
- 125 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
The great American poet's essential collection spanning fifty years of verse—with an introduction by Mark Van Doren.
With major contributions in the realms of journalism, biography and children's fiction, Carl Sandburg was a luminary of twentieth-century American literature. But he was first a foremost a poet who transformed the diversity of his experience into powerfully vivid and beloved verse. His many collections won numerous accolades, including two Pulitzer Prizes.
This selection of Sandburg's poems is culled from half a century of output and includes thirteen poems appearing in book form for the first time. As this collection so masterfully demonstrates, "[Sandburg's poetry] is independent, honest, direct, lyric, and it endures, clamorous and muted, magical as life itself" ( New York Times).
With major contributions in the realms of journalism, biography and children's fiction, Carl Sandburg was a luminary of twentieth-century American literature. But he was first a foremost a poet who transformed the diversity of his experience into powerfully vivid and beloved verse. His many collections won numerous accolades, including two Pulitzer Prizes.
This selection of Sandburg's poems is culled from half a century of output and includes thirteen poems appearing in book form for the first time. As this collection so masterfully demonstrates, "[Sandburg's poetry] is independent, honest, direct, lyric, and it endures, clamorous and muted, magical as life itself" ( New York Times).
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Yes, you can access Harvest Poems by Carl Sandburg in PDF and/or ePUB format, as well as other popular books in Literature & American Poetry. We have over one million books available in our catalogue for you to explore.
Information
From The People, Yes
For sixty years the pine lumber barnhad held cows, horses, hay, harness, tools, junk,amid the prairie winds of Knox County, Illinoisand the corn crops came and went, plows and wagons,and hands milked, hands husked and harnessedand held the leather reins of horse teamsin dust and dog days, in late fall sleettill the work was done that fall.And the barn was a witness, stood and saw it all.“That old barn on your place, Charlie,was nearly falling last time I saw it,how is it now?”“I got some poles to hold it on the east sideand the wind holds it up on the west.”
In a Colorado graveyardtwo men lie in one grave.They shot it out in a jam over who ownedOne corner lot: over a piece of real estateThey shot it out: it was a perfect duel.Each cleansed the world of the other.Each horizontal in an identical graveHad his bones cleansed by the same maggots.They sleep now as two accommodating neighbors.They had speed and no control.They wanted to go and didn’t know where.
A father sees a son nearing manhood.What shall he tell that son?“Life is hard; be steel; be a rock.”And this might stand him for the stormsand serve him for humdrum and monotonyand guide him amid sudden betrayalsand tighten him for slack moments.“Life is a soft loam; be gentle; go easy.”And this too might serve him.Brutes have been gentled where lashes failed.The growth of a frail flower in a path up
has sometimes shattered and split a rock.A tough will counts. So does desire.So does a rich soft wanting.Without rich wanting nothing arrives.Tell him too much money has killed menand left them dead years before burial:the quest of lucre beyond a few easy needshas twisted good enough mensometimes into dry thwarted worms.Tell him time as a stuff can be wasted.Tell him to be a fool every so oftenand to have no shame over having been a foolyet learning something out of every follyhoping to repeat none of the cheap folliesthus arriving at intimate understandingof a world numbering many fools.Tell him to be alone often and get at himselfand above all tell himself no lies about himselfwhatever the white lies and protective frontshe may use amongst other people.Tell him solitude is creative if he is strongand the final decisions are made in silent rooms.Tell him to be different from other peopleif it comes natural and easy being different.Let him have lazy days seeking his deeper motives.Let him seek deep for where he is a born natural.Then he may understand Shakespeareand the Wright brothers, Pasteur, Pavlov,Michael Faraday and free imaginationsbringing changes into a world resenting change.He will be lonely enoughto have time for the workhe knows as his own.
On the shores of Lake Michiganhigh on a wooden pole, in a box,two purple martins had a homeand taken away down to Martiniqueand let loose, they flew home,thousands of miles to be home again.And this has lights of wonderecho and pace and echo again.
The birds let out began flyingnorth north-by-west northtill they were back home.How their instruments told themof ceiling, temperature, air pressure,how their control-boards gave themreports of fuel, ignition, speeds,is out of the record, out.Across spaces of sun and cloud,in rain and fog, through air pockets,wind with them, wind against them,stopping for subsistence rations,whirling in gust and spiral,these people of the air,these children of the wind,had a sense of where to go and how,how to go north north-by-west north,till they came to one wooden pole,till they were home again.And this has lights of wonderecho and pace and echo againfor other children, other people, yes.
