In Confucianism: Its Roots and Global Significance, English language readers get a rare opportunity to read the work in a single volume of one of Taiwan's most distinguished scholars. Although Lee Ming-huei has published in English before, the corpus of his non-Chinese writings is in German. Readers of this volume will discover the hard-mindedness and precision of thinking associated with German philosophy as they enter into Lee's discussions of Confucianism. Progressing through the book, they will be constantly reminded that all philosophy should be truly comparative. The work is divided into three parts: Classical Confucianism and Its Modern Re-Interpretations, Neo-Confucianism in China and Korea, and Ethics and Politics. The interrelated ideas and arguments presented here contribute significantly to the Confucian project in English-speaking countries across the world.

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Confucianism : Its Roots and Global Significance
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Topic
Theology & ReligionSubtopic
Asian ReligionsPART I
Classical Confucianism and Its Modern Reinterpretations
CHAPTER 1
Mou Zongsanās Interpretation of Confucianism
Some Hermeneutical Reflections
mou zongsan ēå®äø (1909ā1995) played a significant role in the development of āContemporary New Confucianism.ā This chapter narrows his role more specifically and hermeneutically reflects on his interpretation of Confucianism, which is characterized by the influence of Western philosophy, especially that of the German philosopher Immanuel Kant (1724ā1804). In his interpretation, Mou employs not only Kantās philosophical terminology such as āthing-in-itself,ā āintellectual intuition,ā and āautonomy,ā but also his philosophical framework of āappearanceā and āthing-in-itself.ā Mou even views this framework as the common model for all philosophical thinking. His interpretation of Confucianism, however, has encountered criticisms on two fronts. On one hand, he has been reproached for distorting Kantās āoriginalā philosophy, and, on the other hand, he has been criticized for reading too much Kant into Confucianism.
Mouās Interpretation of Confucianism
As a reaction to the challenge of Western culture, āContemporary New Confucianismā arose in China at the beginning of the twentieth century. In view of the variety of its contents and directions, it should be regarded more as an intellectual movement than as a school. The initiators of this movement primarily include Liang Shuming ę¢ę¼±ęŗ (1893ā1988) and Xiong Shili ēåå (1885ā1968), with Zhang Junmai, Tang Junyi, Xu Fuguan, Mou Zongsan, and perhaps Qian Mu é¢ē© (1895ā1990) as their followers.1 Characteristic of this movement is its attempt to integrate some ingredients of Western culture with the Confucian tradition, insofar as these ingredients can facilitate Chinaās modernization and promote the further development of Chinese culture. This attempt is often based on the philosophical reconstruction of the Chinese tradition in terms of Western ideas. The efforts of the New Confucians are similar in many ways to those of the Fathers of the Church in developing early Christian theology. In this respect, Mou Zongsan deserves special attention for his philosophical achievements; an analysis of Mouās interpretation of Confucianism and the hermeneutical problems involved in his reconstruction of Confucian philosophy are of special cultural significance and philosophical purport.
Mouās reconstruction of Confucianism is characterized by his appropriation of Kantās philosophical framework and concepts, and is one of the earliest instances of what has come to be known in the West as comparative philosophyāhowever, instead of moving from the West to the East, the intellectual movement here is from China to the West.2 Strictly speaking, Mou may be considered unqualified to be a Kant specialist because of his lack of acquaintance with the German language. Nevertheless, as occasionally is the case, this disadvantage is offset by his genius for philosophical thinking and his diligence in researchingāsometimes a ādisadvantageā can be transformed into its opposite. On the basis of English versions, he translated Kantās three Critiques and Grundlegung zur Metaphysik der Sitten into Chinese. To these Chinese versions he appended his commentaries, which are not only philological but also philosophical-interpretative. He often interprets Kantās philosophy by contrasting it with Chinese philosophy, especially with Confucian philosophy.
Kantās influence on Mouās interpretation of Confucianism can best be considered from two perspectives: the framework of philosophical thinking and moral philosophy. In the first place, Mou appropriated Kantās philosophical framework of āappearanceā and āthing-in-itself.ā For Mou this framework can serve as the common model for all philosophical thinking. In 1975 he published Appearance and Thing-in-Itself (Xianxiang yu wuzishen ē¾č±”čē©čŖčŗ«), where he thoroughly discussed Kantās distinction. In this book, he interpreted Kantās concept of āthing-in-itself ā not as a usual epistemological concept but as one with value-connotation. He did so even though he realized Kant had never clearly expressed this thought. In this regard, Mou shows his Confucian (and New Confucian) roots. In Mouās view, an epistemological concept of āthing-in-itself ā is not sufficient to support Kantās transcendental distinction between appearance and thing-in-itself since the āthing-in-itself ā in this sense lies always beyond human knowledge. In order to solve this problem, Mou appealed to the thesis that human beings are indeed finite but have access to the infinite, which is a common conviction of Confucianism, Daoism, and Buddhism. As revealed in his Intellectual Intuition and Chinese Philosophy (Zhide zhijue yu Zhongguo zhexue ęŗēē“覺čäøåå²åø) (1971), he found this access in the āintellectual intuitionā of human beings.
