ABSTRACT
Nightlife scenes in central Madrid have been profoundly affected due to the expansion of tourist-oriented night-time leisure activities during the last three decades. This paper examines a range of tensions that have recently appeared in the La Latina neighbourhood due to the conflictual coexistence between the slow and locally-oriented everyday practices remaining in this territoir and the rapid colonisation of this central quarter of Madrid by neoliberal economies of the âTourist Cityâ. Particularly, we focus on some long-term, middle-class residents who reproduce exclusionary narratives against the rapid expansion of low cost tourist-oriented nightlife, while advocating a civilised and distinctive tourism. We argue this may be seen as a renaissance of a sanitised âmiddle-class cultureâ created by the fascist regime in the second half of the twentieth century. Recent middle-classâ protests in Spainâs largest cities hide a new struggle about âwho is legitimisedâ and âwho notâ to reclaim the re-appropriation of the city centre.
Introduction
In May 2017, The Sun1 newspaper published a piece describing the expulsion of a group of British tourists from a Ryanair flight to Alicante: âWOMEN BEHAVING BADLY. âVileâ boozed-up Brit tourists hauled off Ryanair flight to Alicante by cops after knocking back vodka, swearing and acting like âcreaturesââ read the title. The online report was accompanied by a video in which five young women defiantly exited the plane, escorted by company employees, while passengers booed and celebrated their expulsion. Hours later, The Sun published a selfie of the women sunbathing once they reached their destination. âDonât five girls have the right to have a good time on holiday?â asked one of them on her Twitter. The news did not take long to reach the Spanish press, which harshly criticised the antisocial behaviour of the tourists.
Neither the facts, nor the media narrative about them, are exclusive to the British press or Spanish beach destinations. The discomfort resulting from the increase in tourism in large Southern European cities has been widely publicised both in the press and via protests of various kinds (Colomb & Novy, 2017; Sequera & Nofre, 2018). In addition to the generation of precarious employment (HernĂĄndez, 2016; Santana, 2000) or the reduction of long-term housing arising from the emergence of tourist apartments (Arias & Quaglieri, 2016; CĂłcola, 2016), some residents lament the perceived impossibility of coexistence between residential and tourist leisure practices (Nofre et al., 2017a, 2017b). The development of âdrinkatainmentâ (Bell, 2007), resulting from the growth of the night-time economy (NTE) on a global scale, has triggered some of these protests, in which the visitorsâ âuncivilised behaviourâ contributes to the residentsâ discomfort.
Madridâs nightlife, the case study examined here, has also been profoundly affected by the expansion of tourist-oriented industries in the city over the last three decades. The inclusion of the central neighbourhood of La Latina in the nocturnal circuit has led to social tensions due to the conflicting coexistence of the slow and locally-oriented everyday practices preserved in this territoir and the rapid colonisation of this central quarter of Madrid by formal and informal neoliberal economies of the âTourist Cityâ (Colomb & Novy, 2017). However, some of the arguments expressed by long-term residents against the increase in Madridâs nocturnal tourism seem to rely on class-based stereotypes that demonise the âannoyingâ revellers and pose serious questions around âwho has the rightâ and âwho notâ, and âwho can legitimatelyâ and âwho cannotâ reclaim the city centre. In this sense, the question of âwhose emotions, sensations and experiences matterâ (Hadfield, 2014, p. 7) or, as Sharon Zukin (2011) states, who exercises the âmoral propertyâ of a place, seems important when considering who has the right (and who does not) to build the narrative of places that accumulate centuries of history. In sum, different levels of access and distribution of the âpolitics of mobilityâ (Adey, 2006, Cresswell, 2010, Hall, 2005) in Southern European city centres are at the core of some of the recent and current struggles of the âTourist Cityâ (Colomb and Novy, 2017).
This study analyses these tensions in light of the critical analysis of certain middle-class protests against the growth of low-cost nocturnal tourism in La Latina. Based on ethno-graphic fieldwork conducted between 2014 and 2016 â which included direct observation and 40 interviews with neighbours, revellers and business owners, as well as the analysis of social media information shared in different internet blogs created and administered by organised residents opposed to urban changes in the area (in total: 30 posts and associated comments; N =122) â we aim to shed light on how the âright to the cityâ (Lefrebve, 1968) might be appropriated and contested in diverse and sometimes conflicting ways by different inhabitants. In doing this, we engage with current debates around how Southern European middle-class culture is experiencing a profound economic, symbolic and cultural crisis in the aftermath of a deep recession and, secondly, how the social imaginaries of the night, leisure and tourism have shifted accordingly. In the first section, we analyse the social tensions arising from the increase in nightlife economies resulting from low-cost tourism in large Southern European cities. Second, we explore the changing nature of Madridâs nightlife scene from an historical perspective, and how a ânyctophobicâ culture (Edensor, 2013) or âfear of the nightâ has been constructed alongside the cityâs political and economic changes since the second half of the twentieth century. In the third section, we specifically analyse how the narratives of some current long-term, middle-class residents against the expansion of low-cost tourist-oriented nightlife in La Latina produce and reproduce exclusionary narratives against class-based âproblematic bodiesâ, while advocating for a civilised and distinctive tourism. We argue that such exclusionary narratives may be considered as a renaissance of the socially and politically sanitised âmiddle-class cultureâ created by the fascist regime in the second half of the twentieth century, as well as the manifestation of the new shapes that the ârevanchist cityâ (MacLeod, 2002) acquires in the age of urban neoliberalism. In parallel, using the ânew mobilities paradigmâ we aim to shed light on some of the conflicts underlying the current global geographies of tourism (Hall, 2005, Hannam et al., 2006, Sheller and Urry, 2006). Finally, we offer an alternative approach to the analysis of middle-class-led protests against the growth of contemporary low-cost tourism in Southern European urban areas, and propose that the âright to the cityâ (Lefebvre, 1968, Harvey, 2008) may need to incorporate a postcolonial and feminist ânocturnal citizenshipâ (Gwiazdzinski, 2014) to create fully inclusive nocturnal centres.
