1 Introduction
Most scholars agree that the āGreat Epic of Ancient India,ā the MahÄbhÄrata (MBh), an epic story with a dynastic war over land and succession at its heart, manifests the influence of authors and redactors who were affiliated with the Brahmin traditions of ancient India.1 The Brahmin traditions of India were a heterogeneous mix of intellectual traditions that were notionally centered upon the Vedas ā ancient collections of orally transmitted poetry worshiping the Gods ā and the employment of the Vedas in fire sacrifices directed to the Gods. But among the priestly families who knew and used the Vedas, different traditions branched out into a whole raft of ancillary concerns from phonetics and grammar to astronomy, philosophy, and statecraft. The minimal Brahmin ideal in ancient times was the priestly ideal ā maintaining at least some part of the Veda in memory and conducting at least the most modest of the sacrifices ā but it seems that even in the most ancient times, there were men who did not meet this standard, who were criticized for being ābrahmins by birth alone.ā2 It is important to realize that the social reality of brahmins āon the ground,ā as it were, was more complicated than thumbnail sketches of ancient Indian society might lead one to believe.
My understanding of the history of the MBh is that it descended from an older, non-Brahmin, oral epic tradition that told tales of the recurrent rivalries between the Bharata dynasty and the neighboring PaƱcÄla dynasty. I suggest the earlier form of our epic was simply the BhÄrata, āthe story of the Bharatas.ā3 Sometime around 500 to 400 BCE, the BhÄrata story became a supercharged account centered upon a previously unknown, semidivine phratry of five heroes that was grafted into the Bharata family ā the five sons of the king PÄį¹įøu, the five PÄį¹įøavas ā who became alienated from the Kaurava phratry that treated them as interlopers. The PÄį¹įøavas allied themselves with the PaƱcÄlas through marriage, and then effected the defeat of the Kaurava Bharatas. The injection of the five semidivine heroes into the story was, I believe, the accomplishment of Veda-inspired brahmins entering somehow into the creation and dissemination of popular epic narrative. This new BhÄrata story was told, in part, to ensure protection from the armed stratum of society for the inspired elite that claimed the ability to see and understand the Gods and other important unseen realities (e.g., dharma) ā that is, the brahmins4ā and secure that eliteās socioeconomic position in a world that was being radically transformed by the imperialism and cosmopolitanism of the eastern hegemons and by the successful new religious movements they sponsored (especially Jainism and Buddhism).5 These religious movements rejected Vedic revelation and ritual and the brahmin advocates of those exclusive, esoteric texts and rites in favor of universal reasoning and one or another kind of āsoul therapyā for individual persons.6
The eldest PÄį¹įøava, Yudhiį¹£į¹hira, is portrayed in the epic as a pious student of brahmins, a patron of brahmins, and a favorite of brahmins. He is in fact, so infused with certain Brahminic values (particularly their adoption of the Jain ideal of ācomplete harmlessness,ā ahiį¹sÄ) that initially he refused to take the crown after he won the bloody, internecine BhÄrata war. Yudhiį¹£į¹hira was eventually persuaded that violent kingship was truly necessary when he was told the myth of the first great human king Pį¹thu, who was fashioned ā fully grown and fully armed ā by a group of brahmins out of the right hand of the wicked king Vena, whom the brahmins had slain because, they said, he erased the distinctions between the four canonical orders of society (the four varį¹as), a socioeconomically threatening form of varį¹a confusion (varį¹asaį¹kara).7 Pį¹thu paid obeisance to the brahmins immediately upon his creation and asked for their commands. The brahmins ordered him to be restrained in his behavior (niyata; no small point, as many stories of kingsā interactions with brahmins in the MBh emphasize);8 also, to do what is Lawfully Right ā that is dharma ā in all circumstances; to be equitable toward all; to punish with force of arms those who violate dharma; and, lastly, to bend all his efforts to elevating the Vedas as maintained by Vedic brahmins (MBh 12.59.109ā112). One of the central points of the MBh narrative is to charter Yudhiį¹£į¹hira, the victorious new king of the Bharatas, as a new Pį¹thu preserving dharma with force and protecting brahmins. This episode attests to the MBh as a story based on Brahmin ideology and advancing the claims of brahmins to be the sole determiners of right and wrong in the polity and the society ā claims that were certainly not generally accepted at this time. The teachings of the Buddhists, Jains, and ÄjÄ«vikas and the edicts of AÅoka positively attest to the bare fact; the many Brahminic registrations of grievance over slights to Brahmin dignity and the many stories in the MBh demonstrating the power of brahmins attest to the pain felt as a result of it.
One of the principal ways that the distinctions between the canonical orders of society were felt by some to be subject to erasure in northern India about 400 BCE was the perceived maldistribution of patronage to unqualified brahmins of poor Vedic learning or low standards in selecting their ritual patrons; or, worse, the patronage of non-brahmins such as Buddhists or Jains. Properly educated brahmins believed that they had a monopoly on knowing and teaching dharma (and receiving patronage for doing so) and one of the main points in fashioning Yudhiį¹£į¹hira as the new Pį¹thu and setting him at the center of the BhÄrata narrative was to propagate this vision of a society and polity headed by a king dedicated to and guided by brahmins. The only way an elite that produces no material goods can thrive, or even exist, without outright begging, is through a transfer of wealth to them effected by the armed stratum of society and the consequent honor and protection of them by the armed rulers. One of the goals of the MBh was to argue the world should have an honorable and secure place for brahmins ā which was not at all a ādone dealā in ancient northern India in 400 BCE ā and it seems that the MBh was persuasive in this regard for significant portions of the subcontinent across the following centuries, given the widespread patronage of brahmins and Brahmin literary and intellectual pursuits across northern India,9 and beyond, in the stressful centuries following the demise of the Mauryan empire and leading eventually to the rise of the Gupta empire in the fourth century CE.10
But while I think this gloss of the MBh as a reactionary document is true as far as it goes, the burden of my argument in this paper is that some of the cosmopolitanism of the non-brahmin Mauryan emperors and the universalism of the Buddhist and Jain rivals of brahmins seeped into the epic ā something that is evident from the very fact that the MBh includes a large number of supplemental narratives teaching dharma in one form or another that depict life outside the courts of the Bharatas and their rivals: life in the wilderness and in various kinds of sacred settlements that dot the wilderness, and life in towns and big cities. And though the majority of these stories present or examine the status and position of brahmins, they often do so in oblique ways, employ an unexpected diversity of voices, and ...