus and his followers is a key to the ultimate judgment and verdict.
(b)
They regularly carry the sense which the Greek original word, ‘martyr’, has given to the English language. Those who bear this ‘testimony’ may well be called to suffer, or even to die, for what they have said.
Fifth, and far and away the most important: everything that is to come flows from the central figure, Jesus himself, and ultimately from God the father, ‘He Who Is and Who Was and Who Is To Come’ (verses 4, 8). Even in this short opening John manages to unveil a good deal of what he believes about God and Jesus, and about the divine plan. God is the Almighty, the beginning and the end (verse 8: Alpha and Omega are the first and last letters of the Greek alphabet, and this title occurs at the beginning and the end of John’s book (see 22.13)). Other ‘lords’ and rulers will claim similar titles, but there is only one God to whom they belong.
And Jesus is the one who, through his death and resurrection, has accomplished God’s purpose. His love for his people, his liberation of them by his self-sacrifice, his purpose for them (not just to rescue them, but to put them to important work in his service) – all these are stated here briefly in verse 6. And, not least, Jesus is the one who will soon return to complete the task, to set up his rule on earth as in heaven.
Nobody in the first century knew exactly when Jesus would return. We still await that moment today. But Christian living, and indeed belief in this one God, only makes sense on the assumption that he will indeed come to set everything right at last.
We settle in our seats, put other concerns out of our minds, and wait for the curtain to rise.

REVELATION 1.9–20

Jesus Revealed

Some years ago there was an eclipse of the sun. These things happen rarely enough, and to witness it is a great experience. But staring at the sun, as it slips behind the moon and then emerges the other side, is dangerous. If you look through binoculars, or a telescope, the sun’s power on your eye can do permanent damage. It can even cause blindness.
On this particular occasion, there were public warnings broadcast on radio and television, and printed in the newspapers, to the effect that people should be careful. Only look, they said, through special dark glasses. Eventually one person, who obviously had very little understanding of natural phenomena, got cross about all this. Surely, they thought, this was a ‘health and safety’ issue. A letter was sent to the London Times: if this event was so dangerous, why were the government allowing it in the first place?
Fortunately, even the most totalitarian of governments has not yet been able to control what the sun and the moon get up to. But the danger of full-power sunlight is worth contemplating as we hear John speaking about his vision of Jesus. As I write this, the sun has just emerged through watery clouds; even so, I can’t look at it for more than a second before having to turn away. So when John, with the brightness of a Mediterranean sky in his mind, speaks of Jesus in this way (verse 16), we should learn to think of this Jesus with a new kind of reverence.
For some, Jesus is just a faraway figure of first-century fantasy. For others, including some of today’s enthusiastic Christians, Jesus is the one with whom we can establish a personal relationship of loving intimacy. John would agree with the second of these, but he would warn against imagining that Jesus is therefore a cosy figure, one who merely makes us feel happy inside. To see Jesus as he is would drive us not to snuggle up to him, but to fall at his feet as though we were dead.
This vision of Jesus (verses 12–16) introduces us to several things about the way John writes. Like someone reporting a strange dream, the things he says are hard to imagine all together. It’s more like looking at a surrealist painting, or a set of shifting computer-generated images. It’s not a simple sketch. For a start, when John hears a voice like a trumpet (verse 10), he tells us that ‘I turned to see the voice’. There is a sense in which this is just right: the Jesus whom he then sees is indeed The Voice, the living Word of the father, the one through whom God spoke and still speaks. And the words which Jesus himself speaks turn into a visible sword coming out of his mouth (verse 16), echoing Isaiah’s prophecy both about the coming king (11.4) and about the suffering servant (49.2). A great deal of this book is about ideas-made-visible, on the one hand, and scripture-made-real on the other. It is, in fact, the sort of thing someone soaked in scripture might see in a dream, after pondering and praying for many days.
In particular, this vision of Jesus draws together the vision of two characters in one of the most famous biblical visions, that of Daniel 7. (Along with the books of Exodus, Isaiah, Ezekiel and Zechariah, Daniel is one of John’s favourites.) There, as the suffering of God’s people reaches its height, ‘the Ancient of Days’ takes his seat in heaven, and ‘one like a son of man’ (in other words, a human figure, representing God’s people and, in a measure, all the human race) is presented before him, and enthroned alongside him. Now, in John’s vision, these two pictures seem to have merged. When we are looking at Jesus, he is saying, we are looking straight through him at the father himself.
Hold the picture in your mind, detail by detail. Let those eyes of flame search you in and out. Imagine standing beside a huge waterfall, its noise like sustained thunder, and imagine that noise as a human voice, echoing round the hills and round your head. And then imagine his hand reaching out to touch you . . .
Yes, fear is the natural reaction. But here, as so often, Jesus says, ‘Don’t be afraid.’ It’s all right. Yes, you are suffering, and your people are suffering (verse 9). Yes, the times are strange...

Table of contents

  1. Cover
  2. Halftitle Page
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. Contents
  7. Introduction
  8. Map showing the Seven Churches of Asia
  9. Revelation 1.1–8 Look! He Is Coming!
  10. Glossary