
- 288 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
Paradise Lost
About this book
"The greatest epic poem in the English language . . . A
work of unparalleled imaginative genius that shapes English literature even now." —Benjamin Ramm, BBC.com
Written in blank verse by the seventeenth-century English poet John Milton, this "epic of over 10,000 lines is a dramatic, imaginative version of Satan's rebellion against God and of Adam and Eve's eviction from Eden. Set at the beginnings of human history, it shifts us across an expansive universe: Heaven at the top—Earth dangling from it—and Hell at the bottom, a dark gloomy Chaos in between. It tells the story of divine creation, human ambition and hopeless rebellion, but is perhaps most famous for its presentation of Satan, an intensely deep character" ( New Statesman).
"Milton's cosmos is a visionary unfolding and enfolding of the biblical map with others from his vast mental bookstore. Paradise Lost itself is a densely intertextual amalgam of fictional worlds, made newly brilliant by the imagination behind the poet's now sightless eyes, embodied in blank verse at its most vigorously muscled. . . . That verse flows, twists, ripples and thunders like a team of miraculously tireless and synchronised horses. It's the perfect body-mind work-out." — The Guardian
Written in blank verse by the seventeenth-century English poet John Milton, this "epic of over 10,000 lines is a dramatic, imaginative version of Satan's rebellion against God and of Adam and Eve's eviction from Eden. Set at the beginnings of human history, it shifts us across an expansive universe: Heaven at the top—Earth dangling from it—and Hell at the bottom, a dark gloomy Chaos in between. It tells the story of divine creation, human ambition and hopeless rebellion, but is perhaps most famous for its presentation of Satan, an intensely deep character" ( New Statesman).
"Milton's cosmos is a visionary unfolding and enfolding of the biblical map with others from his vast mental bookstore. Paradise Lost itself is a densely intertextual amalgam of fictional worlds, made newly brilliant by the imagination behind the poet's now sightless eyes, embodied in blank verse at its most vigorously muscled. . . . That verse flows, twists, ripples and thunders like a team of miraculously tireless and synchronised horses. It's the perfect body-mind work-out." — The Guardian
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Yes, you can access Paradise Lost by John Milton in PDF and/or ePUB format, as well as other popular books in Literatur & Europäische Poesie. We have over one million books available in our catalogue for you to explore.
Information
Topic
LiteraturSubtopic
Europäische PoesieBook IX
The Argument
Satan having compassed the earth, with meditated guile returns as a mist by night into Paradise, enters into the serpent sleeping, Adam and Eve in the morning go forth to their labours, which Eve proposes to divide in several places, each labouring apart: Adam consents not, alleging the danger, lest that Enemy, of whom they were forewarned, should attempt her found alone: Eve loath to be thought not circumspect or firm enough, urges her going apart, the rather desirous to make trial of her strength; Adam at last yields: the serpent finds her alone; his subtle approach, first gazing, then speaking, with much flattery extolling Eve above all other creatures. Eve wondering to hear the serpent speak, asks how he attained to human speech and such understanding not till now; the serpent answers, that by tasting of a certain tree in the garden he attained both to speech and reason, till then void of both: Eve requires him to bring her to that tree, and finds it to be the Tree of Knowledge forbidden: the serpent now grown bolder, with many wiles and arguments induces her at length to eat; she pleased with the taste deliberates a while whether to impart thereof to Adam or not, at last brings him of the fruit, relates what persuaded her to eat thereof: Adam at first amazed, but perceiving her lost, resolves through vehemence of love to perish with her; and extenuating the trespass eats also of the fruit: the effects thereof in them both; they seek to cover their nakedness; then fall to variance and accusation of one another.
No more of talk where God or angel guest
With man, as with his friend, familiar used
To sit indulgent, and with him partake
Rural repast, permitting him the while
Venial discourse unblamed: I now must change
Those notes to tragic; foul distrust, and breach
Disloyal on the part of man, revolt,
And disobedience: on the part of Heav’n
Now alienated, distance and distaste,
Anger and just rebuke, and judgement giv’n,
That brought into this world a world of woe,
Sin and her shadow Death, and misery
Death’s harbinger: sad task, yet argument
Not less but more heroic than the wrath
Of stem Achilles on his foe pursued
Thrice fugitive about Troy wall; or rage
Of Turnus for Lavinia disespoused,
Or Neptune’s ire or Juno’s, that so long
Perplexed the Greek and Cytherea’s son;
If answerable style I can obtain
Of my celestial patroness, who deigns
Her nightly visitation unimplored,
And dictates to me slumb’ring, or inspires
Easy my unpremeditated verse:
Since first this subject for heroic song
Pleased me long choosing, and beginning late;
Not sedulous by nature to indite
Wars, hitherto the only argument
Heroic deemed, chief mast’ry to dissect
With long and tedious havoc fabled knights
In battles feigned; the better fortitude
Of patience and heroic martyrdom
Unsung; or to describe races and games,
Or tilting furniture, emblazoned shields,
Impreses quaint, caparisons and steeds;
Bases and tinsel trappings, gorgeous knights
At joust and tournament; then marshalled feast
Served up in hall with sewers, and seneschals;
The skill of artifice or office mean,
Not that which justly gives heroic name
To person or to poem. Me of these
Nor skilled nor studious, higher argument
Remains, sufficient of itself to raise
That name, unless an age too late, or cold
Climate, or years damp my intended wing
Depressed, and much they may, if all be mine,
Not hers who brings it nightly to my ear.
The sun was sunk, and after him the star
Of Hesperus, whose office is to bring
Twilight upon the earth, short arbiter
’Twixt day and night, and now from end to end
Night’s hemisphere had veiled the horizon round:
When Satan who late fled before the threats
Of Gabriel out of Eden, now improved
In meditated fraud and malice, bent
On man’s destruction, maugre what might hap
Of heavier on himself, fearless returned.
By night he fled, and at midnight returned
From compassing the earth, cautious of day,
Since Uriel regent of the sun descried
His entrance, and forewarned the Cherubim
That kept their watch; thence full of anguish driv’n,
The space of seven continued nights he rode
With darkness, thrice the equinoctial line
He circled, four times crossed the car of Night
From pole to pole, traversing each colure;
On the eighth returned, and on the coast averse
From entrance or Cherubic watch, by stealth
Found unsuspected way. There was a place,
Now not, though sin, not time, first wrought the change,
Where Tigris at the foot of Paradise
Into a gulf shot under ground, till part
Rose up a fountain by the Tree of Life;
In with the river sunk, and with it rose
Satan involved in rising mist, then sought
Where to lie hid; sea he had searched and land
From Eden over Pontus, and the pool
Maeotis, up beyond the river Ob;
Downward as far Antarctic; and in length
West from Orontes to the ocean barred
At Darien, thence to the land where flows
Ganges and Indus: thus the orb he roamed
With narrow search; and with inspection deep
Considered every creature, which of all
Most opportune might serve his wiles, and found
The serpent subtlest beast of all the field.
Him after long debate, irresolute
Of thoughts revolved, his final sentence chose
Fit vessel, fittest imp of fraud, in whom
To enter, and his dark suggestions hide
From sharpest sight: for in the wily snake,
Whatever sleights none would su...
Table of contents
- Cover
- Title Page
- Publisher’s Note
- Paradise Lost
- Book I
- Book II
- Book III
- Book IV
- Book V
- Book VI
- Book VII
- Book VIII
- Book IX
- Book X
- Book XI
- Book XII
- Copyright