
- 384 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
Our Tragic Universe
About this book
This "delightfully whimsical novel riffs on the premise that ordinary lives stubbornly resist the tidy order that a fiction narrative might impose on them" (
Publishers Weekly).
Can a story save your life?
Ā
Meg Carpenter is broke. Her novel is years overdue. Her cell phone is out of minutes. And her moody boyfriend's only contribution to the household is his sour attitude. So she jumps at the chance to review a pseudoscientific book that promises life everlasting.
Ā
But who wants to live forever?
Ā
Consulting cosmology and physics, tarot cards, koans (and riddles and jokes), new-age theories of everything, narrative theory, Nietzsche, Baudrillard, and knitting patterns, Meg wends her way through Our Tragic Universe, asking this and many other questions. Does she believe in fairies? In magic? Is she a superbeing? Is she living a storyless story? And what's the connection between her off-hand suggestion to push a car into a river, a ship in a bottle, a mysterious beast loose on the moor, and the controversial author of The Science of Living Forever?
Ā
Smart, entrancing, and boiling over with Thomas's trademark big ideas, Our Tragic Universe is a book about how relationships are created and destroyed, how we can rewrite our futures (if not our histories), and how stories just might save our lives.
Can a story save your life?
Ā
Meg Carpenter is broke. Her novel is years overdue. Her cell phone is out of minutes. And her moody boyfriend's only contribution to the household is his sour attitude. So she jumps at the chance to review a pseudoscientific book that promises life everlasting.
Ā
But who wants to live forever?
Ā
Consulting cosmology and physics, tarot cards, koans (and riddles and jokes), new-age theories of everything, narrative theory, Nietzsche, Baudrillard, and knitting patterns, Meg wends her way through Our Tragic Universe, asking this and many other questions. Does she believe in fairies? In magic? Is she a superbeing? Is she living a storyless story? And what's the connection between her off-hand suggestion to push a car into a river, a ship in a bottle, a mysterious beast loose on the moor, and the controversial author of The Science of Living Forever?
Ā
Smart, entrancing, and boiling over with Thomas's trademark big ideas, Our Tragic Universe is a book about how relationships are created and destroyed, how we can rewrite our futures (if not our histories), and how stories just might save our lives.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Our Tragic Universe by Scarlett Thomas in PDF and/or ePUB format, as well as other popular books in Literature & Literature General. We have over one million books available in our catalogue for you to explore.
Information
PART ONE
Organise a fake holdup. Verify that your weapons are harmless, and take the most trustworthy hostage, so that no human life will be in danger (or one lapses into the criminal). Demand a ransom, and make it so that the operation creates as much commotion as possibleāin short, remain close to the ātruth,ā in order to test the reaction of the apparatus to a perfect simulacrum. You wonāt be able to do it: the network of artificial signs will become inextricably mixed up with real elements (a policeman will really fire on sight; a client of the bank will faint and die of a heart attack; one will actually pay you the phoney ransom), in short, you will immediately find yourself once again, without wishing it, in the real, one of whose functions is precisely to devour any attempt at simulation, to reduce everything to the real . . .āJEAN BAUDRILLARD, Simulacra and Simulation
I WAS READING about how to survive the end of the universe when I got a text message from my friend Libby. Her text said, Can you be at the Embankment in fifteen minutes? Big disaster. It was a cold Sunday in early February, and Iād spent most of it curled up in bed in the damp and disintegrating terraced cottage in Dartmouth. Oscar, the literary editor of the newspaper I wrote for, had sent me The Science of Living Forever by Kelsey Newman to review, along with a compliments slip with a deadline on it. In those days Iād review anything, because I needed the money. It wasnāt so bad: Iād built up some kind of reputation reviewing science books and so Oscar gave me all the best ones. My boyfriend Christopher did unpaid volunteer work on heritage sites, so it was down to me to pay the rent. I never turned down a commission, although I wasnāt at all sure what Iād say about Kelsey Newmanās book and this idea of surviving beyond the end of time.
