Understanding Post-Tonal Music
eBook - ePub

Understanding Post-Tonal Music

  1. 432 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Understanding Post-Tonal Music

About this book

Understanding Post-Tonal Music is a student-centered textbook that explores the compositional and musical processes of twentieth-century post-tonal music. Intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music, this book will increase the accessibility of post-tonal music by providing students with tools for understanding pitch organization, rhythm and meter, form, texture, and aesthetics. By presenting the music first and then deriving the theory, Understanding Post-Tonal Music leads students to greater understanding and appreciation of this challenging and important repertoire.

The updated second edition includes new "Explorations" features that guide students to engage with pieces through listening and a process of exploration, discovery, and discussion; a new chapter covering electronic, computer, and spectral musics; andadditional coverage of music from the twenty-first century and recent trends. The text has been revised throughout to enhance clarity, both by streamlining the prose and by providing a visual format more accessible to the student.

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Yes, you can access Understanding Post-Tonal Music by Miguel A. Roig-Francolí in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music Theory & Appreciation. We have over one million books available in our catalogue for you to explore.

Information

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Table of contents

  1. Cover
  2. Half Title
  3. Title
  4. Copyright
  5. Dedication
  6. Contents
  7. About the Author
  8. Preface
  9. Acknowledgments
  10. Acknowledgment of Sources
  11. Introduction: An Overview of Twentieth Century Compositional Styles
  12. 1 Pitch Centricity and Composition With Motivic Cells
  13. 2 Pitch Centricity, Equal Divisions of the Octave, and Symmetry
  14. 3 Introduction to Pitch-Class Set Theory
  15. 4 Analyzing Atonal Music
  16. 5 Drawing on (and Reinterpreting) the Past …
  17. 6 … And Inventing the Future
  18. 7 Twelve-Tone Music I: An Introduction
  19. 8 Twelve-Tone Music II: Invariance, Symmetry, and Combinatoriality
  20. 9 Serialism: Developments After 1945
  21. 10 Expanding the Limits of Musical Temporality
  22. 11 Aleatory Music: Sound Mass, Texture, and Timbre
  23. 12 Electronic, Computer, and Spectral Musics
  24. 13 Integrating the Past and Reimagining Harmony
  25. 14 Simplifying Means
  26. 15 Into the Twenty-First Century
  27. Epilogue
  28. Appendix
  29. Bibliography
  30. Musical Example Index
  31. Subject Index