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Biopunk Dystopias : Genetic Engineering, Society and Science Fiction
About this book
Biopunk Dystopias contends that we find ourselves at a historical nexus, defined by the rise of biology as the driving force of scientific progress, a strongly grown mainstream attention given to genetic engineering in the wake of the Human Genome Project (1990-2003), the changing sociological view of a liquid modern society, and shifting discourses on the posthuman, including a critical posthumanism that decenters the privileged subject of humanism. The book argues that this historical nexus produces a specific cultural formation in the form of "biopunk", a subgenre evolved from the cyberpunk of the 1980s. Biopunk makes use of current posthumanist conceptions in order to criticize contemporary reality as already dystopian, warning that a future will only get worse, and that society needs to reverse its path, or else destroy all life on this planet.
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Information
Table of contents
- Cover
- Contents
- Acknowledgements
- 1. Introduction
- 2. Dystopia, Science Fiction, Posthumanism, and Liquid Modernity
- 3. The Anthropocene, the Posthuman, and the Animal
- 4. Science, Family and the Monstrous Progeny
- 5. Individuality, Choice, and Genetic Manipulation
- 6. The Utopian, the Dystopian, and the Heroic Deeds of One
- 7. 9/11 and the Wasted Lives of Posthuman Zombies
- 8. Conclusion
- Works Cited
- Index