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Tropical Aesthetics of Black Modernism
About this book
In Tropical Aesthetics of Black Modernism, Samantha A. Noël investigates how Black Caribbean and American artists of the early twentieth century responded to and challenged colonial and other white-dominant regimes through tropicalist representation. With depictions of tropical scenery and landscapes situated throughout the African diaspora, performances staged in tropical settings, and bodily expressions of tropicality during Carnival, artists such as Aaron Douglas, Wifredo Lam, Josephine Baker, and Maya Angelou developed what Noël calls "tropical aesthetics"—using art to name and reclaim spaces of Black sovereignty. As a unifying element in the Caribbean modern art movement and the Harlem Renaissance, tropical aesthetics became a way for visual artists and performers to express their sense of belonging to and rootedness in a place. Tropical aesthetics, Noël contends, became central to these artists' identities and creative processes while enabling them to craft alternative Black diasporic histories. In outlining the centrality of tropical aesthetics in the artistic and cultural practices of Black modernist art, Noël recasts understandings of African diasporic art.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Tropical Aesthetics of Black Modernism by Samantha A. Noël in PDF and/or ePUB format, as well as other popular books in Art & Art général. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Contents
- List of Illustrations
- Acknowledgments
- Color Plates
- Introduction • Tropicality, Modernity, and the African Diaspora
- Chapter 1 • American Tropical Modernism: The African Diasporic Reaches of Aaron Douglas’s Landscapes
- Chapter 2 • Brazenly Avant-Garde: Wifredo Lam’s Transformation of Cuba’s Tropical Terrain
- Chapter 3 • Early Twentieth-Century Trinidad Carnival: Tropicality and Strategies of Space-Making
- Chapter 4 • Pan-African Geographies in Motion: The Tropical Performances of Maya Angelou and Josephine Baker
- Conclusion • The Black Body, Tropicality, and the Black Speculative
- Notes
- Bibliography
- Index