- English
- PDF
- Available on iOS & Android
Engraved Gems and Propaganda in the Roman Republic and under Augustus
About this book
Engraved Gems and Propaganda in the Roman Republic and under Augustus deals with small, but highly captivating and stimulating artwork – engraved gemstones. Although in antiquity intaglios and cameos had multiple applications (seals, jewellery or amulets), the images engraved upon them are snapshots of people's beliefs, ideologies, and everyday occupations. They cast light on the self-advertising and propaganda actions performed by Roman political leaders, especially Octavian/Augustus, their factions and other people engaged in the politics and social life of the past. Gems can show both general trends (the specific showpieces like State Cameos) as well as the individual and private acts of being involved in politics and social affairs, mainly through a subtle display of political allegiances, since they were objects of strictly personal use. They enable us to analyse and learn about Roman propaganda and various social behaviours from a completely different angle than coins, sculpture or literature. The miniaturism of ancient gems is in inverse proportion to their cultural significance. This book presents an evolutionary model of the use of engraved gems from self-presentation (3rd-2nd century BC) to personal branding and propaganda purposes in the Roman Republic and under Augustus (until 14 AD). The specific characteristics of engraved gems, their strictly private character and the whole array of devices appearing on them are examined in respect to their potential propagandistic value and usefulness in social life. The wide scope of this analysis provides a comprehensive picture covering many aspects of Roman propaganda and a critical survey of the overinterpretations of this term in regard to the glyptic art. The aim is the incorporation of this class of archaeological artefacts into the well-established studies of Roman propaganda, as well as the Roman society in general, brought about by discussion of the interconnections with ancient literary sources as well as other categories of Roman art and craftsmanship, notably coins but also sculpture and relief.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Cover
- Title Page
- Copyright Page
- Quotation
- Contents
- Foreword and acknowledgments
- Part I
- Introduction
- 1. Preface
- 2. State of research
- 3. Aims, methodology and structure
- Part II
- Theory
- 4. Self-presentation and propaganda – definitions and characteristics
- 5. Roman propaganda on engraved gems – general introduction
- Part III
- Evidence
- 6. Beginnings (3rd-2nd centuries BC)
- 7. Early 1st century BC
- 8. Civil War: Pompey the Great, Julius Caesar and contemporaries
- 9. Post-Caesarian and Liberators’ Civil Wars (from death of Caesar to Octavian’s sole rule: 44-27 BC)
- 10. Augustus (27 BC-AD 14)
- Part IV
- Summary and conclusions
- 11. Provenance, provenience, production and distribution of propaganda gems
- 12. Statistics
- 13. Summary and conclusions:
- Part V
- Catalogue, figures, bibliography and indices
- Catalogue
- Figures
- Figure credits
- Bibliography
- Index
- Back cover