In some ways I was already surviving beyond the end of time: beyond deadlines, overdraft limits and ultimatums from my bank manager. I hit deadlines to get money, but not always to give it away. That winter Iād been reduced to cashing all my cheques in a high-commission, no-questions-asked place in Paignton and paying utility bills at the Post Office with cash. Although what did anyone expect? I was hardly a big-time writer, although I was still planning to be. Every time a white envelope came from the bank Christopher added it to the pile of mail on my desk upstairs. I never opened any of these envelopes. I didnāt have much credit on my phone, so I didnāt text Libby back; but I put the book down and got off the bed and put on some trainers. Iād vowed never to go out in Dartmouth on a Sunday evening, for complicated reasons. But I couldnāt say no to Libby.
The grey afternoon was curling into evening like a frightened woodlouse. I still had fifty pages of The Science of Living Forever to read and the deadline for my review was the next day. Iād have to finish the book later and make sure I filed the review on time if I wanted any chance of it being in the paper on Sunday. If it didnāt go in until the next week I would miss being paid for a month. Downstairs, Christopher was on the sofa cutting pieces of reclaimed wood to make a toolbox. We didnāt have a garden he could work in, just a tiny, completely enclosed and very high-walled concrete yard in which frogs and other small animals sometimes appeared miraculously, as if they had dropped from the sky. As I walked into the sitting room I could see sawdust getting in everything, but I didnāt point this out. My guitar was propped up by the fireplace. Every time Christopher moved the saw back or forth the vibration travelled across the room and made the thick E string tremble. The sound was so low and sad and haunting that you could barely hear it. Christopher was sawing hard: his brother Josh had been for lunch yesterday and he still wasnāt over it. Josh found it therapeutic talking about their motherās death; Christopher didnāt. Josh was happy that their father was dating a 25-year-old waitress; Christopher thought it was disgusting. It had probably been up to me to stop the conversation, but at the time I was worrying that I hadnāt even looked to see what book I was supposed to be reviewing, and that the bread was running out and we didnāt have any more. Also, I didnāt really know how to stop the conversation.
Sometimes when I went downstairs Iād think about saying something, and then Iād imagine how Christopher would be likely to reply and end up saying nothing at all. This time I said, āGuess what?ā and Christopher, still sawing madly, as if into the back of his brotherās head, or perhaps Millyās head, said, āYou know I hate it when you start conversations like that, babe.ā I apologised, but when he asked me to hold a piece of wood for him I said I had to take the dog out.
āShe hasnāt been out for ages,ā I said. āAnd itās getting dark.ā
Bess was in the hallway, rolling on a piece of rawhide.
āI thought you walked her this afternoon,ā Christopher said.
I put on my anorak and my red wool scarf and left without saying anything else; I didnāt even turn back when I heard Christopherās box of nails fall on the floor, although I knew I should have done.
How do you survive the end of time? Itās quite simple. By the time the universe is old enough and frail enough to collapse, humans will be able to do whatever they like with it. Theyāll have had billions of years to learn, and thereāll be no matron to stop them, and no liberal broadsheets and no doomy hymns. By then itāll just be a case of wheeling one decrepit planet to one side of the universe while another one pisses itself sadly in another galaxy. And all this while waiting for the final crunch, as everything becomes everything else as the universe begins its beautiful collapse, panting and sweating until all life arcs out of it and all matter in existence is crushed into a single point and then disappears. In the barely audible last gasp of the collapsing universe, its last orgasmic sigh, all its mucus and pus and rancid jus will become pure energy, capable of everything imaginable, just for a moment. I didnāt know why Iād contemplated trying to explain this to Christopher. Heād once made me cry because he refused to accept spatial dimensions, and weād had a massive row because he wouldnāt look at my diagram that proved Pythagorasās theorem. According to Christopher the books I reviewed were ātoo cerebral, babe.ā I didnāt know what heād make of this one, which was a complete head-fuck.
According to Kelsey Newman, the universe, which always was a computer, will, for one momentānot even thatābe so dense and have so much energy that it will be able to compute anything at all. So why not simply program it to simulate another universe, a new one that will never end, and in which everyone can live happily ever after? This moment will be called the Omega Point, and, because it has the power to contain everything, will be indistinguishable from God. It will be different from God, though, because it will run on a processing power called Energia. As the universe gets ready to collapse, no one will be writing poetry about it or making love for the last time or just bobbing around, stoned and listless, waiting for annihilation, imagining something beautiful and unfathomable on the other side. All hands will be on deck for the ultimate goal: survival. Using only physics and their bare hands, humans will construct the Omega Point, which, with its infinite power, can and for various reasons definitely will, bring everyone back to lifeāyes, even youābillions of years after you have died, and it will love everyone and create a perfect heaven. At the end of the universe anything could happen, except for one thing.
