Flashback, Eclipse

The Political Imaginary of Italian Art in the 1960s

Romy Golan

• Publisher: Zone Books
• Year: 2021
• Print ISBN: 9781942130505
• eBook ISBN: 9781942130512
• Topic: Art
• Subtopic: Art & Politics

From a leading art historian, a provocative exploration of the intersection of art, politics, and history in 1960s Italy

Flashback, Eclipse is a groundbreaking study of 1960s Italian art and its troubled but also resourceful relation to the history and politics of the first part of the twentieth century and the aftermath of World War II. Most analyses have treated the 1960s in Italy as the decade of "presentism" par excellence, a political decade but one liberated from history. Romy Golan, however, makes the counterargument that 1960s Italian artists did not forget Italian and European history but rather reimagined it in oblique form. Her book identifies and explores this imaginary through two forms of nonlinear and decidedly nonpresentist forms of temporality—the flashback and the eclipse. In view of the photographic and filmic nature of these two concepts, the book's analysis is largely mediated by black-and-white images culled from art, design, and architecture magazines, photo books, film stills, and exhibition documentation.

The book begins in Turin with Michelangelo Pistoletto's Mirror Paintings; moves on to Campo urbano, a one-day event in the city of Como; and ends with the Vitalità del Negativo exhibition in Rome. What is being recalled and at other moments occluded are not only episodes of Italian nationalism and Fascism but also various liberatory moments of political and cultural resistance. The book's main protagonists are, in order of appearance, artists Michelangelo Pistoletto and Giosetta Fioroni, photographer Ugo Mulas, Ettore Sottsass (as critic rather than designer), graphic designer Bruno Munari, curators Luciano Caramel and Achille Bonito Oliva, architect Piero Sartogo, Carla Lonzi (as artist as much as critic), filmmakers Michelangelo Antonioni and Bernardo Bertolucci, and, in flashback among the departed, painter Felice Casorati, writer Massimo Bontempelli, art historian Aby Warburg, architect Giuseppe Terragni, and Renaissance friar-philosopher-mathematician Giordano Bruno (as patron saint of the sixty-eighters).

Index

• ABATE, CLAUDIO, 200, 288 n.77.
• Absence, 32, 65, 256 n11.
• Abstraction, 16–17, 251 n.8. See also Informale painting.
• Accademia di Belle Arti (Venice), 212.
• Accardi, Carla, 239.
• Accornero, Aris, 265 n.75.
• Acocella, Alessandra, Avanguardia diffusa, 23.
• Actions, 23, 109, 111–12, 134, 135, 145, 200, 271 n.14. See also Artistic interventions; Campo urbano.
• AD (Architectural Design), 169, 172–73, 280 n.120.
• Adorno, Theodor, 115, 208.
• Agamben, Giorgio, “Warburg and the Nameless Science,” 150–51.
• Aggiornamento (catching up), 18, 188.
• Agnetti, Vincenzo, 281 n.1; Il deserto con Apocalisse (1970), 182; La macchina drogata (1969), 182–85.
• Albers, Josef, 200.
• Albini, Franco, 212.
• Al di là della pittura (San Benedetto del Tronto, 1969), 23, 112, 135, 203.
• Alfano, Carlo, 197, 281 n.1; Distanze (1969), 182, 200, 227.
• Alfieri, Bruno, 45, 258–59 n.25.
• Alienation effect, 236, 291 n.119.
• All-American Men at War (comic book), 79, 264–65 n.69.
• Alpini, 76, 77.
• Alpini, Edilio. See Tempo libero.
• Alviani, Getulio, 197, 239, 251 n.8, 281 n.1; Interpretazione speculare (1965), 192; Rilievo a riflessione ortogonale (1970), 230.
• Amalfi, 112, 271 n.16; Arsenali exhibit space, 193–97. See also Arte povera + azioni povere.
• Ambience, 208, 266 n.91.
• American art collectors and curators, 41, 259 n.28.
• American culture; Mirror Paintings and, 19–20; Pop and, 19. See also Pop.
• Amore mio (Montepulciano, 1970): aim of exhibition, 197; artists and works, 197, 199–203, 239; Bonito Oliva and, 197, 199, 239; catalogue, 29, 199, 239–41, 244, 245, 247; desolidarization and betrayal at, 238–47; forum at town hall,...

Table of contents

• Cover Page
• Title Page
• Copyright Page
• Dedication
• Contents
• Introduction
• I. Inside/Outside: Michelangelo Pistoletto’s Mirror Paintings
• II. Campo urbano: A Late Summer Festival
• III. Vitalità Del Negativo: The Exhibition as Palimpsest
• Color Plates
• Acknowledgments
• Notes
• Index