
- 147 pages
- English
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eBook - ePub
Legends and Lore of Sleepy Hollow and the Hudson Valley
About this book
A storyteller examines Irving's "The Legend of Sleepy Hollow" and the lore that inspired it, as well as other local legends of the Hudson Valley.
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The story of Ichabod Crane and the Headless Horseman is one of America's best-known fables, but what other stories does the Hudson Valley hold? Imps cause mischief on the Hudson River, a white lady haunts Raven Rock, Major Andre's ghost seeks redemption and real headless Hessians search for their severed skulls. These mysterious and spooky tales from the region's past inspired Irving and continue to captivate the imagination to this day.
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"Kruk has been enchanting audiences with his dramatic, enticing storytelling ability for 20 years." âSuzanne Rothberg, Tarrytown-Sleepy Hollow Patch
Â
The story of Ichabod Crane and the Headless Horseman is one of America's best-known fables, but what other stories does the Hudson Valley hold? Imps cause mischief on the Hudson River, a white lady haunts Raven Rock, Major Andre's ghost seeks redemption and real headless Hessians search for their severed skulls. These mysterious and spooky tales from the region's past inspired Irving and continue to captivate the imagination to this day.
Â
"Kruk has been enchanting audiences with his dramatic, enticing storytelling ability for 20 years." âSuzanne Rothberg, Tarrytown-Sleepy Hollow Patch
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Yes, you can access Legends and Lore of Sleepy Hollow and the Hudson Valley by Jonathan Kruk in PDF and/or ePUB format, as well as other popular books in History & North American History. We have over one million books available in our catalogue for you to explore.
Information
Chapter 1
BY THE NAME WASHINGTON IRVING
On mounting a rising ground, which brought the figure of his fellow-traveller in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horror-struck on perceiving that he was headless! But his horror was still more increased on observing that the head, which should have rested on his shoulders, was carried before him on the pommel of his saddle!âŚNow Ichabod cast a look behind to see if his pursuer should vanish, according to rule, in a flash of fire and brimstone. Just then he saw the goblin in his stirrups, in the very act of hurling his head at him. Ichabod endeavored to dodge the horrible missile, but it was too late.
âThe Legend of Sleepy Hollow, in Washington Irvingâs The Sketch Book of Geoffrey Crayon, Gent. 6th ed. New York and London: C.S. Van Winkle and John Murray, 1820
THE HORSEMANâS APPEAL
Headless horsemen, from the Green Knight riding off head in hand after being decapitated by Sir Gawain to the wild skullduggery in Tim Burtonâs film Sleepy Hollow, have long thrilled us. Imbedded in our universal subconscious, he evokes primal fear and fascination. The favorite horseman is Washington Irvingâs âgalloping Hessian of Sleepy Hollow.â
The Legend of Sleepy Hollow was an instant hit when it first appeared in 1819. The Headless Horseman even makes a crowd-pleasing run at Disneyâs Magic Kingdom. Recognized as the first major work by an American writer, The Legend is required reading at schools and universities. Everyone seems to both know and love the Headless Horseman of Sleepy Hollow.
In 1996, when General Motors closed down its North Tarrytown plant, the community looked for another way to bring in new business. Residents drew upon The Legend, renaming their hamlet Sleepy Hollow. A nearby village, once known as Dearman, had already taken the authorâs name, Irvington, in the nineteenth century.
Why do we love Irvingâs horseman? Russell Hubbard, a longtime historical interpreter at Washington Irvingâs homestead, Sunnyside, in Tarrytown, New York, gives a concise answer: âThe scary chase appeals to our inner being. We all want a good fright!â
Irving taps into our inner Ichabod, dashing away from doom. He leaves with us the Headless Horseman ever riding as âthe dominant spiritâŚthat haunts this enchanted regionâ (TLSH, 5) of our imagination. We really want to know, where does he come from and why does he ride?
One definitive answer comes from âthe most authentic historians of those partsâ (TLSH, 5): Charlie Duda, another longtime Sunnyside interpreter and Hubbardâs mentor. Charlie said heâd read everything on and by Irving. Speaking with an authoritative New York accent, he honed his knowledge on the subject of the Headless Horseman by addressing the public. When asked where Irving got The Legend of Sleepy Hollow, he would reply in characteristic form with the following bit of lore.
BELLS BECKON
One Sunday morning in 1818, when the fabled fog of the river Thames threatened to stop the day from breaking, two brothers hear the old bell of St. Martyrâs Church tolling. The younger tarries, as the older presses on into the mist over London Bridge. He calls back, warning theyâll be late for church.
