1.1.1 Narcissus and other Stories
Am I the lover or beloved? Then why make love? Since I am what I long for, then my riches are so great they make me poor.
(Ovid Metamorphoses, 3, 464)
The myth of Narcissus is by itself illustrative of the intentional problem lying at the basis of narcissistic traits. Narcissus was believed to be the son of the river god Cephissus and the nymph Lirope. As a river, his fatherâs nature was elusive and distant; as a nymph, his mother Lirope was emotionally distant and carefree. Emotional detachment of the primary caregivers in early childhood is often indicated as one of the main reasons for the development of narcissistic traits (Kohut, 1971, 1977; Horton, 2011). The inability to establish meaningful emotional bonds at early stages of emotional development generates a void in which the child and, later on, the adult cultivates low self-esteem and a sense of restlessness that finds momentary peace only in validations of self-worth from external sources (Donaldson-Pressman and Pressman, 1994). The lack of attention from primary caregivers leads to a vicious circle in which the child mirrors the behavior of the caregivers. In fact, as they do not show curiosity about the childâs life, similarly the child does not devote time or develop tools to explore its own qualities and talents. These are the ingredients for a miserable life whose healing can come only through metamorphosis.
Ovidâs phantasy, for example, sees Narcissus transforming himself into a graceful flower; his metamorphosis is healing because it allows him to break with his old patterns and ground solid roots into a nurturing soil. Parthenios of Nicaea and Conon see him ending his life with suicide and, maybe less plausibly, Pausanias imagines Narcissus falling in love with his twin sister and starting a new life. Despite the differences, one common theme among these later interpretations of the myth is the disintegration of the image that Narcissus has of himself. Although Ovidâs phantasy is more merciful than othersâ and leaves space for a healing metamorphosis after painful realization, for all these authors the way for Narcissus to recover is by breaking the parental patterns and healing through a metaphorical death.
In the myth, the fortune teller Thiresia foresaw Narcissusâ problems and told his mother that Narcissus would have had an easier life if no realization about his own image had occurred. Outside the myth, studies have noticed how the percentage of narcissists seeking professional help is extremely low since they prefer to not know about their problem. Narcissists experience high anxiety in challenging their structure because their image is a depositary of a whole life-system that they do not want to challenge (Muslin et al., 1985) even if they feel âthe deepest anxiety a person can experienceâ (Kohut, 1987, 9).
In fact, as the myth continues, revengeful goddesses punish Narcissusâ vanity by obliging him to this realization. Having refused the love of several nymphs, Aphrodite and Nemesis, goddesses of lust and revenge, trick him into seeing his own appearance in the reflection of a lake. Echo, one of the nymphs whom he had refused was still hiding in the forest after his rejection. Her body became a fading voice that could only repeat the last words of what others uttered aloud. Initially, Narcissus was pleased to hear her echoing his own words but with time he lost interest in her as he felt lonely with her. In the end, Narcissus got lost in himself, and Echo evanesced in him.
This tragic node of the myth mirrors, once again, the reality of dating a narcissist. The great enthusiasm and excitement that the narcissist experiences for the new partner are often followed by a sense of boredom and discontent. Having a relationship with a narcissist can be extremely draining for the partner because, like Echo, a partnerâs life can factually fade away in the narcissistsâ ongoing demands. The integrity of the partnerâs personality is so challenged by the blindness of the narcissistic partner that it tends to vanish into an ethereal invisible space (Campbell et al., 2002).
For this reason, as the story recounts, the two goddesses wanted to avenge the nymph and the other lovers to whom he caused pain. Aphrodite cast a spell on him: he would reflect on himself and fall in love with his own image. At this point of the story we find Narcissus, intent on looking at his own reflection in the water. This point is quite problematic, Ovid does not tell us if Narcissus is attracted to his own image or if the horror of what he sees freezes him; in both cases the result is that he cannot go anywhere else and interact with anyone other than himself. He is a slave to a mutable external reflection of himself that leaves him alone every time he moves. Narcissus is condemned to be lonely because of his desire to be loved. The only love of which he is capable is superficial as it is bound to a fictional mimicry of him; this makes him crave real love even more. As he tries to love he experiences more vulnerability and loneliness because he cannot reach anything substantial in himself. The image that he cherishes disappears every time he moves or tries to touch it without ever offering him that intimate connection he is desperately looking for. There is just him and nothing new is projected around him. Narcissusâ wound cannot be healed and Aphroditeâs punishment is fully accomplished. Reflection is a transformational lethal process for him. At the end of the myth, Narcissus dies or, according to Ovidâs version, transforms itself into a beautiful flower.
In real life, people with narcissistic traits and personality disorder lack the emotional tools that would allow them to achieve a healthy reconnection with their feelings. It is difficult for them to truly reflect on themselves because they lack the empathetic drive to feel compassion for themselves. So, reflection can touch only the surface of their being. Their sense of self is built on a fleeting image reflected in how others see them or reified into material objects. Hence, they are extremely vulnerable to criticisms from others although at the same time they pretend to be better than those same people (e.g., Campbell et al., 2002; Gabriel et al., 1994) and unique in comparison (Emmons, 1987), which might be associated with a high degree of psychological entitlement (Campbell et al., 2004). Any personal negative remark would be felt as a personal attack to their whole being, as if the other would want to make them disappear. They feel extremely empty because they cannot establish any contact with their emotions, so they try to counterbalance this emptiness with grandiose fantasies and a cult of the ego. This appears to them as the best strategy to restate their existence.4 If they manage to reflect fully on themselves and to reach the deepest part of who they are then their sense of self will dissolve and a healing metamorphosis will occur, as in Ovidâs interpretation of the myth.