Cinematography: Theory and Practice

Image Making for Cinematographers and Directors

Blain Brown

• Publisher: Routledge
• Year: 2016
• ISBN:
  9781317359265
• Edition: 3
• Topic: Medios de comunicación y artes escénicas
• Subtopic: Películas y vídeos

The world of cinematography has changed more in the last few years than it has since it has in 1929, when sound recording was introduced. New technology, new tools and new methods have revolutionized the art and craft of telling stories visually. While some aspects of visual language, lighting and color are eternal, shooting methods, workflow and cameras have changed radically. Even experienced film artists have a need to update and review new methods and equipment. These change affect not only the director of photography but also the director, the camera assistants, gaffers, and digital imaging technicians.

Cinematography: Theory and Practice covers both the artistry and craftsmanship of cinematography and visual storytelling. Few art forms are as tied to their tools and technology as is cinematography. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from author and filmmaker Blain Brown.

Whether you are a student of filmmaking, just breaking into the business, currently working in the industry and looking to move up to the next level, or an experienced professional who wants to update their knowledge of tools and techniques, this book provides both a basic introduction to these issues as well as more advanced and in-depth coverage of the subject.

The companion website features additional material, including lighting demonstrations, basic methods of lighting, using diffusion and other topics.

Topics Include:

• Visual language
• Visual storytelling
• Continuity and coverage
• Cameras and digital sensors
• Exposure techniques for film and video
• Color in-depth
• Understanding digital images
• Waveform monitors, vectorscopes, and test charts
• Using linear, gamma, and log encoded video
• Image control and grading on the set
• The tools and basics of film lighting
• ASC-CDL, ACES and other new methods
• Optics and focus
• Camera movement
• Set operations
• Green screen, high speed and other topics

index

Page numbers in italics refer to figures. Page numbers in bold refer to tables.

1. AC duties 333–8, 335–8, 342
2. Academy Color Encoding System (ACES) 105–6, 107, 109–11, 111
3. Academy of Motion Picture Arts and Sciences (AMPAS) 105, 109
4. acceptable focus 290, 292
5. action axis 77–9, 78
6. action cuts 92
7. Adams, Ansel 191
8. Adams, Art 107, 194, 195, 207, 324, 326, 355, 359
9. advanced workflow 337–8
10. aerial shots 319
11. Alton, John 273
12. ambient light 241, 265, 270, 271, 272–3, 280
13. American Society of Cinematographers (ASC) 108
14. amplitude (strength) 152
15. analog device 136, 138
16. analog dimming 383
17. analog in voltage 126
18. analog video equipment 157
19. analog wave 136
20. Angel Heart 4, 5
21. Angenieux lens 90
22. answering shots 68, 82
23. aperture 38, 160, 173–5, 178, 401, 401–3
24. Apocalypse Now 20, 95
25. apparent focus 288, 292
26. Arri Alexa false colors 189, 189
27. Arri Log C 209–11, 210–11, 214
28. Arri Look File 204
29. ASC-CDL system 224
30. ASC-Color Decision List (CDL) 108–11, 111, 227
31. atmosphere inserts 65
32. atmospheric perspective 20, 21
33. ATSC (Advanced Television Systems Committee) 157
34. audience involvement 71–4
35. available light 265, 271, 274, 283

1. babies (1K Fresnel lights) 246, 247
2. back cross keys 272, 273, 281
3. back focus 300, 300
4. background 30
5. backlight: overview 264, 270, 282, 282; ra...