The younger one is lost in the fog. He calls, telling his brother to look for a shape in the mist. The older one agrees to play along, saying, âAll right! I see a horse and rider, only the rider needs a head!â
The younger one agrees and asks if it reminds him of the kind of stories they used to hear around the Hudson Valley. âYes indeed, brother!â answers the elder. âWhat about the St. Martyrâs bell tolling for us now? Let us go!â

Washington Irving, circa 1820, oil on canvas. By Charles Robert Leslie, Historic Hudson Valley (ss.87.6 a-b).
The younger, still studying those mists, replies, âAnother bell calls for me. It rings, Si Deus Pro Nobis, Quis Contra Nos (If God is for us, who can be against us). Do you recall the church with that inscribed on it?â
âOf course! Itâs on the bell of Old Dutch Church of Sleepy Hollow! Washington! Are you homesick brother?â
âIâm reminded of a horseman who rode all along the Hudson. Forgive me brother, but Iâm going to leave you to pray, while I go to write.â
So the older one goes on to church, and the younger one goes on to write The Legend of Sleepy Hollow! Who were the brothers? Why, Peter and Washington Irving!
WASHINGTON IRVING
Pressing for proof of his account, Charlie followed Washington Irvingâs example, giving a delightfully indirect answer. The Legend came from a Dutch New Yorker, that old shabby gentleman who told it to Diedrich Knickerbocker, who left it in papers found by Geoffrey Crayon, the pseudonym used by Washington Irving. Charlie declared his account of Irvingâs inspiration for The Legend came from âall the biographers, who got their material from Irvingâs letters.â Charlie Duda then interpreted the sources for us with the church bell story.
Distinguished biographers like Andrew Burstein and Stanley Williams generally agree with Charlie. Something in Londonâs mists brought on homesickness and nostalgia for Sleepy Hollow, moving Irving to write The Legend. They go on to detail other sources Irving found inspiring in German and Scottish lore. Irving scholar Elisabeth Paling Funk postulates that Dutch American traditions shaped Irvingâs tale. Clearly the ride of the Headless Horseman began when something in the Sleepy Hollow air moved this New York Cityâraised author.
Born on April 4, 1783, during the British army occupation of Manhattan Island, Washington Irving came into the world just a couple weeks before General Washington assembled his troops on the Hudson to announce the formal end of the American War of Independence. The voices of Revolutionâcrying for liberty, calling for the pursuit of happinessârang deep into the sensitive Washington Irving. A lifelong voracious reader, no doubt he read all he could on the struggle to create a new nation. Later he went on to write an exhaustive biography on his namesake, George Washington. An account given by his nursemaid, Lizzie, foreshadows the coming of Americaâs first great writer.
A BAIRN NAMED WASHINGTON
The Irving familyâs Scottish nursemaid spied the gentleman crossing Broadway from almost a block away. New Yorkâs wealthy merchants strove to stand out, garbed in gaudy colored frocks. George Washington, however, wore one of an understated elegant brown. A half a head above the street crowd, his calm, placid demeanor distinguished him further. He slipped into a shop. Lizzie took little Washingtonâs hand and marched him straight in after the former general. The six-year-old tugged and tried to wiggle away. When he put his eyes upon the tall man, the little boy went still and solemn. Lizzie curtsied to the gentleman.
âPlease pardon me your Excellency, but hereâs a bairnâwas named after you.â
The tall man looked upon the boy and gave a smile. Lizzie put her words into the boyâs ear. âWashington, give a proper greeting, like youâve been taught. Go on, say your name clear.â
Little Washington Irving, awestruck, could not speak. The father of our country understood. Gently he placed his hand on the boyâs head. The two smiled, perhaps giving each other blessings.
Lizzie, a good storyteller of a nursemaid, made sure the blessing became part of the Irving family lore. It shows a possible influence on young Washington, leading him to not only write about his namesake but to have an affinity for the history of American Revolution.
This incident would have occurred around the time of Washingtonâs inauguration in New York City. Home to thirty-three thousand in 1790, Manhattan had long been the New Worldâs most diverse city. The French Jesuit Isaac Jogues wrote in 1646: âOn the island of Manhate, and in its environs, there may well be four or five hundred men of different sects and nations: the Director General told me that there were men of eighteen different languages.â
Later, almost ninety years after the English transformed New Netherlands into New York, acclaimed Swedish traveler Pehr Kalm observed that the land between Manhattan and Albany was Dutch dominated. Dutch Reform churchgoers cried ânooit!â when their ministers started preaching in English in the early 1800s. Dutch ways endured late into the nineteenth century, with Presidents Theodore and Franklin Roosevelt reporting the use of Dutch phrases around their homes while growing up in the Hudson Valley.
