Jack the Ripper

Quest for a Killer

M. J. Trow, M.J. Trow

• Publisher: Wharncliffe True Crime
• Year: 2019
• Print ISBN: 9781845631260
• eBook ISBN: 9781848847330
• Topic: History
• Subtopic: Military Biographies
• Index: History

The definitive investigation, "full of colorful details and sensational speculations—for those who enjoy whodunits with a bit of real history" ( Book News).
 
For more than a hundred and twenty years, the identity of the Whitechapel murderer known to us as Jack the Ripper has both eluded us and spawned a veritable industry of speculation. This book names him. Mad doctors, Russian lunatics, bungling midwives, railway policemen, failed barristers, weird artists, royal princes, and white-eyed men. All of these and more have been put in the frame for the Whitechapel murders. Where ingenious invention and conspiracy theories have failed, common sense has floated out of the window. M. J. Trow, in this gripping historical reinvestigation, cuts through the fog of speculation, fantasy, and obsession that has concealed the identity of the most famous serial murderer of all time.
 

Chapter 1

The Problem: The House That Jack Built

The bare facts are these. In the Autumn of 1888 a disputed number of women, all of them prostitutes, were murdered in the East End of London, by person or persons unknown. Because the killer was never caught, in itself the result of extraordinary luck on his part and ineptitude on the part of the police force of the time, a whole industry has grown up around the case, taking us further and further away from the truth.

The myth of the man who was Jack the Ripper began on 24 September 1888 when an anonymous letter was sent to Sir Charles Warren, Commissioner of the Metropolitan Police at Scotland Yard. Intriguingly, bearing in mind what we now know about the psychology of serial killers, its opening sentence is darkly real – ‘I do wish to give myself up I am in misery with nightmare …’¹

It smacks of another serial offender, William Heirens, who, having stabbed and shot Frances Brown in Chicago in December 1945 scrawled with her lipstick on the wall above her body, ‘For heaven’s sake catch me before I kill more. I cannot control myself.’²

But in fact, the letter to Charles Warren was a hoax, as were nearly all the other 220 letters and postcards sent to the police and the Press in the months surrounding the Whitechapel murders.

It was the second letter, sent to the Central News Agency in New Bridge Street three days later that captured the public’s imagination and launched the phenomenon that shows no sign of abating today. ‘Dear Boss,’ it began, and gloated over the ‘grand job’, the ‘funny little games’ and apologized for having to write in red ink because ‘the proper red stuff’ had congealed. It gave a deadly motive for the crimes – ‘I am down on whores’ – but most importantly, it gave the ‘trade name’, ‘Yours truly, Jack the Ripper’.

Today, informed opinion follows senior police officers’ views at the time that this was a piece of journalistic mischief, posted to his own office by Thomas J Bulling of the Central News Agency. If this is so, then the ‘Dear Boss’ was a very ‘in’ joke, because the editor-in-chief who would have received it was John Moore, quite possibly in on the whole thing. Another possibility is that the author was John Best, a freelance who wrote for the Star, working with the connivance of its editor, T P O’Connor. In a sense, it does not matter who wrote the ‘Dear Boss’ letter. What is important is that as soon as it was published, a rash of ‘copy-cats’ followed and the infamous name stuck for ever. Right through to October 1896, missives in all sorts of handwriting and styles created the kernel of the myth.

One came from George of the High Rip Gang, one of the dozens of armed and dangerous low-life who terrorized the East End. Another was written by Jack the Cunquerer [sic]; a third by ‘Yours when caught, the Whore Killer’. They were not confined to London postmarks, proving how quickly the Ripper phenomenon became national and eventually international. One Jack was hiding in a quarry in Plymouth on 10 October 1888. Another one was enjoying a holiday in Leicester on the same day. ‘Mr Englishman’, rather annoyed that his work had been hijacked by the Ripper, wrote indignantly to complain from Colchester. ‘JR’ was busy by the middle of the month at the Leylands in Leeds and ‘HTB’, though writing from Portsmouth, threatened not only to murder several rich women in Clerkenwell, but Lady Warren, wife of the Police Commissioner.

