In the spring of 1864 all prisoner-of-war exchanges between the North and the South had been halted. For captured soldiers, being condemned to the increasingly overcrowded prison camps was tantamount to a death sentence. A Soldier's Book opens as Ira Cahill Stevens, a young Union soldier, is on his way to the notorious Andersonville prison camp. Day by day, Ira shares the horrific details of a world that is growing ever more barbaric and absurd, with its "dead lines, " starvation, cruelty, filth, and false rumors of exchange. Yet even in the face of terror and despair, Ira remains hopeful, and with the help of an impromptu family of fellow soldiers, he struggles to survive, only to witness each friend picked off by death or insanity. A powerful and historically accurate novel, A Soldier's Book leaves the reader not only with a richer sense of the Civil War but of the resiliency of the human spirit.

- 208 pages
- English
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A Soldier's Book
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Thirteen
A surgeon studies my hand. He is taking so long I am stiffening up, by this warm kerosene lamp. Want to cry like a fool. Why? Because he is too close and is taking so much care. He is rendering me into a weepy girl.
A reb, I tell myself. Think of Gus. Think of Willy. This fellow donât care a bean for you.
None of it does much good. The way heâs acting youâd think we were blood brothers.
Ira, he says, and the sound of my name spoken by this rebel wreaks havoc on me. What did they do for this at Charleston? he asks.
Now I shame myself with tears.
After a while I can talk. Cauterizing. Carbolic acid. They almost cut.
He pretends not to notice the weepiness. Glad they didnât, he says. He draws in a breath, lets it out. Looks again at the black knuckles, the swollen-tight-and-about-to burst skin.
Looked worse before, I say. You could see the gangrene.
Iâm afraid weâll have to cauterize again, he says. But with some clean compresses and decent food, you might be out of the woods soon.
I chance a straight look at him to see if this is a joke. It donât seem to be. He is a thin man. Homely, you would say. Donât have much hair, his skin is sallow and bunchy and oily, all wrinkled around the eyes and blue-black there. His skull under that frail hair looks knobby. Yet so much life seems to be pouring from his hand directly into mine.
I tell myself to fight it. They only betray you, the rebels. Yarmony could have told me straight out and not fooled with that hedgehog story.
He releases my hand. Donât give up now, he says.
I leave the shed blind to everything.
These sheds. Had us all in a frenzy of speculation earlier when we saw them from the rutted road. They have pine-branch roofs and board walls on three sides. Was something to behold.
Still is.
I go into our ward and lie face-down on pine branches, smell their pitchy smell.
Marinus says Whatâs the matter?
Hate him, I say.
Who?
That surgeon.
What did he do?
Looked at my hand.
Marinus sighs. He tells me Iâm a mess, but I should hate the fellow if I want. Itâs good entertainment.
I ask if he cares about anything. He says No he donât.
So why are you here? I ask him.
He tells me not to try to figure everything out.
We have a regular sally going and itâs good. Marinus, I say. Itâs better when we talk, ainât it?
Not much, he says.
And thatâs the end of it.
I awake to some clanking and clatter. It appears to be an orderly with a bucket of steaming soup.
We sit up. We donât believe a fraction of it. Not even when we raise mush-tins and smell the tomatoes.
Clear we have gotten into the wrong batch.
I try a joke. Do you think theyâll give us some bounty for joining up?
He says So how do you feel about him now?
Who?
That surgeon.
I donât say a word then.
Donât get besotted, he tells me. As with that priest of yours.
Do you remember his name, Marinus? I have forgotten.
Arma virumque cano, he says.
No, I say. That wasnât it.
It means I sing of arms and the man.
Donât seem much to sing about.
Tell that to Publius Vergilius Maro.
Whoâs he?
Was. A poet.
Youâre feeling sparky, ainât you. So he liked war, did he?
Liked to imagine the heroic scale of things, anyway. But he died of fever when he was fifty-one. Iâm fifty-one.
But youâre not going to die of it.
Marinus is quiet.
Open your mouth, I say.
He raises his upper lip slightly.
Itâs not bad, I say, lying.
Look again, he says.
I canât see any blood.
Iâm going yellow.
Only a little bit. It might be mild.
Might. But then againâ
Letâs think of right now, I say. Letâs do like Gus would do. Think of right now and donât go no further.
A foggy drizzle beads the overhanging branches, drips down. But we are dry. We have a roof. Pine branches to sleep on. A blanket. It may be October or it may be November, but we are dry and with full bellies. Warm. Things are sliding away. The priestâs name. Gusâs last name. And Louie gone, too. Maybe Charleston. Maybe pulled from a well-hole. Maybe run from the burial grounds. What kind of footprint will I be if I canât remember a damn thing.
Unless a crazy madman footprint. Needles prick me from behind the eyes, then in legs, arms. Hand.
