Rethinking Music through Science and Technology Studies
eBook - ePub

Rethinking Music through Science and Technology Studies

  1. 288 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Rethinking Music through Science and Technology Studies

About this book

This volume seeks to offer a new approach to the study of music through the lens of recent works in science and technology studies (STS), which propose that facts are neither absolute truths, nor completely relative, but emerge from an intensely collective process of construction. Applied to the study of music, this approach enables us to reconcile the human, social, factual, and technological aspects of the musical world, and opens the prospect of new areas of inquiry in musicology and sound studies.

Rethinking Music through Science and Technology Studies draws together a wide range of both leading and emerging scholars to offer a critical survey of STS applications to music studies, considering topics ranging from classical music instrument-making to the ethos of DIY in punk music. The book's four sections focus on key areas of music study that are impacted by STS: organology, sound studies, music history, and epistemology. Raising crucial methodological and epistemological questions about the study of music, this book will be relevant to scholars studying the interactions between music, culture, and technology from many disciplinary perspectives.

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Yes, you can access Rethinking Music through Science and Technology Studies by Antoine Hennion, Christophe Levaux, Antoine Hennion,Christophe Levaux in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.

Information

Publisher
Routledge
Year
2021
eBook ISBN
9781000381993
Edition
1
Subtopic
Music

Table of contents

  1. Cover
  2. Half-Title
  3. Title
  4. Copyright
  5. Contents
  6. Acknowledgments
  7. List of contributors
  8. Foreword: Sociology and the arts: A few remarks by Howard S. Becker
  9. Introduction
  10. Part I Histories
  11. Part II Instruments
  12. Part III Technologies
  13. Part IV Practices
  14. Index