A Frenchman, giving himself the gloriously exotic name ‘Isidore Vasyvair’ wrote to ‘Monsieur le Chef de la Police’ early in October, and on the same day the Ripper wrote from Dublin, but claimed to live in Calcutta. In an obvious pastiche of Bulling/Best, ‘Jack, o estripador’ wrote from Lisbon on 24 October. A scholarly letter from Philadelphia arrived later that month, taunting the ‘Scotland Yard boys’ and promising, once the writer has the ‘lay of the locality’ to rip and cull between twenty and forty more victims.

The hoaxers who began the Ripper industry throw a spotlight on the bizarre mindset of 1888. To my knowledge, no one has analyzed these letters in terms of psychology. Most of them exhibit gallows humour with bad drawings of knives, skulls, guns, coffins and dripping blood. They abound with ‘ha has’ and endless criticism of the police, for being unable to catch them. Some are barely literate – ‘Dear Sir, I drop a line to say hav sniped enother and send …so I’ll do me job furst he gon on catle bote or with muckers Yours truly JR. Rite gain in a weak.’ Some are highly literate – ‘I am writing to you this while in bed with a sore throat, but as soon as it is better I will set to work again’ – this one purported to be a policeman. One was in verse form:

The Miller’s Court murder a disgusting affair

Done by a Polish Knacker³ rather fair

The morn (of the murder) I went to the place –

Had a shine but left in haste.

I spoke to a policeman who saw the sight

And informed me it was done by a Knacker in the night …

Some letters were intensely personal – ‘old Charles Warren shall die’ Jack wrote on 4 October. And on the 15th, Mr Smith (possibly Major Henry Smith, acting commissioner of the City of London Police) read in his post, ‘A few line to you to let you know that you will soon meet your death. I have been watching you lately…’ By December, there was clearly a feud going on when Mrs Shirley of Upper Holloway was informed that her husband – ‘the carroty looking cur’, ‘the ginger looking swine’ was a target of Jack the Ripper. Mr Shirley’s crime? ‘If he is clever at nothing else, he is a pretty good hand at getting children.’

Individuals are mentioned who have no known links with the Whitechapel murders – Polly Wright was one; Luisa Whitring another; Mary Bateman a third. Some have odd political references. On 3 November an untidy hand scrawled a resolution passed by the council of midnight wanderers of Belfast, offering ‘hearty fraternal congratulations to “Jack the Ripper” on the grand success he has recently scored’. The 1880s was a dangerous decade for Anglo-Irish relations, with the Irish secretary murdered in Phoenix Park, Dublin and a Fenian bomb demolishing part of Scotland Yard.

There was also a fanatical, religious mania theme that crops up frequently – ‘Dear friend,’ began one forwarded by the News Agency to Chief Constable Adolphus Williamson at the Yard, ‘…If she [a corpse found in Whitehall and not Ripper-related] was an honest woman I will hunt down and destroy her murderer. If she was a whore God will bless the hand that slew her, for the women of Moab and Midian shall die and their blood mingle with the dust… Do as I do and the light of glory shall shine upon you.’

The most disturbing letters prove that if the Whitechapel murderer was one of the first of his kind, there was no shortage of psychopaths in Victorian England – ‘No animal like a nice woman – the fat are the best’; ‘I have been offered double money for her womb and lower part of the body… I do like to find them nice parts’; ‘you had better be careful! How you send those Bloodhounds about the streets because of the single females wearing stained napkins – women smell very strong when they are unwell.’⁴

Behind the bewildering variety of letters – which also offered the clearly helpless police equally useless advice on how to catch the killer – stalked the Victorian Press. The 1880s was perhaps the first decade that saw the convergence of two major improvements in society. One was the increase in literacy created by compulsory education for the first time (Mundella’s Act of 1881) and the other was the cheap manufacture of paper from wood pulp and the improvement of the speed of printing presses. This led to a new proliferation of newspapers and a readership hungry for news. What sold newspapers, then as now, were sex and ‘orrible murder’ and since sex was a taboo subject for polite society, vicious crime naturally stole the headlines. George Newnes, one of the advocates of the ‘New Journalism’ summed it all up admirably when he wrote to W T Stead of the Pall Mall Gazette:

