Performing Exile : Foreign Bodies
About this book
This book brings together essays by an international group of scholars and artists, focusing on live performance inspired by living in exile, or created by exiled artists. Bringing together a range of perspectives to examine the full impact of political, socio-economic or psychological experiences of exile, Performing Exile: Foreign Bodies presents an inclusive mix of established and emerging voices from varied cultural and geographic affiliations. Chapters blend close critical analysis and autoethnography to document and interrogate performances and the political, religious, economic and cultural contexts that inform them. With a foreword by Yana Meerzon, and featuring essays on artists of Mexican, Korean-American, Lebanese-Quebecois, Spanish, Azerbaijani and Canadian Aboriginal origin, to name a few, Performing Exile is truly diverse.
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Information
Table of contents
- Cover
- Half Title
- Title
- Copyright
- Contents
- Acknowledgements
- I. Introduction
- II. A Theoretical Primer on Exile
- On the Paradigms of Banishment, Displacement, and Free Choice
- III. The Essays
- Chapter 1: Theatre, Reconciliation, and the American Dream in Greater Cuba
- Chapter 2: Three Angry Australians: A Reflexive Approach
- Chapter 3: Exilic Solo Performances: Staging Body in a Movement/Logos Continuum
- Chapter 4: Foreign Bodies in the Performance Art of Jorge Rojas: Cultural Encounters from Ritual to Satire
- Chapter 5: Lingering Cultural Memory and Hyphenated Exile
- Chapter 6: Carrying My Grandmotherās Drum: Dancing the Home Within
- Chapter 7: Blood Red: Rebecca Belmoreās Vigil of Exile
- Chapter 8: Yaffa Mish Yaffa (Yaffa Is No Longer Yaffa) From Diaspora to Homeland: Returning to Yaffa by Boat
- Chapter 9: Belonging and Absence: Resisting the Division
- Chapter 10: Caryatid Unplugged: A Cabaret on Performing and Negotiating Belonging and Otherness in Exile
- Chapter 11: Exile Builds Performance: A Critical Analysis of Performing Satirical Images across Cultures through Media
- Chapter 12: Resignifying Multilingualism in Accented Canadian Theatre
- Notes on Contributors
- Back Cover
