Summary
The Things They Carried
The titular story introduces the members of Alpha Company. The soldiers, or legs, are identified by the things they carry with them on missions, from common items such as dog tags and C-rations to personal mementos such as Kiowaâs illustrated New Testament and Rat Kileyâs comic books. First Lieutenant Jimmy Cross carries letters, photographs, and a good-luck charm from Martha, a college classmate. Ted Lavender carries tranquilizers and marijuana because heâs scared.
In addition to tangible items, the men carry emotional baggage, including grief, terror, love, fear of cowardice, and the knowledge that they might die.
Lieutenant Crossâs memories of his halting romance with Martha at Mount Sebastian College in New Jersey are interspersed with the story of Ted Lavenderâs death during a mission to find and destroy tunnel complexes near the village of Than Khe. Because he canât stop daydreaming about Martha, Cross blames himself when Lavender is shot in the head by a sniper. Afterward, Cross leads the men into Than Khe to burn the village to the ground. He spends the night weeping in his foxhole. In the morning, he burns Marthaâs letters and photographs and vows to be a better, more disciplined officer.
Love
Many years after the war, Jimmy Cross visits his war buddy âTim OâBrien.â They look at photographs from their time in Vietnam, and after coming across a picture of Ted Lavender, Cross admits that heâs never forgiven himself for his death.
Cross reveals that he saw Martha at a college reunion in 1979. Sheâd become a Lutheran missionary and a trained nurse, and had never married. When Cross confesses he wanted to pick her up and carry her to his dorm room after one of their college dates, Martha says she doesnât understand how men can do the things they do. The impossibility of a relationship with Martha becomes clear to Cross. Nevertheless, he still loves her. He gives âOâBrienâ permission to write a story about his feelings, but asks to be portrayed as courageous and handsome, and a great platoon leader.
Spin
âTim OâBrienâ is a forty-three-year-old writer with a young daughter named Kathleen. He writes war stories but contends that he is not obsessed with Vietnam. A writer takes his material from his life, and âOâBrienâ remembers so many stories from the war he canât help but tell them.
Many episodes briefly referred to in âSpinââKiowa sinking into a field of muck, Curt Lemonâs body parts splayed across a tree, a young Vietnamese man dead on a trail outside of the village of My Kheâare the focus of later stories in the collection. Other fragments capture the surreal nature of the war, the strange blend of boredom, adventure, absurdity, friendship, and terror. Mitchell Sanders mails his body lice to his draft board in Ohio. Azar straps Ted Lavenderâs puppy to a Claymore mine and fires.
âSpinâ takes its title from the things the men of Alpha Company did to alleviate their boredom and fear: âOn occasions the war was like a Ping-Pong ball. You could put fancy spin on it, you could make it dance.â In many ways, Vietnam was a different world where the normal rules of society and nature did not apply.
On the Rainy River
The summer after he graduates from college, âTim OâBrienâ lives with his parents and works at a meatpacking plant in his hometown of Worthington, Minnesota. He is against the war, but purely from an intellectual standpoint, not realizing that his own life is at riskâuntil the day the draft notice arrives.
âOâBrienâ thinks seriously about fleeing to Canada. One morning he drives a few hundred miles north to the border. On the south shore of the Rainy River he checks into Tip Top Lodge, an old fishing resort. Itâs the off-season and the only other person at the lodge is the owner, an old man named Elroy Berdahl, who seems to know what his guest is contemplating but never asks any questions. One day, Berdahl takes âOâBrienâ fishing and deliberately stops the boat only twenty yards from the Canadian border.
Confronted with the reality of his decision, âOâBrienâ is unable to choose between the two courses his life might take. He imagines crowds of peopleâeveryone from his brother and sister to Jane Fonda to the young man he will one day kill outside the village of My Kheâurging him to swim toward one shore or another. He tries to will himself overboard, but the fear of ridicule makes it impossible. In that moment, he submits and decides to go to warâhe is too embarrassed not to. Berdahlâs presence makes the decision real, and the next morning, âOâBrienâ starts the journey that will take him to Vietnam.
Enemies / Friends
In âEnemies,â Lee Strunk and Dave Jensen get into a fistfight over a missing jackknife and Strunk is hurt so badly he has to be helicoptered back to the rear for medical treatment. He returns two days later with a splint over his nose. Fearing retribution, Jensen grows increasingly paranoid, until one day he breaks his own nose with the butt of a pistol. He shows Strunk what heâs done and asks if theyâre square. Strunk says sure, but canât stop laughingâhe really did steal Jensenâs jackknife.
In âFriends,â Jensen and Strunk learn to trust each other in the months following the jackknife incident. They sign a pact that if one of them gets a âwheelchair woundâ the other will put him out of his misery. A couple of months later, Strunk steps on a rigged mortar round, losing his right leg below the knee. He makes Jensen promise not to kill himâthe wound is not so bad, his leg can be sewn back on. Jensen agrees, but when he learns that Strunk died en route to the hospital, he is visibly relieved.
How to Tell a True War Story
âHow to Tell a True War Storyâ can be read as both the full account of Curt Lemonâs death and a statement on the purpose and methodology of the novelâs blending of fact and fiction.
The story of Curt Lemonâs death is told in three distinct versions. Each version reveals new and important details. In the first, Lemon âstep[s] from shade into bright sunlightâ and the sunlight lifts him into a tree. In the second version, we learn that after Lemonâs death, his best friend, Rat Kiley, shot a baby water buffalo to pieces. In the third version, it becomes clear that Lemon stepped on a booby-trapped artillery round and was blown into a tree.
According to âOâBrien,â true war stories do not leave you feeling uplifted, do not abstract or generalize, often seem untrue, and have no moral. Each of these qualities can be applied both to the story of Lemonâs death and to the novel as a whole. The moment Lemon stepped on the booby trap is told three different ways because such events are never seen in their totality. Running for their lives, witnesses miss key details; the picture gets jumbled. Only by vi...