There is one kind of journalism which makes and unmakes Cabinets, upsets Governments, builds navies and does many other great things. That is your journalism. There is another kind which has no such ambitions. That is my journalism. A journalism that pays.⁵

Today, police forces work closely with the Press, especially in major investigations like multiple murder. In 1888 the policy of the police – more so the Met than the City Force perhaps⁶ – was to give no information to journalists at all. They were even excluded where possible from murder sites and discouraged from attending coroners’ inquests. Consequently, reporters felt edged out and took out their spleen on police performance. It was not good, but a bitter Press made it seem worse, from national magazines like Punch to local papers such as the East London Advertiser. The more determined newshounds skulked around police stations like the one in Leman Street, Whitechapel to collar witnesses as they left. Israel Schwartz, a Hungarian Jew who saw Elizabeth Stride shortly before she was murdered was one of these; so was George Hutchinson who gave an extraordinarily detailed description of a man he saw talking to Mary Kelly on the night she died in Miller’s Court.

People who might be reticent about talking to the police⁷ could be persuaded for the price of a pint (three farthings in 1888) to chat for hours to a newspaperman and, as with Chinese whispers, the stories grew out of all proportion and created a whole forest of mythological trees which modern researchers have to chop down. When stories were not detailed or interesting enough, there was always pressure on harassed, deadline-haunted journalists to make them up. This is almost certainly where the legend of Fairy Fay began – the Ripper’s supposed first victim who never actually existed. The Daily Telegraph and Reynold’s News between them whipped up this tale from a mish-mash of other assault cases in an effort to keep the Ripper story alive in relatively quiet periods (there was, for example, no attack for the month of October 1888).

But if the Telegraph, Reynold’s News, The Times, the East London Observer, the Star and the Daily News got it wrong (which they all did from time to time)⁸ they are all models of journalistic rectitude by comparison with the Illustrated Police News. Founded in 1864, in clear imitation of the Illustrated London News, this paper had no links with the police whatsoever and its lurid tabloid drawings are what most people conjure up when discussing the Whitechapel murders today. For example, in reporting the ‘double event’ killing of Liz Stride and Kate Eddowes on 30 September, the cover showed a completely invented face purporting to be the ‘Berner St Victim’ (Stride) in life, a truly awful profile of Inspector Edmund Reid who was the investigating officer and a series of re-creations of the scene. In no sensible order: Liz Stride is shown ‘going to her doom’ talking with her killer; Constable Watkins summoning assistance with his whistle in Mitre Square (although he did not carry one); Louis Diemschutz (with no sign of the horse and cart we know he had on this occasion) finding the Berner Street victim; a mortuary scene at St George’s-in-the-East with the fifth victim under a shroud; her sister in profile; the crowd in Berner Street once news had got out; and Louis Diemschutz again (now with horse and cart) finding the body and a policeman throwing the light of his bulls-eye lantern on Kate Eddowes’ mutilated remains. ‘Two More Whitechapel Horrors’, the paper trumpeted. ‘When will the murderer be captured?’ The answer, we now know, was never.

As the years passed – the Ripper case was officially closed in 1892 – retired policemen, very aware of the huge furore the case had caused and perhaps to whitewash themselves or exaggerate their importance, added cryptic comments which are usually far from helpful. Sir Robert Anderson was appointed Head of the CID on 31 August 1888 – by coincidence the date of Mary Ann (Polly) Nichols’ murder – and did little more than place the competent Chief Inspector Donald Swanson in charge of the case before going to Switzerland (again, by coincidence on the day of Annie Chapman’s murder) on the advice of his doctor who believed the man to be overworked! Not until 6 October, by which time Stride and Eddowes had been added to Jack’s tally, did he actually take up his post. In 1907 he wrote Criminals and Crime and three years later The Lighter Side of My Official Life. This was first serialized in Blackwood’s Magazine and contains two statements which are not only unbelievably smug and complacent (he had, after all, failed to catch Jack) but have fuelled endless speculation and contributed to the Ripper legend:

