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Aftershocks
Paul Brown, Workers' Cultural Action Committee
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Aftershocks
Paul Brown, Workers' Cultural Action Committee
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About This Book
A moving documentary play drawn from the traumatic recollections of members of the Newcastle Workers' Club, which was destroyed in the 1989 earthquake.
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ACT TWO
SCENE THIRTEEN: JUMP CLUB
MELBA, STEFO, HOWARD, ELAINE, EDDIE, KERRY.
Actors enter as sounds of the Club fade out. Focus on MELBA alone.
MELBA: My name is Melba Middleby. I was a foundation member of the Club. 1948. And in 1949, I became the first woman on the Clubās Board. I used to play piano with them to sing theā¦ whatā¦ community singing, you know. And of course my husband Bob used to play the drums. Reg Abraham, he used to be in theā¦ in the Fire Brigade. I donāt know whatever happened to him. But he was the one who used to show the words, you know, the slides with the wordsā¦ Elsie Anderson and Margaret Jeffries, they were the main two female singers. They had lovely voices. And Alan Williams, he lived at Boolaroo then, and he used to be the Secretary of the Plumbers, and he was another singerā¦ he had a beautiful harmonising voice, Alan. Elaine Richards, she used to work at the Clubā¦ one of theā¦ like the barmaids, you know, and she had a lovely voice. Tex Smithā¦ he was a funny little fellowā¦ used to play an accordion, and Lora Strurl, she had a great voice too. She lived at Wickham. Donāt know whether she still lives there. But then there was this other chap, I canāt think of hisā¦ Barney Freemanā¦ it just came to my mindā¦ Barney Freeman. Oh, he was funny. He was a reallyā¦ wonderful comedian, Barney Freemanā¦
When they gave us this commemorative membership badge, in April, 1989, it was lovely. You were all assembled, like youāre all sitting down at these long tables. And I was thinking how lovely it was. And then we went out and we played the pokies for a while, and had a look around, and thenā¦ I think they had dancing on and that, you know, that night too. I was thinking how lovely it was, you know. And to think that thatās all rubbleā¦
All come into focus.
STEFO: [with great enthusiasm] Everyone went to the Clubā¦ basically it had the nicest atmosphere.
MELBA: I felt that I could walk in andā¦ that everybody was friendly, and niceā¦ If you wanted to put a few bob in the pokies, you could do it.
STEFO: Had good grog. Had good beer. You ask a Novocastrianā¦ theyāre very fussy about their beer, right. So they had good beer.
HOWARD: But it felt safe. No aggro. I never saw anyone tossed down the stairs, but I know there was. I know there were people tossed down the stairs.
KERRY: One guy, this was years ago at the Club, and heās looking at me really seductive, and I said, āAre you right there?ā, and he said, āCan of draughtā. And next thing you know, one of the bouncers come up, āDonāt give him that beerā. I said, āWhatās the matter?ā They picked him up both arms and heās got his dick hanging outā¦ he was pissing up the bloody bar wall.
EDDIE: It was everybodyās central meeting place and office in the same place. Union delegate work, Trades Hall meetings, social lifeā¦ How I got to know the place, because I used to show films there, and running round and finding out allā¦ where all the power points were in these little rooms. We showed films about nuclear disarmament, and yeah, stuff like that, and held meetings there, and we had State Conferences there, and all that stuff.
MELBA: I knew one woman who signed up as a boy in the early days. And she was on the roll as a boy for three years. Why? So theyād let her go on all the fishing trips up to the Clubās hut at Fingal Bay.
HOWARD: Iāve been a member of the Workers Club for twenty-five years. Iāve worked there for twenty-three. It goes back to the period when I was a very young person, and the Vietnam era. And I sawā¦ I come from a conservative background, but I saw the activity within the Clubā¦ the action against the Vietnam War. And I sought out further to find out what was going on, and what made these people tickā¦ And hereāsā¦ hereās, wellā¦ a Club full oā leftiesā¦ a club emanating from the trade union movement and the working class. And theyāreā¦ you knowā¦ people who march on the street.
STEFO: All the sort of lefty functions. They always happened there. Nowhere else.
EDDIE: After the rallies we all used to go back to the Club for a drink, and May Days ānā all that.
ELAINE: They all said it was wonderful, from a social aspectā¦ dances of a Wednesday, Friday night, Saturday night sometimes.
HOWARD: As a matter of fact, when it was used for a private dance, they used to call it the āHome Wreckersā.
KERRY: And later the Jump Club, the Parachute Clubā¦ all the divorcĆ©es used to go there and they used to pick up a one-night standā¦ One night, years ago, when I was a casual, I was upstairs in Bar Five. This fellow come in, what, in his mid-fifties. He was looking for his ādaughterā, and I said, āOh, if she comes in, she would be downstairsā. So he got his drink and he went over and he was looking over the balcony to see if he could find his ādaughterā. I was talking to some people I havenāt seen in a long time, and having a yabbaā¦ and looked out and broke up with laughter. All I could see was the sole of his shoes, like this, going over the balcony. He bent over too far. And Iām going, āNo wonder they call it the bloody Jump Clubā¦ check him outā.