You canāt die, ever again.
It wasnāt the kind of book Oscar usually sent me. We reviewed popular science, however wacky, but we drew the line at anything New Age. Was this a New Age book? It was hard to tell. According to the blurb, Newman was a well-respected psychoanalyst from New York who had once advised a president, although it didnāt say which one. He had been inspired to write his book by reading the work of the equally well-respected physicist Frank Tipler, who had come up with the idea of the Omega Point and done all the necessary equations to prove that you and Iāand everyone who ever lived, and every possible human who never livedāwill be resurrected at the end of time, as soon as the power becomes available to do it. Your death will therefore be just a little sleep, and you wonāt notice any time passing between it and waking up in eternity.
Why bother with anything, in that case? Why bother trying to become a famous novelist? Why bother paying bills, shaving your legs, trying to eat enough vegetables? The sensible thing, if this theory were true, would be to shoot yourself now. But then what? I loved the universe, particularly the juicy bits like relativity, gravity, up and down quarks, evolution, and the wave function, which I almost understood; but I didnāt love it so much that I wanted to stay beyond its natural end, stuck with everyone else in some sort of coma, wired up to a cosmic life-support machine. I had been told onceāand reminded of it again recentlyāthat I would come to nothing. What on earth would I do with all that heaven? Living for ever would be like marrying yourself, with no possibility of a divorce.
There were thirty-one stone steps down to the street. I walked with B past Regās place on the corner and across the market square, which was completely deserted except for one seagull pecking at a flapping chip wrapper and making the sound they all make: ack, ack, ack, like a lonely machine gun. B hugged the wall under the Butterwalk by Millerās Deli, and stopped to pee as soon as we were in the Royal Avenue Gardens. Everything seemed to be closed, broken, dead or in hibernation. The bandstand was empty and the fountain was dry. The palm trees shivered. There was a smell of salt in the wind, and something seaweedy, which became stronger as we approached the river. No one was around. It was getting darker, and the sky above Kingswear was bruising into a mushy green, brown and purple, like the skin of an apple. The wind was coming in from the sea, and all the little boats danced on their moorings as if they were enchanted, making ghostly sounds.
I put up the hood on my jacket, while B sniffed things. She liked to visit all the benches on the North Embankment, one by one, then go around the Boat Float and home via Coronation Park. She was always slower and sleepier in winter, and at home I kept finding her balled up in the bedclothes as if she was trying to hibernate. But she still followed her routine when we came out. Every day we stopped to look at the mysterious building site in Coronation Park. The previous autumn Libby had heard from Old Mary at her knitting group that it was going to be a small, stone Labyrinth set on a piece of raised and landscaped lawn with a view of the river. But it was still just a hole. The council was funding the project because a study had said it would help calm everybody down. Dartmouth was a sleepy harbour where people came to retire, die, write novels or quietly open a shop. The only people who needed calming down were the cadets at the Royal Naval College, and they would never come to the Labyrinth. My main worry was that the builders might cut down my favourite tree, and almost every day I went and checked it was still there. The wind tore across the park and I hurried B past the building site with its flapping plastic and temporary fencing, looked at my tree and then went back to the Embankment. This February was cold, cruel and spiteful, and I wanted to be at home in bed, even though it wasnāt much warmer than outside and the damp in the house made me wheeze. B obviously wanted to go home too, and I imagined her curled under the covers with me, both of us in hibernation.
There was still no one around. Perhaps Iād been worrying over nothing all these months. Perhaps he didnāt come any more. Perhaps heād never come.
