
- 320 pages
- English
- PDF
- Available on iOS & Android
About this book
Improvisation, ein wichtiges Element in den Liturgien der Alten Kirche bis in die Barockzeit, kann AtmosphĂ€ren verdichten, Texte und Worte vertiefen und so entscheidend zur gottesdienstlichen VerkĂŒndigung beitragen. Im 20. Jahrhundert lieĂen die aus den USA stammenden Jazzgottesdienste eine neue kirchliche Improvisationskultur aufblĂŒhen, die heute zu einer eigenstĂ€ndigen Klangfarbe in evangelischen Gottesdiensten geworden ist.AnknĂŒpfend an "Jazz und Kirche" (BeitrĂ€ge zu Liturgie und SpiritualitĂ€t 29) untersuchen jazzbegeisterte Theologen und religiös inspirierte Musiker das gestalterische Potenzial des Jazz fĂŒr die Klangfarben und Stimmungen von Liturgien aus musiktheologischen, soziokulturellen und musikpsychologischen Perspektiven. Die BeitrĂ€ge sind in Deutsch und Englisch verfasst. Ein passwortgeschĂŒtzter Link fĂŒhrt zu einer Onlinebibliothek mit Musik- und Notenbeispielen.Mit BeitrĂ€gen u.a. von Patrick Bebelaar, Jeremy Begbie, Alexander Deeg, Gotthard Fermor, Tord Gustavsen, Hans Martin Gutmann, Carol Harrison, Julia Koll, Uwe Steinmetz, Daniel Stickan.[Blue Church. Improvisation as a Soundscape of Protestant Services]Improvisation, an important element in the liturgies of the Early Church up to the Baroque period, can intensify atmospheres, deepen texts and words, thus contributing decisively to the proclamation of worship. In the twentieth century, jazz vespers, originating from the USA, had blossomed into a new ecclesiastical improvisation culture, which today has become an independent sound color in evangelical worship services.Following up on "Jazz and Church" (Vol. 29), jazz-loving theologians and religiously inspired musicians investigate the creative potential of jazz for the sound colors and moods of liturgies from music-theological, sociocultural and music-psychological perspectives. The contributions are written in German and English. A password-protected link leads to an online library with music and music samples.
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Table of contents
- Cover
- Titel
- Impressum
- Geleitwort
- Inhaltsverzeichnis
- Einleitung (Alexander Deeg/Uwe Steinmetz)
- Perspektiven aus der Theologie
- Intermezzo: Sechs Werkstattberichte
- Perspektiven aus der Musik
- RuÌck- und Ausblicke
- Verzeichnis der Autorinnen und Autoren