It is generally known that Kant ascribes intellectual intuition only to God. But on a full analysis of the relevant sections of the Critique of Pure Reason, Mou came to the conclusion that Kantās philosophical system logically implies the possibility of ascribing intellectual intuition also to humans, although it is contrary to Kantās own expressions. This is a viewpoint Johann G. Fichte (1762ā1814) also advocated. It is here that Mou found a key to the comparison between Kantian and Chinese philosophy. Therefore a ātranscendentā or ānoumenalā metaphysics, which is impossible for Kant, is possible for Chinese philosophy. In such a metaphysical structure Mou found the proper place for Confucian metaphysics. According to Mou, Confucian metaphysics is founded on liangzhi čÆē„ (original knowing) or benxin ę¬åæ (original mind), which is a type of intellectual intuition of the moral and therefore free subject. In this sense, the āthing-in-itself ā has a practical connotation, because it is a horizon that discloses itself through liangzhi. So Mou views Confucian metaphysics as a āmoral metaphysics,ā which is different from Kantās āmetaphysics of moralsā inasmuch as the latter means a metaphysical (a priori) explanation of morals.
This point brings us to the second perspective of moral philosophy. In the introduction to his epoch-making work Heart-Mind as Reality and Human Nature as Reality (Xinti yu xingti åæé«čę§é«), Mou critically examined Kantās system of moral philosophy. Mou agreed with Kantās view that the essence of morality lies in the āautonomyā of the moral subject (will). In the concept of āautonomy,ā Mou found the key not only to interpret the doctrines of Confucianism, but also to classify the systems within Confucianism. At the same time, however, he curiously pointed out that the whole meaning of Kantās insight in this respect cannot be fully developed within the framework of his own moral philosophy. The reason for this is that Kant presupposes a dualist standpoint between the rational and the emotional deportment in the moral agent. Kantās strict separation of the rational from the emotional means the moral subject can function only as a principium dijudicationis (the principle of the appraisal of the action) and not at the same time as a principium executionis (the principle of its performance). In other words, the moral subject in Kant lacks the power of self-realization, which means there is a narrowing of the āautonomyā of the moral subject as its moral self-legislation. For Mou, it is because of this narrowing and the deprivation of intellectual intuition in humans that Kant is not in a position to establish a moral metaphysics. In its place Mou saw the prototype of moral metaphysics in Confucianism.
Thus, in Menciusā theory of xin åæ (heart-mind) as moral subject, Mou found a more suitable philosophical-anthropological framework for Kantās concept of āautonomyā because this theory is based on an a priori universalism as well as a unity of the rational and the emotional. On the basis of Menciusā philosophical anthropology, Wang Yangming advanced the thesis of the unity of moral subject and moral law (xin ji li åæå³ē) as well as that of the unity of moral knowledge and action (zhi xing he yi ē„č”åäø). The first of these theses means that liangzhi as moral subject is the last resort for moral legislation, whereas the second means that liangzhi functions not only as the principium dijudicationis, but also as the principium executionis of the moral good.
In both characteristics of Menciusā moral philosophyāthat is, the ethics of autonomy and the philosophical-anthropological unity of the rational and the emotionalāMou finds the criteria for the grouping of different systems within Confucianism. In his classification, he identifies Confucius, Mencius, the author(s) of the Doctrine of the Mean (Zhongyong äøåŗø), and the commentators of the Book of Changes (Yijing ęē¶) in the mainstream of pre-Qin Confucianism. Xunzi čå (ca. 298ā238 BCE) is then considered as a representative of another stream of Confucianism because he established an ethics of heteronomy. For the same reason, Mou excluded the Han Confucians from the mainstream of Confucianism because they appealed to what Kant called ātheological ethics,ā which made their ethics heteronomous in nature.
In his Heart-Mind as Reality and Human Nature as Reality and From Lu Xiangshan to Liu Jishan (Cong Lu Xiangshan dao Liu Jishan å¾éøč±”å±±å°åčŗå±±) (1979), Mou propounds a new classification of the Song-Ming Neo-Confucians. In his opinion, the early Northern Song dynasty Confucians, such as Zhou Dunyi åØę¦é ¤ (1017ā1073), Zhang Zai å¼µč¼ (1020ā1077), and Cheng Hao ēØé”„ (1032ā1085), belong to the aforementioned mainstream. Here we see something novel compared to the traditional view, since the thought of Cheng Hao and his brother Cheng Yi ēØé ¤ (1033ā1107) formerly were not distinguished from each other. According to Mou, Song-Ming Neo-Confucianism developed into three systems: (1) that of Lu Xiangshan éøč±”å±± (1139ā1193) and Wang Yangming, (2) that of Hu Hong č”å® (1106ā1161) and Liu Jishan åčŗå±± (1578ā1645), and (3) that of Cheng Yi and Zhu Xi. The first two systems lead to a moral philosophy that is founded on the autonomy of the moral subject. The difference between them consists only in their approaches. The first system starts subjectively from a philosophical-anthropological thesis on the human heart-mind, whereas the second one starts objectively from ontological assertions about Tian 天 (Heaven). In any event, Mou regards these systems together in the mainstream of Confucianism. In contrast, the third system is excluded from the mainstream, although through his comprehensive philosophical system, Zhu Xi has exerted tremendous influence on the subsequent development of Confucianism. The reason for this lies in Mouās judgment that this system is essentially intellectualistic and therefore based on the heteronomy of the moral subject.
Mou and His Critics
In the Chinese-speaking community, M...
Table of contents
- Half-title Page
- Title Page
- Contents
- Series Editorsā Preface
- Editorās Foreword
- Acknowledgments
- Introduction
- PART I: Classical Confucianism and Its Modern Reinterpretations
- PART II: Neo-Confucianism in China and Korea
- PART III: Ethics and Politics
- Bibliography
- Index
- About the Author
- About the Editor
- By the Same Author
- Copyright
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