Upriver, the Higher Ferry was chugging across the water towards Dartmouth. It had only one car on it, probably Libbyās, and its lights danced in the gloom. Things on the river tinkled. I stood there waiting for Libby, looking at all the boats, not looking for him. I listened to the ding-ding-ding sounds and wondered why they seemed ghostly. I reached into the inside pocket of my anorak. I already knew what was there: a scrap of paper with an email address on it that I knew by heart, and a brown medicine bottle with a pipette. The bottle contained the last dregs of the flower remedy my friend Vi had made me several weeks before. Iād been up to Scotland for Christmas to stay with Vi and her partner Frank in their holiday cottage while Christopher went to Brighton, but it had all gone wrong and now Vi wasnāt speaking to me. Because of this, I was objectively lonelier than I had ever been, but it was OK because I had a house and a boyfriend and B, which was more than enough. I also had this remedy, which helped. Her handwriting was still just legible on the label. Gentian, holly, hornbeam, sweet chestnut, wild oat and wild rose. I put a few drops of the mixture on my tongue and felt warm, just for a second.
After a couple more minutes the ferry arrived. There was a thump as the flap came down; then the gate opened and the single car drove off and headed down the Embankment. It was Libbyās, so I waved. Libby and her husband Bob had closed down their failing comic shop two years before and now ran Millerās Deli, where they sold all sorts of things, including unpasteurised cheeses, goose fat, lemon tart, home-made salads, driftwood sculptures and knitted shawls and blankets made by them or their friends. I made jam and marmalade for Millerās Deli to supplement the income I got from my writing projects. My favourite lunch was a tub of pickled garlic, some home-made fish pĆ¢tĆ© and a half-baguette, which I often picked up from the shop on winter mornings. Libby was driving slowly, with the window down, her hair going crazy in the wind. When she saw me she stopped the car. She was wearing jeans and a tight T-shirt with a hand-knitted, red shawl tied over the top, as if February was never cruel to her at all, and as if sheād never worn thick glasses, or baggy tops screen-printed with characters from horror films.
āMeg, fuck. Thank God. Christopher isnāt here, is he?ā
āOf course not,ā I said. I looked around. āNo oneās here. Why? Are you OK? Arenāt you cold?ā
āNo. Too much adrenaline. Iām in deep shit. Can I say I was at yours?ā
āWhen?ā
āToday. All day. Last night as well. Bob came back early. Can you believe they diverted his flight to Exeter because of a slippery runway at Gatwick?ā
āHave you spoken to him yet?ā
āNo, but heās sent messages. He was supposed to text me when his plane landed at Gatwick, which I thought would give me loads of time to get home and change and make the place look lived-in and stuff. When I heard a text come I just thought it was Bob at Gatwickāit was the right sort of timeāand I was in bed with Mark, so I didnāt look at it immediately. I mean, itās half an hour to get off the plane and out of the airport, and then another half an hour into Victoria, then twenty minutes across to Paddington, and then three hours to Totnes to pick up his car and then another twenty-five minutes to drive back here. So I wasnāt exactly panicking. But by the time I looked there was another text saying See you in half an hour. Then another one came asking where I was and if I was all right. I almost had a heart attack.ā
Libby was having an affair with Mark, a bedraggled guy who had washed up in Churston, a village over the river in Torbay, when heād inherited a beach hut from his grandfather. He lived in the beach hut, ate fish and picked up any casual work he could get in the boatyards and harbours. He was saving to start his own boat-design company, but Libby said he was about a million miles away from that. Libby worked in the deli with Bob most weekdays, and spent the rest of her time knitting increasingly complicated things and writing Mark love letters in dark red ink, while Bob played his electric guitars and did the shop accounts. She had invented a book group at Churston library and told Bob thatās where she went on a Friday night. She also saw Mark at her knitting group on a Wednesday, although that was more problematic, because there was always the chance that Bob might drop in with leftover cake from the shop, or that one of the old ladies might see Mark touching Libbyās knee. This weekend had been different, though, because Bob had gone to see his great-aunt and -uncle in Germany. Sheād been with Mark since Friday.
āSo you came to mine last night? And . . . ?ā
I frowned. We both knew there was no way Libby would ever spend a whole evening at my house. Sometimes, but not so often recently, sheād drop by with a bottle of wine from the shop. Then weād sit at the kitchen table, while Christopher simmered on the sofa a few feet away, watching American news or documentaries about dictators on our pirated Sky system and mumbling about the corruption of the world, and the rich, and greed. He did this on purpose because Libby had money and he didnāt like it. Mos...
Table of contents
- Title Page
- Contents
- Copyright
- Dedication
- A Map of Devonshire
- PART ONE
- PART TWO
- Acknowledgments
- About the Author