
- 240 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Gothic Chapbooks, Bluebooks and Shilling Shockers, 1797β1830
About this book
This study breaks new ground surveying the origins of the Gothic chapbook, its publishers and authors, in order to establish conclusively the impact these pamphlets had on the development of the Gothic genre. Considered the illegitimate offspring of the Gothic novel, the lowly chapbook flooded the market in the late eighteenth century, creating a separate and distinct secondary market for tales of terror. The trade was driven by a handful of individuals who were booksellers and dealers, circulating library proprietors, stationers, and small publishers β what they produced were more than four hundred chapbooks, bluebooks and shilling shockers containing Gothic tales from magazines, redactions of popular novels, extractions of entire inset tales, and original tales of terror. This book responds to the urgent and pressing need to contextualise the Gothic chapbook in ascertaining a more concise and comprehensive view of the entire Gothic genre.
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Information
Table of contents
- Cover
- Title Page
- Copyright Page
- Contents
- Acknowledgements
- List of Illustrations
- List of Figures
- Introduction
- 1 Chapbooks, Bluebooks and Shilling Shockers
- 2 The Rise of the Gothic Chapbook: Simon Fisher, Thomas Hurst and The Monk, 1797β1801
- 3 The Art of Marketing: Ann Lemoine and John Roe
- 4 The Golden Age of the Shilling Shocker: Thomas Tegg and the Chapbook Magazines
- 5 The Profiteers: Isaac Crookenden and Sarah Wilkinson
- 6 The Decline of the Gothic Pamphlet
- Notes
- Appendix: Gothic Pamphlets
- Bibliography