I am almost tempted to disclose the identity of the murderer and of the pressman who wrote the [‘Dear Boss’] letter… But no public benefit would result from such a course [my italics] and the traditions of my old department would suffer. I will merely add that the only person who ever had a good view of the murderer unhesitatingly identified the suspect the instant he was confronted with him; but he refused to give evidence against him. In saying he was a Polish Jew I am merely stating a definitely ascertained fact.⁹

This is of course an appalling example of journalese and how easy it is to claim knowledge where there can be no comeback. The ‘he’ in the penultimate line could be either the witness or the killer and it is to the credit of modern researchers Paul Begg and Martin Fido that they were able to identify a possible ‘face’ that fits – Aaron Kosminski.

Melville Macnaghten became Assistant Chief Constable in June 1889. His memoirs Days of My Years appeared in 1914 and was not helpful but he did leave the tantalizing Memoranda, written in 1894 and given to researcher Daniel Farson by his daughter, Christabel, Lady Aberconway, seventy years later. Even more so than Anderson’s suspect and Anderson’s witness, Macnaghten’s Memoranda are minefields of dubious information. To begin with, there are three versions, which make them suspect in themselves. The Scotland Yard file version, discovered by researcher Donald Rumbelow in 1975, begins with the mantra we have heard so often now that it is difficult to think outside that particular box – ‘Now the Whitechapel Murderer had 5 victims – & 5 victims only’ – and he itemizes them; Mary Ann Nichols, Annie Chapman, Elizabeth Stride, Catherine Eddowes and Mary Jane Kelly. ‘No one ever saw the Whitechapel Murderer,’ he says in flat contradiction of Anderson, but he makes the reasonable point that the mentally ill Thomas Cutbush, put forward as a suspect by the Sun in February 1894, is less likely to be the killer than three others whom he lists. Thomas Hayne Cutbush was the nephew of a police superintendent and was admitted to the Lambeth Workhouse Infirmary as a lunatic on 5 March 1891. Having escaped from there, he stabbed two women, Florence Johnson and Isabelle Anderson, in the buttocks on 9 March. As Macnaghten says:

It seems highly improbable that the murderer would have suddenly stopped in November ’88 and been content to recommence operations by prodding a girl behind some 2 years & 4 months afterwards.

His three more likely suspects however – M J Druitt ‘said to be a doctor [sic] and of good family’; Kosminski, ‘a Polish Jew & resident of Whitechapel’; and Michael Ostrog, ‘a Russian doctor [sic] and a convict’ – have turned out to be three more red herrings, effectively cleared by modern research. We shall discuss them in more detail in a later chapter.

The problem with senior policemen’s memoirs, apart from the passage of time involved in all such works...

Table of contents

• Front Cover
• Title
• Copyright
• Contents
• Dedication
• List of Maps
• List of Plates
• Acknowledgments
• Chapter 1 The Problem: The House That Jack Built
• Chapter 2 The Solution: The Murder Map of Whitechapel
• Chapter 3 Looking into the Abyss
• Chapter 4 The Unusual Suspects
• Chapter 5 The Trigger – Annie Millwood
• Chapter 6 Gone for a Soldier – Martha Tabram
• Chapter 7 ‘Never Such a Brutal Affair’ – Polly Nichols
• Chapter 8 ‘I Must Pull Myself Together’ – Annie Chapman
• Chapter 9 ‘Anything But Your Prayers’ – Liz Stride
• Chapter 10 ‘Goodnight, Old Cock’ – Kate Eddowes
• Chapter 11 ‘Oh Murder!’ – Mary Jane Kelly
• Chapter 12 The End of the Road – ‘Clay Pipe’ Alice McKenzie
• Chapter 13 ‘Oh, Have You Seen the Devil?’
• Plates
• Notes
• Bibliography