I smell the branches. Touch the blanket. Listen for what I can hear, the music in it, the plinking of drops, the rustle of branches under me, their turpentine smell. Then I am with Dr. Strother again and he is holding onto my hand, willing life into the dead heart of it.
I make a fist, open it. The fingers rise more or less in the right way. I make a fist again. Several days of cauterizing, clean compresses, and good food have worked this miracle.
So, Dr. Strother says. The word is a tired exhalation.
My throat too tight, I say what I have been practicing all week to sayâthat I want to help him.
How? he asks. He is testing each joint slowly and with great care.
An orderly, I creak out. I am seeing the oak bins, again, the prescription case, the red show globes. I have worked, I say from this dream, for an apothecary.
Impossible, it seems, that I have spoken such a mouthful of a word, something so ponderous and belonging to the other world.
He asks if I can define mercurous chloride.
I cannot, it seems. Those words off sitting in some distance and beckoning. You know me! But I donât. Know only that I should.
It is aâI take a guess ⌠purgative. Then know I am right. Not for diarrhea, I say.
Oh? he says. What would you prescribe?
I am taken aback by his bantering tone. Does he prescribe that too? Words spin through me, remnants of my lost life. I pick one. Paregoric. Then others. Camphorated tincture of opium. Quinine ⌠sulfate.
Youâre right, he says, not looking up from the hand. Finally he surrenders it and gives our talk full attention.
Am I principled? he wants to know.
He repeats the question, substituting the word honest.
I donât know what to say to that. I cannot tell him a part without the whole. I tell him everything. The pharmacy. Gabrielle. William Bonhoffer. J. L. Casey. The Pinkerton detectives. The reports. The running away. So no, I say. I am neither principled nor honest. I am a thief and a liar. In truth not much of a fellow at all. I donât amount up but all the same might be of some use. I tell him about Abraham Sommers and how I wanted to sign too, for food.
He donât seem to hear this part. You acted, he says, out of love. Not for personal gain. You were being loyal to that.
I know what Marinus would say to this. He would say Lo, the mind at work twisting and burrowing a way out!âor some such. But that is what the doctorâs words seem to me to be doing. Twisting and tweedling a way out.
I say It was wrong, what I did.
Do you know, he says, that we have some of those drugs here, now?âI am quite sure of it.
I go quiet, reddening, face, neck, ears. Loyalty, he goes on. One hardly knows these days. He rubs the loose folds under his eyes with fingers of both hands. I know he needs to be back in the wards, working. He does not stint on the work, stays long after the other surgeons all leave for their quarters. He often sleeps in one of the sheds.
Words come. I give them to this man. You have my loyalty, I say.
His voice is parched. Scratches out. He says he believes me. We shake hands on it. Heâs about to leave but goes to a cupboard and pulls out boots, jacket, and gray shirt. See if these fit. If not let me know. Then he is gone.
I look at my new uniform. Touch the good cloth, warm to my hand. Begin undressing.
Head-Quarters, Military Prison. Florence, South Carolina. October 30, 1864. I, Ira Cahill Stevens (enlisted as Jim Kiefer), Private, a paroled prisoner of war, do hereby pledge my word of honor that I will not violate my parole by going beyond one-half mile from the hospital limits.
I sign this document in the presence of a rebel lieutenant colonel and several other officers. I am wearing my new uniform and boots, too big for me. My right hand feels stiff and unpracticed as I form the letters of my name, sinking into the remembered shape of it. Ira Cahill Stevens, a paroled prisoner of war, but no rebel getting back to his regiment because of it. I walk out into sunshine, fitting myself into this new person. A paroled prisoner not going home but somehow, it seems, already there.
It holds, the happiness.
We hardly know what the reb sergeant is going on about. He jokes one minute, bullies the next. He looks and acts like a tipsy fellow. Woods, heâs saying now, and cross-cut marks on trees, and if we run like rabbits weâll surely pay for it. He is skinny as us. Has a frayed, sand-colored moustache that curls down over his mouth. Everything about him quivers or twitches. Eyelids. Chin. Face. Moustache. Hands. Even his skinny legs. He is taking us on a tour of the hospital grounds, telling us to pay close attention. He flings himself around to face us every so often. Struts and gives way to some kind of bellowing oratory.
God save us from these weasely sergeants. I do not trust small men in power. Lieutenant Davis was not small, nor was Yarmony. Dr. Strother is thin but not weasely. This sergeant must believe he is one of Godâs chosen in the Promise...
Table of contents
- Cover Page
- Title Page
- Dedication
- Foreword
- One
- Two
- Three
- Four
- Five
- Six
- Seven
- Eight
- Nine
- Ten
- Eleven
- Twelve
- Thirteen
- Fourteen
- Fifteen
- Sixteen
- Seventeen
- Eighteen
- Acknowledgments
- Copyright Page
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