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Terrorists on Trial : A Performative Perspective
About this book
Terrorism trials are an exceptional opportunity for better understanding and, hence, countering terrorism, since they are often the only place where most if not all of the actors of a terrorist incident meet again, and where the media report and broadcast their respective accounts. Seeing terrorism trials as a stage where legal instruments are used (and abused) to argue the validity of contested political constructs, this study presents a performative perspective to draw attention to the mechanisms and effects of terrorism trials in and outside the courtroom. With a special focus on how the power of these performances may in turn shape new narratives of justice and/or injustice, it offers vital insights into terrorism trials directed involving different types of terrorism suspects, from left-wing to ethno-nationalist and jihadist terrorists, in Spain, Russia, Germany, the Netherlands, and the US.
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Information
Table of contents
- Cover
- Contents
- Tables and Figures
- 1. Introduction: A Performative Perspective on Terrorism Trials
- 2. Terrorism, Political Crime and Political Justice
- 3. The Trial of Vera Zasulich in 1878
- 4. Stalin’s 1936 Show Trial against the ‘Trotzkyite-Zinovievite Terrorist Centre’
- 5. ‘Is There any Justice Left in this Country?’ The IRA on Trial in the 1970s
- 6. Germany Confronts the Baader-Meinhof Group. The Stammheim Trial (1975–1977) and Its Legacies
- 7. National Security on Trial: The Case of Zacarias Moussaoui, 2001–2006
- 8. Guantánamo as Theatre: Military Commissions as a Performance in the Court of Public Opinion, 2003–2004
- 9. The Hofstad Group on Trial: Sentencing the Terrorist Risk, 2005–2014
- 10. Supporting Prisoners or Supporting Terrorists: The 2008 Trial of Gestoras Pro Amnistía in Spain
- 11. Performing Justice, Coping with Trauma: The Trial of Anders Breivik, 2012
- 12. Conclusion
- 13. Literature on Terrorism Trials—A Selective Bibliography
- 14. Notes on Contributors
- 15. Index