Background and introduction
In the music therapy room of the National Health Service (NHS) Child Development Service (CDS), a three-year-old boy sits on the floor by a large floor drum. His mother sits to his left, a music therapist to the right. In his left hand, he holds a beater, gripping it briefly before his hand loosens, and it drops to the floor. His mother picks it up, and hands it to him saying to the therapist as she does so, âYou donât mind if I help him, do you?â, to which the therapist quickly replies, âOh, of course, of courseâ. The therapist leans forward toward the mother as she speaks and then out again, as though giving space to parent and child as they negotiate the new opportunities that having a beater affords. As the child beats the drum, she hands the parent another beater and then, reaching sideways, picks up a guitar. The child watches her while still beating the drum. As she begins to strum in time with his drumming, he pauses and then drops the beater to reach towards the guitar. âOh dear, have I distracted you?â the therapist sings as the child looks towards her. Parent and therapist both laugh as the parent, with a beater still in her hand, beats once more on the drum.
This is an account of a brief moment in time between a child, parent and music therapist written as part of a microanalysis of video material from a single session. Written in simple descriptive terms, the narrative hints at the complex actions and interactions that are continually negotiated and enacted in music therapy practice with children and their parents. It is this complexity that has been the focus of a qualitative research study into the enactment of music therapy between child, parent and therapist. Based within a specific NHS childrenâs service, the health and wellbeing of the child lie at the heart of music therapy practice in this setting. Developing robust and methodologically credible ways to research practice that is characterised by its emergent, improvisatory nature is a challenge for the music therapy profession. Mixed methods, such as those employed in this study, afford flexible frameworks that can be tailored to the demands and opportunities of both practice and research.
This chapter gives a brief introduction to music therapy practice within this specific health-care setting and the perspective such practice brings to bear on questions of health and wellbeing. It charts my own journey from practitioner to researcher, by way of a growing curiosity about particular aspects of practice within the institutional frame of the NHS. While the focus of the chapter is not on the study per se, my intention is to explore the uses made of clinical video material as a methodological thread, considering two distinct ways in which it was utilised. Examples illustrate the ways in which video material enriched the mixed methods used within the study, as well as offering a way of making research methods and everyday practice congruent. The chapter includes discussion of the ethical sensitivities of researching everyday practice, particularly when, as was the case here, the research setting is also the practitionerâs place of work. I argue in this chapter for the benefits of video as a flexible tool both within this study and in future research across disciplines.
A context for practice and research
The CDS within which both the practice and research explored in this chapter are situated is a community paediatric service within a large London NHS Trust. It describes itself as providing âspecialist assessment and healthcare therapy for children with significant developmental needs, including those who are likely to have difficulty learningâ (Chelsea and Westminster Hospital NHS Foundation Trust, 2017a). Music therapy has been part of therapeutic provision within the CDS for more than two decades. As part of the multidisciplinary team, music therapists work closely with, amongst others, paediatricians, physiotherapists, occupational and speech and language therapists, offering individual or group sessions with children.
Music therapy is one of a group of professions in the UK collectively described as allied health professions and regulated by the Health Care and Professions Council. A broad definition of music therapy, and further information, can be found by visiting the British Association for Music Therapy website. A more site-specific description of music therapy can be found on the Trustâs website, where music therapy is described as follows:
Music therapy uses shared music-making to help children cope more effectively with their lives and difficulties, and allows them to show their potential. It is based on the understanding that all human beings are able to respond to music irrespective of ability or disabilityâŠ. In our sessions the therapist and the child make music together â it is shared and spontaneous â through this the two establish a musical relationship.
(Chelsea and Westminster Hospital NHS Foundation Trust, 2017b)
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