Truly, Washington Irving, with a doting nursemaid, the pampered and protected youngest and eighth child of a Scot Presbyterian father and an Episcopal mother, grew up in a diverse but Dutch world. Slipping off to explore the lower Hudson Valley, young Irving would sneak out for a night on the town after his father finished family prayers at nine. Heâd meet up with his best comrades at Gouverneur Kembleâs Cockloft Hall across the river in New Jersey. They called themselves the âLads of Kilkenny.â They gathered for evenings of revelry, pranks and satirical poem making. Young men with the names Brevoort, Kirke-Paulding and Swartout brought Dutch ways and words to Washington Irving.
TIPPING LEATHERHEADS
Irving, in The Legend, carefully crafts a rival to chase Ichabod away from the bounteous beautiful Katrina van Tassel. The double-jointed Abraham van Brunt was known as Brom Bones and famed for his pranks. Apparently, Bromâs best work took form when he disguised himself as the galloping ghost to drive and even drag off the interloping schoolmaster.
Those Lads of Kilkenny practiced an early version of this prank on the poor night watchmen of late eighteenth-century New York. Working at night as a guard at various corners in New York City had its benefits. A man could labor by day in a shop, at a trade or on the waterfront; by night he could get paid to don a watchmanâs leather cap and settle into the narrow little guard booth. There was just enough room to lean and doze. If luck kept crime away, the watchman only had to wake up to shout out the hour and that all is well. Youâd collect a pretty penny in pay for all your slumbers.
What could make for a better target for the Lads of Kilkenny? One night, after family prayers, Washington slinked out his window under the gable. Dashing by the Dutch Church toward John Street, he met up with his fellow Lads. What did Lady Fortune drop in their laps? A leatherhead was already nodding off on his watch! The Lads lifted a rope from a horse post. They secured it around the sleepy sentryâs booth. Letting forth a conquering hoot, they yanked, toppling the little guardâs station.
Clattering over the cobblestone street, the Lads dragged the Old Charlie, his howling protests fueling their spirited laughter. When theyâd had enough of their prank and came into view of another watchman, they dropped the rope, turned a corner and caught their breath after the sidesplitting fun. They, like Brom Bones at the end of The Legend, âgave a hearty laughâ (TLSH, 72) when hearing about their prank.

Road to Sleepy Hollow, 2008. Photo by Todd Atteberry, www.thehistorytrekker.com.
RAMBLES AND READINGS, CUSTOMS AND HEARTACHE
When in his teens, Washington also traveled on a sloop with a Dutch-speaking skipper and an African American crew. Irvingâs first excursions into the Hudson Highlands cast a spell. He wrote, âWhat a time of intense delight was that first sail through the Highlands. How solemn and thrilling the scene as we anchored at night at the foot of those mountains, clothed with overhanging forests; and every thing grew dark and mysterious.â
There young Irving hunted for squirrels but found folklore. He drank in the local tales, landscapes and characters. Gathering stories from Dutch farm wives, Irish laborers and a knowing âAfrican sage,â he later bundled them all into his fabulous storyteller, Diedrich Knickerbocker. This venerable pipe-smoking, wine-swilling itinerant bard spun yarns of river spirits, forlorn witches, wailing ghosts and the galloping Hessian to Irvingâs equally fictitious but just as distinguished âsketchâ writer, Geoffrey Crayon, gentleman. The Legend of Sleepy Hollow, however, along with his other famed work, Rip Van Winkle, took root in German lore.
Always an avid reader, Irving devoured the German folk and fairy tales collected in the early 1800s by the Brothers Grimm and Johann Otmar. He turned the tale of Peter Klaus the Goatherd into Rip Van Winkle. Gottfried Augustus Burgerâs epic poem, Der Wilde Jager, also based in German lore, and the Wild Huntsmen, the version written by Irvingâs friend Sir Walter Scott, formed Irvingâs Headless Horseman.
Irving carefully crafted together story elements from diverse sources. He wove German folklore into his own experiences of the Dutch on the Hudson. He also borrowed a few ghostly plot devices from Robert Burnsâs Tam OâShanter. Further, while living in Great Britain, his nostalgia fueled his desire to write about home. Add Irvingâs own melancholia over love and death to his uniquely American characters, and the âgalloping Hessianâ began his Sleepy Hollow run from his head to paper in 1818.
Lady Fortune tormented Washington Irving before granting success to...
Table of contents
- Cover
- Title Page
- Copyright
- Contents
- Preface and Acknowledgements
- Summary: Washington Irvingâs The Legend of Sleepy Hollow
- 1. By the Name Washington Irving
- 2. âThe Place Was Bewitchedâ
- 3. Tales of the Tappan Zee
- 4. Mother Hulda, the High German Witch Doctor?
- 5. Women in White
- 6. âThe Tragical Story of the Unfortunate Andreâ
- 7. Balt, Brom, Katrina and Ichabod
- 8. Headless!
- 9. The Storyteller
- Bibliography
- About the Author