The red ball of the sun in an evening mistOr the slow fall of rain on planted fieldsOr the pink sheath of a newborn childOr the path of a child’s mouth to a nippleOr the snuggle of a bearcub in mother pawsOr the structural weave of the universeWitnessed in a moving frame of winter stars—These hold affidavits of struggle.
The people is Everyman, everybody.Everybody is you and me and all others.What everybody says is what we all say.And what is it we all say?
Where did we get these languages?Why is your baby-talk deep in your blood?What is the cling of the tongueTo what it heard with its mother-milk?
They cross on the ether now.They travel on high frequenciesOver the border-lines and barriersOf mountain ranges and oceans.When shall we all speak the same language?And do we want to have all the same language?Are we learning a few great signs and passwords?Why should Everyman be lost for words?The questions are put every day in every tongue:“Where you from, Stranger?Where were you born?Got any money?What do you work at?Where’s your passport?Who are your people?”
Over the ether crash the languages.And the people listen.As on the plain of Howdeehow they listen.They want to hear.They will be told when the next war is ready.The long wars and the short wars will come on the air.How many got killed and how the war endedAnd who got what and the price paidAnd how there were tombs for the Unknown Soldier,The boy nobody knows the name of.The boy whose great fame is that of the masses.The millions of names too many to write on a tomb.The heroes, the cannonfodder, the living targets.The mutilated and sacred dead.The people, yes.
Two coun...
Table of contents
- Title Page
- Contents
- Copyright
- Introduction by Mark Van Doren
- From Notes for a Preface
- New Poems
- Now They Bury Her Again
- Men of Science Say Their Say
- Name Us a King
- Red and White
- Sayings of Henry Stephens
- Air Circus
- Madison and 42nd
- Instructions
- Altgeld
- Waiting for the Chariot
- Was Ever a Dream a Drum?
- Under the Capitol Dome
- Isle of Patmos
- Chicago Poems
- Chicago
- Lost
- Happiness
- Mag
- Personality
- Limited
- Under a Hat Rim
- Child of the Romans
- Fog
- Killers
- Under the Harvest Moon
- Nocturne in a Deserted Brickyard
- Theme in Yellow
- Child
- Gone
- Under a Telephone Pole
- Cornhuskers
- From Prairie
- Laughing Corn
- Wilderness
- Fire-Logs
- Southern Pacific
- Buffalo Bill
- Prayers of Steel
- Psalm of Those Who Go Forth Before Daylight
- Cool Tombs
- Grass
- Smoke and Steel
- From Smoke and Steel
- Red-Headed Restaurant Cashier
- Clean Curtains
- The Hangman at Home
- Broken-Face Gargoyles
- Death Snips Proud Men
- Jazz Fantasia
- Four Preludes on Playthings of the Wind
- Threes
- A. E. F.
- Sea-Wash
- Wind Song
- Night Stuff
- Haze
- For You
- Slabs of the Sunburnt West
- From The Windy City
- Washington Monument by Night
- Upstream
- At the Gates of Tombs
- Improved Farm Land
- Primer Lesson
- Good Morning, America
- Nine Tentative (First Model) Definitions of Poetry
- From Good Morning, America
- Baby Song of The Four Winds
- Blossom Themes
- Small Homes
- Sunsets
- Splinter
- A Couple
- Phizzog
- They Ask: Is God, Too, Lonely?
- Explanations of Love
- Maybe
- Foolish about Windows
- People of the Eaves, I Wish You Good Morning
- Snatch of Sliphorn Jazz
- The People, Yes
- From The People, Yes
- Complete Poems
- Glass House Canticle
- Freedom is a Habit
- The Long Shadow of Lincoln: A Litany
- When Death Came April Twelve 1945
- Number Man
- Boxes and Bags
- Arithmetic
- Little Girl, be Careful What You Say
- The Sandburg Range
- Brainwashing
- Sleep Impression
- Star Silver
- Consolation Sonata
- Psalm of the Bloodbank
- Man the Moon Shooter
- About the Author