
- 304 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
A classic on the aesthetics of filmmaking from the pioneering Soviet director who made
Battleship Potemkin.
Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned "Odessa Steps" sequence.
Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein's film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned "Odessa Steps" sequence.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Film Form by Sergei Eisenstein in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film History & Criticism. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Title Page
- Table of Contents
- Copyright
- Introduction
- Through Theater To Cinema
- The Unexpected
- The Cinematographic Principle and the Ideogram
- A Dialectic Approach To Film Form
- Photos
- The Filmic Fourth Dimension
- Methods of Montage
- A Course In Treatment
- Film Language
- Film Form: New Problems
- The Structure of The Film
- Achievement
- Dickens, Griffith, and the Film Today
- Appendix A
- Appendix B
- Notes on Texts and Translations
- Sources
- Index
- About the Author
- Footnotes