Nightlife and âlow-cost â tourism: tensions around the ludification of the âtourist city â in Southern Europe
The impact of globalisation and migration on new types of night-time consumers (Hou, 2010; Pottie-Sherman and Hiebert, 2015) and the changing social representations of night and darkness (see Edensor, 2013) have been gaining attention in urban nightlife studies, although mainly focusing on an Anglo-Saxon context. The role of nightlife in revaluing and gentrifying the post-industrial city has also been extensively addressed (Hae, 2011, Nofre and MartĂn, 2009; Ocejo, 2014). Similarly, access to and inclusion in night-time centres (Eldridge and Roberts, 2008; Roberts and Eldridge, 2007) and the class-based, gender-based and race-based biases against less privileged potential night-time consumers in post-industrial cities have received critical attention (Eldridge, 2010; Thurnell-Read, 2013; Haydock, 2014). However, as we will argue throughout this paper, we have also witnessed a re-emergence of the âmoral panicsâ associated with âalcohol cultureâ (Gee, 2014; Spracklen, 2014), as well as new forms of stigmatisation of âproblematic bodiesâ in public space (Eldridge, 2010; Thurnell-Read, 2013), associated with the intensification of internal and transnational low-cost nocturnal tourism in Southern European cities. At the same time, these biases are not new, and they respond to a long historical construction in countries with a past âand often presentâ colonial, patriarchal and elitist underlying culture.
The ânew mobility paradigmâ plays a fundamental role in order to understand some of the deeper tensions that underlie the touristification of South European cities (Hall, 2005, Hannam et al., 2006, Sheller and Urry, 2006). Particularly concerning the night, new urban nocturnal enclaves and ânew mobile subjectsâ have appeared, such as a âsanitised nightâ for Erasmus students (Malet, Nofre and Geraldes, 2016), new transnational nocturnal consumers (Malet, 2017; Nofre et al., 2017a) and nightlife venues for the European middle classes devalued by the crisis, all seeking to satisfy their leisure needs at affordable prices. As a result of the insertion of the global âentertainment machineâ (Clark, 2004; Lloyd and Clark, 2001) into Southern European urban centres, diverse âconstellations of mobilitiesâ are now interacting in novel, sometimes conflicting, ways. Hence, as explained by Cresswell (2010), physical movements and their associated representations and mobile experiences are all part of a new struggle concerning the contemporary âpolitics of mobilityâ on a global scale. Hence, in spite of Western narratives about âmobility as progressâ and the EU mantra of âfree movementâ, different mobilities are produced and productive of unequal social relations of power inside the European Union. Many âparty spacesâ in a vast array of European cities are depicted and imagined as âother placesâ where transgressive behaviour is permitted or even commodified by turning them into a brand for the visitorâs consumption.2 Examples of this complex relationship between commodification and transgression can be found in Thurnell-Read (2011), who discusses an interesting case in Poland, and Colomb (2012) who focuses on Berlin. However, due to the different impacts the recent crisis has had on the âtwo-speed Europeâ, as well as its specific historical legacies, it seems that many Southern European cities are recently intensifying their role as âludic placesâ for the visitorâs consumption, leading to diverse, contradictory and complex effects on the physical and socio-economical fabric of its cities.
In the Spanish case, some medium-sized cities such as Magaluf on the island of Majorca, but also big cities like Barcelona or Madrid, are beginning to experience an increase in visitors looking for a space to âpartyâ apparently without the rules and restrictions of the modern âdaily grindstoneâ of work and family life (Baptista, 2005). As authors such as Kelly, Hughes and Bellis (2014) have described in relation to Ibizan workers, the concept of âwork hard and party harderâ has gained considerable currency. Both Spanish and international media have quickly echoed this new reality, with headlines describing the âshamelessnessâ (Huffington Post, 2015) and âethyl debaucheryâ (El PaĂs, 2016) represented by the âdrunk tourismâ phenomenon. The very content of protests by long-term residents in these places also incorporates the discomfort caused by the new low-cost âdrunk tourismâ, which they associate with the absence of âcivilised behaviourâ, an increase in crime, fighting and noise, as well as the serious difficulties of residential and new leisure activities coexisting (Nofre et al., 2017a, 2017b).
Nightlife in Madrid: new forms of commodification in the contemporary tourist city
There is a specific history about of the ways neoliberalisation happened in Madridâs night-life. Madridâs nocturnal scene ech...