ELAINE: A few years ago, the Club was constantly under quite subtle attacks from, fromā¦ you know, from outside. There was anti-communism, and anti-left, and pro-Christian. They got together and set about to try and destroy the Club. They never couldā¦ And we just couldnāt imagine Newcastle without the Newcastle Workers Club. My dad was a foundation member of the Club. And I was always on the May Day floatsā¦ For the whole year after the quake, you could go down and see an empty thing. I wonder what Dadād think. It was his whole life.
MELBA: Itās maybe foolish to say, but itās like losing a loved one, a great friend, or a loved member of your family, or something like that. It was a tremendous loss, and still is. You know the old saying, you never miss anything ātil you lose it.
SCENE FOURTEEN: BARRIERS
EDDIE, JULIE.
EDDIE: I was in Fremantleā¦ at the time of the quake, and we were loading a shipā¦ with sheep of all things, and one of the other wharfies on the wharf said to meā¦ who knew I was from Newcastleā¦ said, āEddie, thereās been an earthquake in Newcastleā. And I justā¦ āOh well, oh yeah, okay, itās a tremorā. You donāt worry about those things.
So after lunch we all went back to work. Another guy comes up to me and says, āThereās people trapped in the Workers Clubā, and I said, āIām gone. Iām outta here.ā And so I went and seen the foreman, and heās aware of my situationā¦ you know, I was connected to the Workers Club and I had friends andā¦ relatives in Newcastle.
I got my mate to take me out to the airportā¦ very agitated, didnāt know what was going on. I burst into tears at Perth Airport, and the airline had to fix me up, the whole bitā¦ then [laughing] the plane broke down on the tarmac for four bloody hours. So in the interim Iām ringing up Newcastle and I got through to Elaine Gibson, Howardās wife. And she told me about Lenny and Barry being missing. And Lennyās been an old waterfront watchmanā¦ heās pretty close. Iād worked with him quite a bit. And Barryā¦ Iāve got a lot of affection forā¦ and, as a good bloke.
So eventually I got away from Perth, and by this time it was obvious that I was going to miss my connecting flightā¦ there was no other flights to Newcastle, so I tried to hire a carā¦ every car company refused me a car to go to Newcastleā¦ which really shitted me offā¦ because of the earthquake. They wouldnāt allow a car to go.
The trains werenāt running, as I found outā¦ so I stayed at Mumās place that night. Next morning I flew upā¦ andā¦ I donāt knowā¦ crazy me asked the pilot to fly over Newcastle, [chuckling] but he wouldnāt. I said, āDo us a favour and have a lookā, but he wouldnāt.
He takes a deep breath.
Tried to get around to the Workers Clubā¦ They wouldnāt let me. Even though I told them who I was, they said, āBad luckā. Rang other people, got filled in on what was happening. Barry and Lenny was still missing. I think by that time the death toll out of the Club was about seven. I think.
I was sort of in no manās landā¦ just kept lookinā down towards the Clubā¦ couldnāt realise it.
JULIE: I heard on the radio that you werenāt allowed to enter the city. I was annoyed by that, and I can understand reasons for that, but Iā¦ itās like being cut off from someone whoās illā¦ that you want to see, and you know that your presence might help them some way, and youāre just not allowed to.
I went round all the side streets that I could, stupidly thinkingā¦ and then I drove as far into town as I could and got stopped before the Clubā¦ They were saying it wasnāt at all safe, and Iād have to go back, and theyād be really pleased if I turned around and went the other way.
It was like having a wide shot of something, and what you really want is a close-up, you know. And all I could really think of was little bits of buildings in my head visually, like corners of windows, and I just wanted to be closerā¦
EDDIE: I was walking along Hunter Street and there was no one aroundā¦ The next minute this bum wagon pulls up and the copperās a bit aggro, and I said, āItās all right, Iām just goinā for a walkā, and he said, āYouāve got to go backā.
JULIE: Iād start photographing from a few feet outside a barrier, and then get closer and closer and closer, and then sort of look around and see if I could jump inside the barrier and then see how far I could go until someone came. So for quite a long time there was the feeling ofā¦ yeah, being shut out, and also sneaking around like a kid and sort ofā¦ you know, going under fences and going over things. There was thisā¦ yeah, just a constant thing of no-go areas, which to me reminds me of childhood things a lot.
EDDIE: I was staying in the Cricketers Arms because my own place had been sub-let, and Iād booked in there and one day I went downstairs and immediately ran into a table of people that I knew and they started tellinā me some of the stories whichā¦ blew me out of my tree actuallyā¦ about the Workers Club, and by that time a lot more information had been revealed about what the staff did on the day of the quake.
SCENE FIFTEEN: SERVICE INDUSTRY
WAYNE, JOHN, LYN, KERRY, MARG.
WAYNE: āIt has become apparent to me that amongst other things Iāve done in m...